Otacon
Hall of Fame
There was a time when the US Open distinguished itself from its Grand Slam colleagues by grouping together on the last Saturday not only the women's final, but also the two men's semi-finals. It was the "Super Saturday". The one in 1984 has gone down in the history books of tennis.
After its early days, the US Open has fallen into line, adopting a classic format: women's semi-finals on Thursday, men's on Friday and the finals on the weekend. This is another element that is eroding the DNA of this tournament, which for a long time had its spice from the fact that it did nothing like the others. The US Open was a bit like "Nowhere else". You either loved it or hated it, but New York was different. The night sessions. The tie-break in the deciding set. And Super Saturday. The two men's semifinals and the women's final all in one day. Crazy? Yes. A stroke of genius? Yes.
This crazy idea was born in the middle of the 70s and, as always in the country of Uncle Sam, it all started with an economic consideration. The second week of the US Open is plagued by the "Labor Day", a holiday, usually on Monday in the middle of the tournament. CBS, the historical broadcaster of the tournament, noticed the damage: the men's semi-finals, on Friday, generated little audience. After Labor Day, no one takes Friday off to watch tennis. With the NFL season resuming on Sunday, the broadcaster plans to make Saturday THE event day of the tournament by grouping the men's semi-finals and the women's final.
16 SETS, 165 GAMES AND 979 POINTS
The USTA is excited about the CBS idea. The players, much less so, as they are sacrificing a day of rest before the finals and resent the disparity between the finalist from the morning semifinals and the one who will have to deal with the night session. The latter felt insulted by the fact that they did not have a fixed schedule for the most important match of the fortnight. A compromise was found. The women's final will be held at 4 p.m. local time, if the first half of the men's match is completed. But basically, in the context of the 1970s, everyone accepted with a certain amount of grace, hoping that the tournament, its players and tennis in general would all gain in terms of exposure. In this respect, the gamble will be largely successful.
Just as no one called the Super Bowl by that name when it was first held in 1967, no one spoke of Super Saturday when it was born. That would come with time. But very quickly, this day will become a must of the tennis season and the most cult element of the US Open. Especially on September 8, 1984. A historic day, a tennis orgy and an unequaled peak of drama. "Tennisathlon, Sempiternity Saturday", evoked the American press. But soon, it will be called "The greatest day in tennis history". The greatest day in tennis history. The craziest in any case.
In 1983, CBS found itself at a loss. Super Saturday flopped like never before. The two men's semifinals turned into a slaughter, with Ivan Lendl and Jimmy Connors beating Jimmy Arias and Bill Scanlon. As the women's final was just as quick (6-1, 6-3 for Martina Navratilova against Chris Evert), the channel had to make up for it with reruns. The audience collapses. So CBS took precautions the following year. It asked the USTA to place the semi-final of the over 35 years old tournament between John Newcombe and Stan Smith as a curtain raiser. It was 11:07 a.m. when the two former US Open winners began their match. The day would not end until 11:16 pm after four matches, 16 sets, 165 games and 979 points.
If everyone is waiting for the "real matches", Stan Smith and John Newcombe take their business very seriously. The latter won the first set 6-4, but dropped the second 7-5 after a hard fought battle. Suddenly, CBS began to wonder if it was really a good idea to have scheduled this match as the opening match on the Louis Armstrong... Newcombe, that year, was also a CBS consultant. From the booth at the top of the court, the commentators write a note and pass it to Newcombe. It was passed to the Australian at a side change at the beginning of the third set. On it is written, "What the hell are you doing?" Smith won in three sets, but the day was off to a great start. We haven't seen anything yet, though.
The first men's semifinal pits Ivan Lendl, an unfortunate finalist the previous two years against Connors and Pat Cash. When he was 19, the young Australian is not yet in the Top 10, but he already carries in his game and on his face the charisma that will make him a true character of the second half of the 80s. Hated by all of New York, Lendl was whistled at throughout the match. Flushing crowd supports Cash. Of course, it does. The match would go the distance, going to a tie-break in the fifth set. Fortunately, it lasted "only" 3 hours and 39 minutes, limiting the damage.
This SF reached heights of nervous tension, especially in the last set, completely crazy. The two players don't like each other, and Cash is a bloodthirsty man. At 5-4, he saved a match point before breaking Lendl. He serves for a place in the final. This 12th game will be one of the most tense ever. Cash gets a match point in his turn. Lendl saves it with a breathtaking forehand lob that lands just short of the baseline, a miracle.
Cash thinks he's going to get an ace on the T, but the ball is called fault. He rants and raves. Two points later, Lendl breaks and harangues the crowd like Connors. Cash then starts to belch and points his finger at the linesman who had called his serve out. Lendl took it personally and replied, "You're not talking to me," he said to his young rival. You end up wondering if these two are going to get into it. Since his major breakthrough at the French Open three months earlier, the Czechoslovakian is no longer quite the "choker", the "chicken" mocked by all. He won the tie-break and clinched a spot in the final.
Pat Cash would later admit that it would take him "months" to recover from this defeat. On Friday, the two men laughed about it on the set of Eurosport. "It was an interesting match," smiled Lendl. "Ivan," the Australian relaunched, "you know you took advantage of a bad call by the umpire... Do you even agree that this is the luckiest win of your entire career?" "I don't know if it was a bad call, but I'll give you that, I was very lucky. But you know Patrick (yes, he calls him Patrick), lucky or not, it's still a win!" This one cult match would have been enough for the audience's enjoyment, but they will get more than their money's worth. Back then, no double ticketing. Those who paid did so for all four matches. You better like tennis and, above all, have nothing planned for the evening.
