Best items you found at thrift stores (Goodwill)?

Whoops memory failed. My 200G is 270g so only 4g lighter. Feels lighter than that when I’m swinging it lol.

Yeah, of the 40 odd 200Gs I've measured after the first model, which were produced from late 1985 onwards, the majority are in the 360-375g range strung. Ie, the 2nd paintjob models onwards were typically half an ounce lighter than the first 'Graphite' models (thankfully).
 
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Sunday's USTA match. First time I've seen someone with a two handed forehand, and he also wore a racquetball glove while playing for some reason. If I knew how many moon balls there would be in this match I'd have set up the camera on the ground...

 
Sunday's USTA match. First time I've seen someone with a two handed forehand, and he also wore a racquetball glove while playing for some reason. If I knew how many moon balls there would be in this match I'd have set up the camera on the ground...

Your opponents tennis racquet has a modern racquetball light pop sound to it like they are hitting that type of ball over a Tennis ball. You sound like you are playing an old school Squash/Raquetball game with the loud pop these older 1980's and 1970's smaller racquets get.
 
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Despite a few scuffs on this Wimbledon racquet, the Leonia 66 strings were in very good condition, so £6 seemed fine.

With the imaginative Graphite Composite 88 name, it has the same shape as most Prince 90s (about 93sqi), but is not the same mould given the recessed bridge and thinner 17mm beam. Marked as 60% graphite, it was listed around £80 in 1985, albeit in a rather expensive Wimbledon range.

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I was prepared for it to be lighter than typical mid 80s sticks, since it was in the Dynamic Weighting group, but I hadn't expected a strung weight of just 314g with leather grip. Approximately 1.5oz (45g) less than the typical Wilson or Head midsize at that time. The balance of 33cm suggests weight is lower in most areas, just slightly favouring a reduction in the handle. And yet stability and power is not bad.

Something about the beam on these Wimbledons seems to add stiffness beyond the norm of the era, or was it a different variety of graphite? Who knows, but it still has nice pop and feel too.
 
Wimbledon brand racquets always fascinated me. The recessed bridge you mentioned looks similar to my ProKennex Silver Ace 90. I wonder if it's taken from the same mold.
 
Wimbledon brand racquets always fascinated me. The recessed bridge you mentioned looks similar to my ProKennex Silver Ace 90. I wonder if it's taken from the same mold.

The bridge area of the Silver Ace 90 does look similar, and it makes sense being Kunnan. However, the SA90 looks slightly different to this model as its beam looks more rounded, the bottom of its throat aperture wider, and the overall shape less round. The mid-80s Wimbledons have quite square-edged beams like the Copper Ace, but again not quite the same shape.

On the other hand, the Wimbledon Graphite (100%) and slightly later Wimbledon GK-88 do seem to be closer to the SA90 in those areas.
 
Your Wimbledon with the recessed bridge is from the same mould as the “100% Graphite” model, as used on tour by Joakim Nystrom, Mikael Pernfors, Rodney Harmon, Ken Flach, Kathy Jordan, et al, circa 1984-1986. A basic but excellent racquet, rather underrated and under appreciated. And yes, made in Taiwan by Kunnan Lo.

An interesting side note is that the mould was taken over to Belgium for Snauwaert to press a Pernfors model or two, after they secured his sponsorship contract. And while a millimeter perfect copy with the same drill pattern, it featured a different layup and didn’t quite hit the same as the Wimbledon. Read more at https://tt.tennis-warehouse.com/ind...graphite-vs-snauwaert-mikael-pernfors.499519/
 
Your opponents tennis racquet has a modern racquetball light pop sound to it like they are hitting that type of ball over a Tennis ball. You sound like you are playing an old school Squash/Raquetball game with the loud pop these older 1980's and 1970's smaller racquets get.
funnily enought my racket was the Gamma 340X from 2012, and his was the Prince O3 Red from 2005 so my racket was actually 7 years newer.
 
I told myself I was gonna retake these photos with my new camera (Canon Eos R7) but I'm lazy. here's some I took with my dads with that sepia tone about them. It's a Pro Kennex Graphite Prophecy 95, lovely plum/burgundy fade on that 14x18 constant beam mold seen on several different layups and paint jobs. I wouldn't presume if you've hit with one you've hit with them all, but if its anything like the others it should be money.

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Your Wimbledon with the recessed bridge is from the same mould as the “100% Graphite” model, as used on tour by Joakim Nystrom, Mikael Pernfors, Rodney Harmon, Ken Flach, Kathy Jordan, et al, circa 1984-1986. A basic but excellent racquet, rather underrated and under appreciated. And yes, made in Taiwan by Kunnan Lo.

An interesting side note is that the mould was taken over to Belgium for Snauwaert to press a Pernfors model or two, after they secured his sponsorship contract. And while a millimeter perfect copy with the same drill pattern, it featured a different layup and didn’t quite hit the same as the Wimbledon. Read more at https://tt.tennis-warehouse.com/ind...graphite-vs-snauwaert-mikael-pernfors.499519/

Indeed, I too thought that the Composite 88 would be the same mould as the Graphite 88 used by various Pros and then from Snauwaert, as that would make sense being released at the same time. However, upon closer inspection there are differences in the moulds, namely at the bottom of the throat.

As shown in the following pics, the Composite 88 has a very narrow and straight throat at its base, before curving outwards. Whereas, the Graphite 88 has a throat that starts a bit wider and curves out from the beginning. In that regard, the G88 is similar to most other rackets at the time, whereas, the C88 is somewhat unique as far as I can tell.

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Confusingly, a USbay advert has a C88 listing that is actually a G88.

Further confusingly, there was also a delightfully named Juliet 88 that has a bottom throat that is straighter than the G88 but wider than the C88.

Hence, not only are the Wimbledons slightly different from the Prince moulds, but also each Wimbledon seems to be slightly different from each other. It seems like Kunnan persuaded Wimbledon that a different mould was needed for each model. Very clever by Kunnan as I'm sure they kept the mould patents.

At least the avid Wimbledon racket collector can pride him or herself on a selection of rackets differentiated not by paint-jobs.
 
I had a Wimbledon Graphite Composite 88 when I was a junior, I thought it was a great racquet and an upgrade from my PK Copper Ace (not knowing anything being 15). I couldn't afford a POG or Pro Staff back then or even find an F200 so decided on the Wimbledon seeing Joakim Nystrom playing one on tv. I had it strung with Technifibre NRG and painted the two Babolat stripes at the bottom like the pros did just for the cool factor haha. Ah, youth, if I could go back and give myself a friendly talk...
 
I had a Wimbledon Graphite Composite 88 when I was a junior, I thought it was a great racquet and an upgrade from my PK Copper Ace (not knowing anything being 15). I couldn't afford a POG or Pro Staff back then or even find an F200 so decided on the Wimbledon seeing Joakim Nystrom playing one on tv. I had it strung with Technifibre NRG and painted the two Babolat stripes at the bottom like the pros did just for the cool factor haha. Ah, youth, if I could go back and give myself a friendly talk...

Do you remember if it was also very light for the era, like mine at 314g strung?
 
I don't know the weight of it sorry, I was a kid and didn't know anything back in the day except what I saw the pros use on tv. It was definitely lighter than my Copper Ace but that also had that old school plastic wrap-around head protection on it that added quite a bit of swing weight I would imagine.
 
Here's an honest to goodness Goodwill find at $4.67. It's a Prince Graphite Authority Oversize, a nameplate I've never seen before, and a quick search here on TTW brings up a fat goose egg of threads about it, so it must be a hidden gem right lol? The pics don't do the color justice, the dark red/burgundy is a lot brighter in natural light, and the gun metal fade make it look pretty stunning in person. It's in 9.5/10 condition as well, with a larger grip size that fits me quite well. Hopefully I'll have a Prince only day and give it a shot here soon. I think this dates somewhere between 1991-93, as by 94 they'd changed up the CTS style graphics and font. But since it says 'Oversize' instead of '110' it's after 1990, and it also lacks a copyright date with the racket info. No country of manufacture sticker remains, it either didn't have one or it was removed by previous owner.

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Here's an honest to goodness Goodwill find at $4.67. It's a Prince Graphite Authority Oversize, a nameplate I've never seen before, and a quick search here on TTW brings up a fat goose egg of threads about it, so it must be a hidden gem right lol? The pics don't do the color justice, the dark red/burgundy is a lot brighter in natural light, and the gun metal fade make it look pretty stunning in person. It's in 9.5/10 condition as well, with a larger grip size that fits me quite well. Hopefully I'll have a Prince only day and give it a shot here soon. I think this dates somewhere between 1991-93, as by 94 they'd changed up the CTS style graphics and font. But since it says 'Oversize' instead of '110' it's after 1990, and it also lacks a copyright date with the racket info. No country of manufacture sticker remains, it either didn't have one or it was removed by previous owner.

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One of many Prince SMU exercises, likely for a “big box” or chain retail or sporting goods store.
 
One of many Prince SMU exercises, likely for a “big box” or chain retail or sporting goods store.
My thoughts exactly for a Sheel's, Sports Authority, Dick's back when Dick's was not crap or Sears before they moved to being only tools, appliances, TVs in the mid 1990's and similar stores to what Sear's was Prior to the mid 1990's change.
 
Well if it is a SMU, its spec’d out similarly to some of their main line offerings and has a nicer paint job than most IMO. I’ll have to capture it outside some time.

Like many mid-low level Prince rackets from that time, it probably plays better all around than the top of the range Vortex and Extenders.
 
Never saw a good racquet, but I have a few almost new Nike tennis shirts for $3 each.
Also for $1 a thick leather belt, that I cut into small squares for "power pads," just for fun.
 
Funny how expensive that vortex was back then, the tour spec rackets the pros used were like $100 cheaper. That thing is just a glorified tweener power stick spec wise anyways.
I can see why Prince may have done this so Average player who should not be using a racquet like even close to a pro model would think they are getting a high end Pro spec model when the pro is in fact using the Pro specs that are $100 cheaper.
 
I see you got a theme picking up burgundy-colored racquets between the ProKennex Prophecy and Prince Graphite Authority. lol
I faintly remember seeing the Prince Graphite Authority at Big 5 sporting good stores. They would be randomly pop up with the likes of the Graphite Comp LX, XB, and Lite XB.
 
I see you got a theme picking up burgundy-colored racquets between the ProKennex Prophecy and Prince Graphite Authority. lol
I faintly remember seeing the Prince Graphite Authority at Big 5 sporting good stores. They would be randomly pop up with the likes of the Graphite Comp LX, XB, and Lite XB.
Yes I saw at Sheel's bargain section of tennis Near the on sale Nike visors I was looking for as a runner needing to replace an older hat with the side mesh vents that was falling apart, in the late 2000's or early 2010's near the ProKennex Destany line in the old bronze possibly some left having trouble selling as it looked when just walking by not looking closely at looked like a Wilson model in a nearly the same color at the time that the Wilson model did not sell very well being an expensive Ultra Pro in a thin beam wide body oversized model that was more like what is the expensive version of the current Recreational model made back then. ProKennex Destany was the only ProKennex bargain line and sold at the time as the 5G/7G were still more mid-tier Bargen $150--$170 models depending on who was selling them.

The Destany might be if still unchanged from 2000's the last model line from ProKennex still being sold without the Kinetic Shift tech in the models as not all models had the shift tech until the 2000's 5G/7G models.

I was getting the gen 1 visor the old model next to the other Nike tennis on sale where the swoosh for everyone came off in the first or second wash like all the reviews I saw for the hat after getting it. I traced the fallen off swoosh then filled in with sharpie When I should have done the Brooks logo becuse they had at the time a very similar hat in the exact yellow green or very similar. Now Nike has a golf version with wider band for the visors as well as a cheaper model for tennis/running but in the Gen 2 version I ended up with a women's golf model for one of them becuse the Gen 2 of the tennis/Running model was sold out in women's one size fits all and I was trying to get the Gen 2 women's version of the Tennis/running visor online in hopes the hat would fit better as the Gen 1 unisex is when tightened up a hair loose as the Gen 2 that was a tad tight in the women's when as loose as you can go with still having enough attachment. I think Nike has stuck with the Gen 2 design on the visors, only tweaking them a hair in the fit so they work for more people. The true sports hat is still Unisex but this model mostly unchanged since Version 2 except maybe 4 instead of 2 of the small mesh vents in version 3. The hat has always fit more people even the metal top cap thing was on Gen 1 of the generic Nike sports hat and why I did not buy the hat until later gen 2 in 2020.

Odd the Nike Visor found near the tennis section of Sheel's at the time when the Nike model was made for golf/tennis as some distance runners sponsored by Nike wore the gen 1 sports visors over the hat made more for running/tennis that even some golfers preferred due to how most of the Nike golf hats were and most still are basically a traditional brim that for some is not comfortable when playing golf becuse the hat moves too much during the activity.
 
Was at Play it again sports... again. Someone dropped off a bunch of late 70's sticks in the $2.99 bin. Some barely interesting stuff, Wilson TX3000, Performer, World Class, and this, which I nabbed. I'd call it a 8.5/10 shape Trabert C-6. Made out of something called graphite, like what they shove in pencils, but I scrapped it on the floor and it didn't write too good. Maybe it works better for tennis.

Nice to find the original mass produced graphite frame. Definitely reminds me of a shrunken, more egg-like POG. I'll have to see if it can hang with the Kawasaki GR, that thing might be my new favorite standard size frame, its such a beast. Hopefully the old blue start strings are up for some prolonged use. Looking over the rest of the frame, the grip is still in decent shape, looking at the buttcap, I think that T logo could have used a little work, idk its ok I suppose. Did any notable pros use this in the late 70's, or the Middy that followed?

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Was at Play it again sports... again. Someone dropped off a bunch of late 70's sticks in the $2.99 bin. Some barely interesting stuff, Wilson TX3000, Performer, World Class, and this, which I nabbed. I'd call it a 8.5/10 shape Trabert C-6. Made out of something called graphite, like what they shove in pencils, but I scrapped it on the floor and it didn't write too good. Maybe it works better for tennis.

Nice to find the original mass produced graphite frame. Definitely reminds me of a shrunken, more egg-like POG. I'll have to see if it can hang with the Kawasaki GR, that thing might be my new favorite standard size frame, its such a beast. Hopefully the old blue start strings are up for some prolonged use. Looking over the rest of the frame, the grip is still in decent shape, looking at the buttcap, I think that T logo could have used a little work, idk its ok I suppose. Did any notable pros use this in the late 70's, or the Middy that followed?

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It looks like a Graphite version of a Wilson T-3000/TX-3000 model.

My prediction is this model probably plays like the Wilson T-3000/TX-3000 only if made of wood/graphite or fiberglass covered Graphite, basically more power/stiffer frame one of these if lucky both.
 
Hanging on the wall with the rest of the rackets PIAS wants to actually make some money on, was this, Volkl C-9 (no relation to the C-6, I think...). At $9.99. Always happy to find a Volkl out there, its been pretty barren for them, hell I've found more Kneissl's than Volkl's. I asked a somewhat knowledgeable individual about when this dates to, and he said he thinks it came out around 1993, but Volkl kept things in the catalog longer than most, so he thought this was made for a good 4 or 5 years. Coming in at 334g strung and 5pts head light, specs that are right up my alley, should do itself proud if I can ever find the time to swing it. Strings are 'AG-100', they look similar to Leoina 66. Hitting on Thursday and got USTA Sunday. Any info or comments - chime in! I hope those Big Grommets made stringing easier, weird knot on this thing though.

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So, Kevin: your recent haul netted you a C6 and a C9! Nice.

The Trabert C6 WAS essentially a standard sized POG… made in the same factory by the same people at the same point in time! Our colleague @Sanglier should be by soon to expound further on the similarities. His personal research collection includes a prototype C-6 that I stumbled across in Northern California and rescued. I have other C-6 production frames, and can attest that they are very fun to play tennis with. I haven’t tried writing with them, however.

The Voelkl Comp C9 is probably my favorite Voelkl; just a good all-round “Goldilocks”-type racquet that is just right on hitting area, weight, balance, flex, string pattern, power, manoeuverability, and vibration processing.
 
Hanging on the wall with the rest of the rackets PIAS wants to actually make some money on, was this, Volkl C-9 (no relation to the C-6, I think...). At $9.99. Always happy to find a Volkl out there, its been pretty barren for them, hell I've found more Kneissl's than Volkl's. I asked a somewhat knowledgeable individual about when this dates to, and he said he thinks it came out around 1993, but Volkl kept things in the catalog longer than most, so he thought this was made for a good 4 or 5 years. Coming in at 334g strung and 5pts head light, specs that are right up my alley, should do itself proud if I can ever find the time to swing it. Strings are 'AG-100', they look similar to Leoina 66. Hitting on Thursday and got USTA Sunday. Any info or comments - chime in! I hope those Big Grommets made stringing easier, weird knot on this thing though.

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I love the subtle futuristic look the model has with the fonts and the silver in the middle.

Based on how the model looks in shape and head size I would guess Volkl to be an early to mid 2000's thing taking cues from the Wilson Pro Staff 97 and/or the Head Areo 98 when those models were made.
 
So, Kevin: your recent haul netted you a C6 and a C9! Nice.

The Trabert C6 WAS essentially a standard sized POG… made in the same factory by the same people at the same point in time! Our colleague @Sanglier should be by soon to expound further on the similarities. His personal research collection includes a prototype C-6 that I stumbled across in Northern California and rescued. I have other C-6 production frames, and can attest that they are very fun to play tennis with. I haven’t tried writing with them, however.

The Voelkl Comp C9 is probably my favorite Voelkl; just a good all-round “Goldilocks”-type racquet that is just right on hitting area, weight, balance, flex, string pattern, power, manoeuverability, and vibration processing.
I think Kevin has read everything that was written on the subject in the archives at this point, so there is precious little I can add.

If he were to carefully peel back the butt decal with a needle or safety pin, he should be able to see an electro-penciled serial number that will give him a rough idea of the year of manufacture. Unlike other decals, this kind doesn’t lose its stickiness and will go right back on when he is done.

Given Kevin’s experience with the Kawasaki, I would be shocked if he finds the C-6 any less playable.
 
I think Kevin has read everything that was written on the subject in the archives at this point, so there is precious little I can add.

If he were to carefully peel back the butt decal with a needle or safety pin, he should be able to see an electro-penciled serial number that will give him a rough idea of the year of manufacture. Unlike other decals, this kind doesn’t lose its stickiness and will go right back on when he is done.

Given Kevin’s experience with the Kawasaki, I would be shocked if he finds the C-6 any less playable.
I think my only questions for you are: did the C-6 really retail for around $400 in the 1970’s? Two posters here mentioned that in some old threads. Wouldn’t that make it the most expensive racket ever mass produced, adjusted for inflation that’s over 2 grand!

And the other is the one I asked above about pros using the C-6 or its cousins.
 
I think my only questions for you are: did the C-6 really retail for around $400 in the 1970’s? Two posters here mentioned that in some old threads. Wouldn’t that make it the most expensive racket ever mass produced, adjusted for inflation that’s over 2 grand!

And the other is the one I asked above about pros using the C-6 or its cousins.

In the 'first graphite composite...' thread @Sanglier showed an advert from Tennis World 1975 with the C-6 at $139, Durafiber Graphite at $139 and Cannon at $199, which was clearly very expensive when the Maxply was about $40, but that was not completely insane pricing, as some aluminiums and fibreglass sticks were around $60-80.

At that time I expect some Pros must have tried them, but there was probably a 'is it safe?' factor for a few years before they became acceptable options. The early Standard graphites had relatively little feel compared to other sticks; which we can cope with today, but would've been very strange in the mid 70s. The 2nd wave of Standard graphites in the late 70s, like MaxPower, Carbonex, Ultra, Kneissls, Fischers etc, were much more refined products.
 
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I think my only questions for you are: did the C-6 really retail for around $400 in the 1970’s? Two posters here mentioned that in some old threads. Wouldn’t that make it the most expensive racket ever mass produced, adjusted for inflation that’s over 2 grand!

And the other is the one I asked above about pros using the C-6 or its cousins.

A number of older threads where the cost of these frames was discussed often took inflation into consideration, as it's more meaningful this way for a contemporary comparison. A $140 MSRP in 1975 was equivalent to over $600 ten years ago, now it's over $800. The mail order price for the C-6 came down to just over $100 in 1977, which was indeed equivalent to about $400 ten years ago.

If Tony Trabert qualified as a pro, then he was probably the best known pro user. :)

Joking aside, no self-respecting pros would touch these sticks in those days, as they were considered a) a fad, and b) a crutch for the unskilled. Only those who had a lot of money to burn and relatively little confidence in their own strokes would give these new Wunderwaffe a second look in the beginning, which typically meant middle-aged doctors, lawyers, finance guys, and their spouses. The highest profile (and very typical) user of the C-6 was probably Walter Mondale, who was documented to have wielded one of these during the 1977 celebrity-studded RFK tournament. Any pro who showed up with a C-6 in hand at that point would probably have elephant hide for skin.

I have been told by the people who went around the country selling these early graphites through club events that women tended to be more responsive to these pitches than their husbands, because some of the latter were too macho to admit that they could lean on technology for help. As a pro yourself, I am certain you have witnessed this type of dynamic.

This is one major reason being first to market is not always a winning formula for new tech - as it can take time for the market to realize that it "needed" the product.

By the time this tiny ripple became an overwhelming tsunami, as documented in Grafil's thread, the original leading edge had long been rolled over, buried and forgotten by most, if it had been noticed at all in the first place.
 
A number of older threads where the cost of these frames was discussed often took inflation into consideration, as it's more meaningful this way for a contemporary comparison. A $140 MSRP in 1975 was equivalent to over $600 ten years ago, now it's over $800. The mail order price for the C-6 came down to just over $100 in 1977, which was indeed equivalent to about $400 ten years ago.

If Tony Trabert qualified as a pro, then he was probably the best known pro user. :)

Joking aside, no self-respecting pros would touch these sticks in those days, as they were considered a) a fad, and b) a crutch for the unskilled. Only those who had a lot of money to burn and relatively little confidence in their own strokes would give these new Wunderwaffe a second look in the beginning, which typically meant middle-aged doctors, lawyers, finance guys, and their spouses. The highest profile (and very typical) user of the C-6 was probably Walter Mondale, who was documented to have wielded one of these during the 1977 celebrity-studded RFK tournament. Any pro who showed up with a C-6 in hand at that point would probably have elephant hide for skin.

I have been told by the people who went around the country selling these early graphites through club events that women tended to be more responsive to these pitches than their husbands, because some of the latter were too macho to admit that they could lean on technology for help. As a pro yourself, I am certain you have witnessed this type of dynamic.

This is one major reason being first to market is not always a winning formula for new tech - as it can take time for the market to realize that it "needed" the product.

By the time this tiny ripple became an overwhelming tsunami, as documented in Grafil's thread, the original leading edge had long been rolled over, buried and forgotten by most, if it had been noticed at all in the first place.
Ah, yep makes sense. I think a similar thing happens today where older players who could really benefit from a lighter and perhaps OS frame, are still trying to find out the tour customization specs of current young pros to try and emulate to resurrect their game.
 
Ah, yep makes sense. I think a similar thing happens today where older players who could really benefit from a lighter and perhaps OS frame, are still trying to find out the tour customization specs of current young pros to try and emulate to resurrect their game.
Precisely!

And if you and YouTube had been born a few decades earlier, you'd be posting videos of yourself humiliating goobers holding brand new C-6s, Cannons, Phantoms, and Graphite Rulers using 30 year old Maxplys, Imperials, Challenges, and Kramers, and marveling at the sweetness of these organic ancients! :)
 
Precisely!

And if you and YouTube had been born a few decades earlier, you'd be posting videos of yourself humiliating goobers holding brand new C-6s, Cannons, Phantoms, and Graphite Rulers using 30 year old Maxplys, Imperials, Challenges, and Kramers, and marveling at the sweetness of these organic ancients! :)
That’s probably true lol. But idk if it was as easy to find cheap/borderline free higher end tennis rackets at thrift stores back then! That would probably affect my collecting!
 
That’s probably true lol. But idk if it was as easy to find cheap/borderline free higher end tennis rackets at thrift stores back then! That would probably affect my collecting!

Even within the last decade, the range and quality of items you can find in thrift shops have dipped precipitously (St Louis area excepted, based on your posts). This is a subjective statement for sure, but there is also no denying of the fact that we have been transitioning from an era where people wanted their objects to last, because they had less money to spend, to an era where bottomless consumption is actually required just to keep the economy afloat.

Through extrapolation, you can probably imagine how things used to look in this kind of venues 50-60 years ago. For this reason, if I could travel back in time, I would visit a London charity or surplus shop (where Hendrix and Jagger picked out their stage costumes) before considering doing anything to save the world...

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I think my only questions for you are: did the C-6 really retail for around $400 in the 1970’s? Two posters here mentioned that in some old threads. Wouldn’t that make it the most expensive racket ever mass produced, adjusted for inflation that’s over 2 grand!

And the other is the one I asked above about pros using the C-6 or its cousins.
Only one more expensive is the 97/98 and 100 square inch head wooden racquets that are only made as ordered but on a spec sheet, kind of how most companies are at making Kings Tennis racquets outside of Gray's of Cambridge and why some .
A number of older threads where the cost of these frames was discussed often took inflation into consideration, as it's more meaningful this way for a contemporary comparison. A $140 MSRP in 1975 was equivalent to over $600 ten years ago, now it's over $800. The mail order price for the C-6 came down to just over $100 in 1977, which was indeed equivalent to about $400 ten years ago.

If Tony Trabert qualified as a pro, then he was probably the best known pro user. :)

Joking aside, no self-respecting pros would touch these sticks in those days, as they were considered a) a fad, and b) a crutch for the unskilled. Only those who had a lot of money to burn and relatively little confidence in their own strokes would give these new Wunderwaffe a second look in the beginning, which typically meant middle-aged doctors, lawyers, finance guys, and their spouses. The highest profile (and very typical) user of the C-6 was probably Walter Mondale, who was documented to have wielded one of these during the 1977 celebrity-studded RFK tournament. Any pro who showed up with a C-6 in hand at that point would probably have elephant hide for skin.

I have been told by the people who went around the country selling these early graphites through club events that women tended to be more responsive to these pitches than their husbands, because some of the latter were too macho to admit that they could lean on technology for help. As a pro yourself, I am certain you have witnessed this type of dynamic.

This is one major reason being first to market is not always a winning formula for new tech - as it can take time for the market to realize that it "needed" the product.

By the time this tiny ripple became an overwhelming tsunami, as documented in Grafil's thread, the original leading edge had long been rolled over, buried and forgotten by most, if it had been noticed at all in the first place.
Right like when Jimmy Connors was one of the first big name Pro players to use a metal racquet he got laughed at by the pros of the era like early John McEnroe or very end of career Pete Maravich but then once they saw him play well, it set the standard for brands to make Metal frames like aluminum in then often solid aluminum models in more a standard head size only slightly bigger and others to make steel models the current size as well for stiffer and/or more durable as well as brands like Adidas or Lacost or a few others to experiment with full fiberglass/full fiberglass encased wood models in the then standard or slightly bigger head size just to have a more durable frames that would not die after X number of restringing but lasted for several times out.
 
Last racket I picked up at PIAS on that trip, there were several interesting sticks I left behind, I took some pics on my phone and might share them later. But for now here's this. I'm so proud of myself for not buying one of these earlier on in my collecting. Back around 2021 when I really started acquiring, I used to see these all the time at Goodwills, but usually they were quite beat up. This one is pretty mint. There's at least 3 paint jobs of the HB Graphite Aggressor, this being my personal fav, and also one of the editions that had a head guard; can you believe Wilson sold a graphite widebody without a head guard lol? No mystery on where it came from but what year exactly XCN, is that around 1990? And is 8.5 the highest and flexiest rating Wilson ever handed out to a frame? I can't seem to find any higher than that, I wonder what the layup is like?

I love this blue, and the 'Star Trek' font on the PWS.

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Well if it is a SMU, its spec’d out similarly to some of their main line offerings and has a nicer paint job than most IMO. I’ll have to capture it outside some time.
Had a partner who discovered Wally World carried Prince racquets. He contacted Prince to discover which which racquets reached his specs. He needed that info since we all knew his racquets would end up in the trash after getting posted. Still have one thirty years later. Poppin' fresh grip
 
Had a partner who discovered Wally World carried Prince racquets. He contacted Prince to discover which which racquets reached his specs. He needed that info since we all knew his racquets would end up in the trash after getting posted. Still have one thirty years later. Poppin' fresh grip
Meaning you still have a graphite authority, or just another big box store edition prince?
 
Picard has a mean backhand.
Well, the Actor who played him and is voice actor on American Dad as Deputy director Avery Bullock who the character is in his 60's, Sr. Patrick Stuart has a mean Backhand. He also writes a few of his own lines in the show until the main production company Fuzzy Door left, leaving much later then with Family guy.
 
Was in the north part of my county for USTA and there's a Goodwill that doesn't usually have much, but I got supremely lucky this time. Modern Goodwill tags are dated with when they get put on shelves, and I found 3 rackets, tagged from two days prior, to yesterday, to today... Amazing that these were recent arrivals and I only check this location every couple months or so. First up is this Prince O3 Speedport Tour, definitely one of the players spec stick versions of that line. Interesting throat shape, a rounded outer beam, and the inside is almost flat. Ultra bright orange paint work, I should bring out all my O3 frames for a comparison day soon. This is the only one that has specs like my main rackets.

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I almost left this one, as it might as well be called the Dunlop Pro Kennex Silver Ace, but the near perfect condition bug got me again. Almost spotless, and I'm sure it'll hit just like any number of box beam PK frames I enjoy. Its the Max Comp, but of course I'm sure it shares none of the tech from the grafil injection frames. It has string with 'Dunlop' written in small red text, in the usual Dunlop font, something I haven't seen on any of my other Dunlop frames from the era.

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And lastly, this OS Head Radical bumblebee. It's in absolutely mint shape, maybe never touched a ball. Not sure what edition this is, no mention of the Trisys system, but no reissue serial from the A.A. legacy release, nor does it have the balance info and other stats from the 2006 reissue either. Hmm. Help me out here. It's definitely old though, the stock grip was one of the worst tar detiorations I've ever dealt with. This thing was smeared halfway up the throat, but you'd never know it by how well it cleaned up here.

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