I really should be getting some extra sleep before my morning appointment, but since it's been a while and I'm nowhere near drowsy yet....
Au revoir les enfants - 1987, autobiographical work by Louis Malle. (French). Beautiful and touching, this movie is about a day in the director's life that he could not forget (back in 1944) (and the events leading to it). About a small reflexive action that had tragic consequences for someone dear to him.
"More than 40 years have passed, but I'll remember every second of that January morning until the day I die..."
It's among Malle's better movies but as is the case with nearly all of his fictional output I find it rather soulless. As I've said before Malle's true calling was as a documentarian, and one could say Au revoir was one of his attempts as such in a more fanciful manner. But he does check off all the right points of tribute to the French Resistance. Another plus: the lovely Irene Jacob making her film debut as the boys' piano tutor.
My Life As a Dog - enjoyed. Beautiful movie.
Thanks for the recommendation. Planning to see Children of Paradise soon, it's a long movie so need to plan it out so i can see it in one sitting.
I started Children of Paradise yesterday. I am liking it a lot although Mum doesn't.
Children of Paradise - is a 1945 French film directed by
Marcel Carné.
Enjoyed it. The story of a beautiful courtesan played by
Arletty and her relationships with four men. Arletty was imprisoned in 1945 for her affair with a German officer. Beautiful mime sequences.
Glad you enjoyed both. Hope your mom eventually came around regarding Paradise.
Not quite a masterpiece, but it's probably Gilliam's best movie after Brazil. Also Robin Williams probably had his best "serious" role here, which is both telling and maddening because I really can't think of another talent of his caliber (which is to say almost no one) in cinema who had such an extensive history of mediocre and downright bad scripts.
The Strange Love of Martha Ivers - (1946) Barbara Stanwyck, Van Heflin*, Kirk Douglas, Judith Anderson (aunt)**
* Charles Bovary in Madame Bovary
** Mrs Danvers in Rebecca
Also, the young Martha was played by Janis Wilson who played Tina in "Now, Voyager".
If you liked Ivers you should also enjoy Lang's Scarlet Street which is even better. Looks like Moose has given you a few more noir recommendations.
Saw
The Ballad of Narayama (1958) again, after two years. Touching and beautiful movie about an old Japanese practice of old people being left on the to top of Mount Narayama to die upon turning 70.
Based on an old custom called
Ubasute, abandoning the elderly in some remote, desolate place to die, during times of famine or drought.
Last entry on this ... June 8th, 2013
http://tt.tennis-warehouse.com/inde...movie-you-watched.319009/page-67#post-7489986
I'm surprised that you've seen the Kinoshita movie twice because almost everyone I've talked to says he/she saw the later Imamura one (which I've yet to see myself). It's indeed a fine movie, though I do question whether such a stylized mise en scene is appropriate for such serious subject matter. Thankfully the custom of ubasute seems to be less a historical tragedy than folklore.
Speaking of stylized Japanese movies Seijun Suzuki is well known among cineaste circles (which unsurprisingly include Tarantino) for such oft-kilter yakuza fare as Branded to Kill and Tokyo Drifter. But the best movie of his that I've seen is not a crime flick but rather a youth melodrama called Everything Goes Wrong. I discovered it fairly recently and was stunned at its (atypical) sharp social critique and emotional range, though his trademark nihilism that informs his better-known output is still very much in evidence. Highly recommended.
Late Spring (1949) - Nice Ozu film...
I need to go on an Ozu binge soon.
Late Spring is arguably Ozu's best film, but don't just stop there. There are lots more worthy Ozu titles but a few must-sees are the silent I Was Born, But... and his first talkie The Only Son, both of which I place above the overrated Tokyo Story. And I've always had a soft spot for his valedictory An Autumn Afternoon, which I briefly covered on the Kubrick thread:
BTW my favorite Ozu film is his very last one titled An Autumn Afternoon. Late Spring may be his best work (yes, over Tokyo Story) with more layers to crack, but his valedictory is funnier (a surprising number of sex jokes here!) and puts its spotlight more on a parent's grappling with the loss of his child to youth and family as opposed to Late Spring's headier dissection of the parent-child relationship and the institution of marriage. This more intimate approach leads to a more moving and poignant conclusion, which shows Hirayama (superbly portrayed by Ozu regular Chishu Ryu) singing "The Battleship March," a song that gains several degrees of potency from a memorable meeting with an old military colleague earlier in the film, as he sits alone in his room ruminating after just having married off his daughter. It's probably the best final scene Ozu ever filmed, and one of my favorites ever.