After its early days, the US Open has fallen into line, adopting a classic format: women's semi-finals on Thursday, men's on Friday and the finals on the weekend. This is another element that is eroding the DNA of this tournament, which for a long time had its spice from the fact that it did nothing like the others. The US Open was a bit like "Nowhere else". You either loved it or hated it, but New York was different. The night sessions. The tie-break in the deciding set. And Super Saturday. The two men's semifinals and the women's final all in one day. Crazy? Yes. A stroke of genius? Yes.
This crazy idea was born in the middle of the 70s and, as always in the country of Uncle Sam, it all started with an economic consideration. The second week of the US Open is plagued by the "Labor Day", a holiday, usually on Monday in the middle of the tournament. CBS, the historical broadcaster of the tournament, noticed the damage: the men's semi-finals, on Friday, generated little audience. After Labor Day, no one takes Friday off to watch tennis. With the NFL season resuming on Sunday, the broadcaster plans to make Saturday THE event day of the tournament by grouping the men's semi-finals and the women's final.
16 SETS, 165 GAMES AND 979 POINTS
The USTA is excited about the CBS idea. The players, much less so, as they are sacrificing a day of rest before the finals and resent the disparity between the finalist from the morning semifinals and the one who will have to deal with the night session. The latter felt insulted by the fact that they did not have a fixed schedule for the most important match of the fortnight. A compromise was found. The women's final will be held at 4 p.m. local time, if the first half of the men's match is completed. But basically, in the context of the 1970s, everyone accepted with a certain amount of grace, hoping that the tournament, its players and tennis in general would all gain in terms of exposure. In this respect, the gamble will be largely successful.
Just as no one called the Super Bowl by that name when it was first held in 1967, no one spoke of Super Saturday when it was born. That would come with time. But very quickly, this day will become a must of the tennis season and the most cult element of the US Open. Especially on September 8, 1984. A historic day, a tennis orgy and an unequaled peak of drama. "Tennisathlon, Sempiternity Saturday", evoked the American press. But soon, it will be called "The greatest day in tennis history". The greatest day in tennis history. The craziest in any case.
In 1983, CBS found itself at a loss. Super Saturday flopped like never before. The two men's semifinals turned into a slaughter, with Ivan Lendl and Jimmy Connors beating Jimmy Arias and Bill Scanlon. As the women's final was just as quick (6-1, 6-3 for Martina Navratilova against Chris Evert), the channel had to make up for it with reruns. The audience collapses. So CBS took precautions the following year. It asked the USTA to place the semi-final of the over 35 years old tournament between John Newcombe and Stan Smith as a curtain raiser. It was 11:07 a.m. when the two former US Open winners began their match. The day would not end until 11:16 pm after four matches, 16 sets, 165 games and 979 points.
If everyone is waiting for the "real matches", Stan Smith and John Newcombe take their business very seriously. The latter won the first set 6-4, but dropped the second 7-5 after a hard fought battle. Suddenly, CBS began to wonder if it was really a good idea to have scheduled this match as the opening match on the Louis Armstrong... Newcombe, that year, was also a CBS consultant. From the booth at the top of the court, the commentators write a note and pass it to Newcombe. It was passed to the Australian at a side change at the beginning of the third set. On it is written, "What the hell are you doing?" Smith won in three sets, but the day was off to a great start. We haven't seen anything yet, though.
The first men's semifinal pits Ivan Lendl, an unfortunate finalist the previous two years against Connors and Pat Cash. When he was 19, the young Australian is not yet in the Top 10, but he already carries in his game and on his face the charisma that will make him a true character of the second half of the 80s. Hated by all of New York, Lendl was whistled at throughout the match. Flushing crowd supports Cash. Of course, it does. The match would go the distance, going to a tie-break in the fifth set. Fortunately, it lasted "only" 3 hours and 39 minutes, limiting the damage.
This SF reached heights of nervous tension, especially in the last set, completely crazy. The two players don't like each other, and Cash is a bloodthirsty man. At 5-4, he saved a match point before breaking Lendl. He serves for a place in the final. This 12th game will be one of the most tense ever. Cash gets a match point in his turn. Lendl saves it with a breathtaking forehand lob that lands just short of the baseline, a miracle.
Cash thinks he's going to get an ace on the T, but the ball is called fault. He rants and raves. Two points later, Lendl breaks and harangues the crowd like Connors. Cash then starts to belch and points his finger at the linesman who had called his serve out. Lendl took it personally and replied, "You're not talking to me," he said to his young rival. You end up wondering if these two are going to get into it. Since his major breakthrough at the French Open three months earlier, the Czechoslovakian is no longer quite the "choker", the "chicken" mocked by all. He won the tie-break and clinched a spot in the final.
Pat Cash would later admit that it would take him "months" to recover from this defeat. On Friday, the two men laughed about it on the set of Eurosport. "It was an interesting match," smiled Lendl. "Ivan," the Australian relaunched, "you know you took advantage of a bad call by the umpire... Do you even agree that this is the luckiest win of your entire career?" "I don't know if it was a bad call, but I'll give you that, I was very lucky. But you know Patrick (yes, he calls him Patrick), lucky or not, it's still a win!" This one cult match would have been enough for the audience's enjoyment, but they will get more than their money's worth. Back then, no double ticketing. Those who paid did so for all four matches. You better like tennis and, above all, have nothing planned for the evening.