Best items you found at thrift stores (Goodwill)?


Fittex individual grommets. Ive "saved" a few rackets including a Head Graphite Pro that didn't have grommet using them. They are a little flimsy but heck - they work and keep SW very low... and leave space of lead/headtape to up some SW. I also have a Head Comp Pro with full Prestige CAP Grommets in it. 344sw or so.. a little bit of a bear.
 
Last edited:
Well, not a racket, but a while back I bought some shoes at a thrift shop- Nike
Air Zoom Tempo Next% (about 6 dollars)I had never heard of them but thought
they were probably jogging shoes. They felt funny (clompy) to walk in so I didn't
wear then 'til a couple days ago. Lately I was having a knee problem so I thought I
would try them out. They were fantastically good- lightweight, comfortable, like
wearing marshmallows on your feet. My knee was better (my back still hurt). I
looked up reviews and apparently they are a quality shoe- not for tennis, but
for getting/staying in condition for tennis. Recommended.

 
Nice find, Euro edition - I didn't realize all it took was getting to a major city and having a local tell me where to shop. Have been sorely missing this amenity in my time abroad so such discovery was a real dopamine hit. