|
|||||||
| Register | FAQ | Members List | Calendar | Search | Today's Posts | Mark Forums Read |
![]() |
|
|
Thread Tools | Display Modes |
|
|
|
|
#1 |
|
Rookie
Join Date: Jan 2010
Posts: 331
|
I hit a decent forehand now but i am aware that i have a bit of a bend in my elbow. I know that is not a bad thing but i want to hit a straight arm forehand (want a more aesthetically pleasing forehand and its more effecient anyway, not the point of this thread). So right now i've got a decent double bend going and i want to convert it to straight arm (please dont tell me how stupid this is). So it shouldnt be that hard right considering i already have the basic forehand down.
any tips anyone would like to share? is it as simple as consciously thinking about keeping the elbow as straight as possible? what about this push/pull business? what i want to really know is if the straight arm is a result of doing something else correctly. I worked many hours on the wrist aspect of the forehand. I saw many vidoes of most top pros seemingly bend their wrists back right before they hit their forehands. So i tried to emulate this. It failed badly as i shanked and mis hit a lot of balls. After much experimentation, i realised the wrist snapping back was a result of the tremendous body rotation The racquet was "lagging back" as an effect of inertia. So the top pros were not actually concentrating on "snapping the wrist" back as i had been trying to learn. After realising this, my forehand immediately improved greatly, with the shot becoming very powerful and with great spin. I want to know if the straight arm component of the forehand is a similar deal Thanks! thanks |
|
|
|
|
|
#2 |
|
Semi-Pro
Join Date: Apr 2012
Posts: 426
|
Watch Nadal and Federer...
The reason they hit with a straight arm is that they perform an arm extension in their take back while they pronate their forearm a bit. I've posted pictures of Federer's forehand in a few threads. I'll try to get them as they are commented with the actual anatomical terms which tells you exactly what movements he performs in each pictures. I used to hit with a straight arm forehand. I spent the whole summer last year figuring out how I would get to hit it a la Federer. Of course, it worked fine. I was blasting the ball really hard and I had tons of spin... I spent so much time working on my footwork and shot placement that I was able to slam almost any ball I could get to. However, the timing and contact were really hard to get right and every other day I would be hitting very averagely. Kudos to my hitting partner who started hitting big himself and getting me into trouble, but it wasn't only about him playing well. It wasn't rare to play two or three great days and then have a poor day... and I had a one handed backhand, not to help! So both of my strokes used to be high maintenance. But if you say that you have a good forehand right now, why not work on improving what you have instead of trying to change it all over? I recently got enough of trying to maintain a super high level of play to be aggressive all the time. Instead, I work on movements which are easier to duplicate. I have a two handed backhand since three weeks and I must have played a few thousands of them by now -- it's not yet a second forehand, but it evolves greatly. I started using the double bend and a genuine western grip and I'd say I'm hitting about as big as I used to, except with more spin. And, tactically, instead of trying to end the point early, I think I'll get to build them one shot at a time, knowing I risk not to miss too many of them. If you really want an advice, getting grooved in a simpler movement will pay off in the long term; if you get to stop and play again after a while, your movement risks to be closer to its previous level if it's simpler and, throughout matches, you risk a lot less to ride roller coasters where you will hit either big or fail.
__________________
"A nation that asks nothing of government but the maintenance of order is already a slave in the depths of its heart [...]." -Alexis de Tocqueville |
|
|
|
| 1HBH Rocks |
| View Public Profile |
| Find More Posts by 1HBH Rocks |
|
|
#3 | |
|
Rookie
Join Date: May 2010
Location: The Southern tip of deepest, darkest, Africa
Posts: 101
|
Quote:
I have straight arm FH technique and when it's "on" it's great when it's "off" it makes life very very frustrating. You don't have to be off by much either. I would trade for a more consistent bent arm in a heartbeat. |
|
|
|
|
|
|
#4 |
|
Hall Of Fame
Join Date: Feb 2011
Posts: 2,808
|
Most straight armers don't straighten it in the take back but transition to the forward swing.
swing the arm back slightly bent and then relax the biceps so that the arm extends naturally. |
|
|
|
| dominikk1985 |
| View Public Profile |
| Find More Posts by dominikk1985 |
|
|
#5 | |
|
Rookie
Join Date: May 2012
Posts: 277
|
Quote:
To emphasis the feeling, practice throwing a ball and feeling that extension. |
|
|
|
|
|
|
#6 |
|
Hall Of Fame
Join Date: Jan 2008
Posts: 4,579
|
OP,
I learned to hit a "straight" or straighter FH by incorporating these points: - I space the ball away from the body correctly. - Contact the ball more out in front. Think backing the hitting arm with the shoulder. - Think slinging or flinging the rackethead. Hitting a straighter FH is a challenge for most rec players because, IMO, not many are 'brave' to distance themselves far from the ball and swing all out. People are more comfortable staying close to the ball as if they'd have more control. And you need to swing all out in a slinging motion to get power. Double bent FH is easier to get power and comfort (and the limits that go with it) because you'd be doing something like an arm wrestling. |
|
|
|
|
|
#7 | |
|
Hall Of Fame
Join Date: Feb 2011
Posts: 2,808
|
Quote:
In a throw you start bent and then extend the arm into the release. In the FH this comes earlier at the end of the transition the arm will already reach full extension. It's more like a cricket bowler but with the bent arm takeback. |
|
|
|
|
| dominikk1985 |
| View Public Profile |
| Find More Posts by dominikk1985 |
|
|
#8 | |
|
Rookie
Join Date: May 2012
Posts: 277
|
Quote:
|
|
|
|
|
|
|
#9 |
|
Banned
Join Date: Aug 2005
Posts: 4,606
|
I don't recommend "learning" a straight arm forehand. It all comes down to your natural bio-mechanics. You can either do it, or you don't.
Do you have a naturally "uncoiling" body type? Or do most of your power come from sudden jerky/snapping motions? |
|
|
|
| Say Chi Sin Lo |
| View Public Profile |
| Find More Posts by Say Chi Sin Lo |
|
|
#10 | |
|
Hall Of Fame
Join Date: Jan 2008
Posts: 4,579
|
Quote:
Any stroke mechanic can be learned, given the right instructions/instructors. The only difference is the speed that stroke is performed. Speed will always be a "problem". |
|
|
|
|
|
|
#11 |
|
Professional
Join Date: May 2012
Posts: 866
|
Don't think of it as two distinct things. There is a spectrum of "straightness" in the forehand that goes from a complete double bend and a straight arm.
Federer doesn't hit with a complete straight arm every single time. All you have to do is think about adjusting your arm position to meet the ball. So, if the ball if further out in front, you hit with a more straight arm. If it's closer to you, you obviously have to do a double bend. So really all there is to do is adjust your contact position. |
|
|
|
|
|
#12 | |
|
Rookie
Join Date: Apr 2006
Posts: 323
|
Quote:
Have fun learning and grooving it. It definitely looks more aesthetically pleasing IMO. Enjoy
__________________
Glory Glory Man United, when the Reds go marching on, on, on!!!!! |
|
|
|
|
| doctor dennis |
| View Public Profile |
| Find More Posts by doctor dennis |
|
|
#13 |
|
Professional
Join Date: Jun 2010
Posts: 1,232
|
Do you currently pronate on the take back (face your palm downwards)? I found this, and the timing of it, to be the trickiest part of the Federer stroke.
Instead, I like Del Potro as a model because he doesn't pronate on the takeback. It's a lot simpler and easy to learn, though I don't think it generates the same power or topspin. It might be a good transition stroke. Anyway, one thing I focus on is my elbow. I think of my elbow as whipping my forearm forward and outward. This visualization really helped getting straight on contact and hitting through the ball cleanly. Also keep in mind that when drop hitting a ball, you gotta drop the ball really far away from you, otherwise you will be building a bad habit. Maybe this is why Federer starts rallies with an underhand squash shot instead of his regular forehand. BTW, I would add Berdych to the straight-arm club. Although his arm is bent at contact, his racket accelerates forward with a straight arm, then he bends the arm into contact. I don't recommend him for emulation though, because this is a more complicated stroke. |
|
|
|
| BevelDevil |
| View Public Profile |
| Find More Posts by BevelDevil |
|
|
#14 | |
|
Semi-Pro
Join Date: Apr 2012
Posts: 426
|
Quote:
That movement (pronation) allows you to tap into a stretch-shortening cycle in the muscles responsible for the internal rotation of the shoulder... in short, your arm moves faster around your body if you get that. Every player who doesn't meet this standard will suffer consistency issues when trying to retain control at high power levels -- and that's scientifically established. Del Potro is an example of player who doesn't fit the bill, although he's more in a third kind of transition movement apparently. But note that even players who use a double bent structure will reach this position. Others will supinate before swinging forward. You must meet the ball with a slightly closed face and your arm will inexorably supinate as you move it forward... if you already begin the movement, you'll have troubles reaching a consistent contact and you might as well not be able to exploit a second stretch-shortening cycle, this time in your forearm pronators, which is responsible for added spin at contact. The point here is that both of these little tweaks can be added to the forehand of any player, even amateur, so long as he has a fundamentally sound basis; if everything's there with the foot stance, the arms and body posture, you only need to add little twitches to make it go from good to great.
__________________
"A nation that asks nothing of government but the maintenance of order is already a slave in the depths of its heart [...]." -Alexis de Tocqueville Last edited by 1HBH Rocks : 06-06-2012 at 03:23 PM. |
|
|
|
|
| 1HBH Rocks |
| View Public Profile |
| Find More Posts by 1HBH Rocks |
|
|
#15 | |||||
|
Professional
Join Date: Jun 2010
Posts: 1,232
|
Quote:
Quote:
Quote:
Quote:
Quote:
As I said in my post above, the Delpo stroke can be used as a transition from a conventional double-bend to a Federer forehand. While using the Delpo stroke, a person can get accustomed to hitting with a straight arm. Then, if he so chooses, he can begin incorporating increasing degrees of pronation on the backswing to eventually arrive at a Federer forehand. Or he can stick with the Delpo forehand. Ultimately, I think it comes down to how much of a risk OP is willing to take and how much time he's willing to dedicate. A full Federer stroke has more potential, however getting near that potential will be further in the future (measured in court time), and may never come at all if he doesn't get a feel for it. Only the OP can decide whether this is a risk and commitment worth taking. Although he seems to be a die-hard Fed fan, so I'd guess he'll jump straight into the Fed forehand. But even if this is the case, I think a reasonable way to arrive at the Fed forehand is via Delpo's. |
|||||
|
|
|
| BevelDevil |
| View Public Profile |
| Find More Posts by BevelDevil |
|
|
#16 | |
|
Professional
Join Date: May 2012
Posts: 866
|
Quote:
Also, I'd like to add that grip plays into this. I personally hit with the straight arm and I don't see how it would work with anything more extreme than a SW grip. Personally, I use an extreme-eastern. |
|
|
|
|
|
|
#17 | |
|
Semi-Pro
Join Date: Apr 2012
Posts: 426
|
Quote:
And, seriously, it's more complicated? I told you, you can do like these guys above and ensure the most consistent way you can find to achieve great contact at high speed or, like most people, you supinate. You will do one of the three methods -- I don't know about the third, but I surely know the first one (pronation) is correlated to higher swinging speed and spin production on average. Of course, some compensate the movement and hit more flat with it (Cilic and Berdych), but that's not the point. Your arm, you see, will supinate in the forward swing. If you don't pronate, you risk opening your racket face too early and players who do that are force to fool around with their racket face to keep it closed at contact. That's a mess and that's complicated to do -- yet most players play this way.
__________________
"A nation that asks nothing of government but the maintenance of order is already a slave in the depths of its heart [...]." -Alexis de Tocqueville |
|
|
|
|
| 1HBH Rocks |
| View Public Profile |
| Find More Posts by 1HBH Rocks |
|
|
#18 | |
|
Semi-Pro
Join Date: Apr 2012
Posts: 426
|
1.Indeed, Del Potro isn't the best model you can find.
2.Some think about patting the dog, but I don't really care the wording. I am talking about what happens with their forearm as they are about to swing, at the very end of their take back. 3.I know, it's a weird swing. That's why the researcher had put him in a third kind alongside of Agassi. I didn't pay attention to exactly what he was doing; I just know he's not in the optimally efficient kind given the data he piled and that's enough. 4.The tweaks I am talking about involve simple body position at given moment of the stroke. You take an average stroke and you improve it by adding in a few details -- pronation at the end of the take is one; ulnar deviation, wrist flexion and a supine hand position nearby contact that is reversed to a prone position and radial deviation after contact is a second one (that's what people call the wrist snap). Both aren't very hard to implement... most of the time, you need to add them into the movement; the high performance coach who wrote about it and studied it says most of his students don't need to get rid of details that should be out of the swing unlike what most people might think. He says they needed things to be added. The two above details are things to be added. 5.As for your Tsonga, here he is: ![]() He does it too. It's more his elbow and forearm you should look at than his racket as his body position, the ball will make contact with and his intention might change how far the racket faces the ground. If the elbow tries to show its face, there's pronation, even if only mild. 6.I don't think we should use any movement besides our own, but you are being consequent with the above: I said we need to add stuff to make good forehands turn into great forehands... you do need to work on big movements before working on smaller ones and it's indeed a fast and easy change if you know how to teach it right. 7. The same coach resumed what details the best forehands get right that amateurs can learn without being exceptionally gifted themselves. Quote:
8. When I explained that it's easier to achieve consistent contact, I meant that your racket will behave this way and open as you swing. If you don't get into this position, you make your life harder for no reason. ![]() In his experience, players who have implemented these advices -- and we're talking about ranked juniors, competitive players -- have seen their top spin production increase by as much as 40% on average and some of the flat hitters have nearly doubled it.
__________________
"A nation that asks nothing of government but the maintenance of order is already a slave in the depths of its heart [...]." -Alexis de Tocqueville |
|
|
|
|
| 1HBH Rocks |
| View Public Profile |
| Find More Posts by 1HBH Rocks |
|
|
#19 |
|
Hall Of Fame
Join Date: Apr 2007
Posts: 2,742
|
To me, this is the easy part, its the forward swing that is not easy.. given that its not just the straight arm thing, but also employing the WW. This aside, consciously trying to straighten the arm doesnt work and can cause you to lock out the arm or hyper extend it. i would concentrate on maintaining some bend in the arm but hitting through the ball more
|
|
|
|
|
|
#20 |
|
Hall Of Fame
Join Date: Apr 2007
Posts: 2,742
|
Also, with the takeback, you dont actually have to actively pronate your arm for the palm to face the ground.. from the initiation of the swing where you point the racquet up (off hand still on the racquet), you perform the unit turn and then at the completion of the unit turn, the racquet drops into the slot.. you will notice the palm is facing the ground without doing anything
|
|
|
|
![]() |
|
||||||
| Thread Tools | |
| Display Modes | |
|
|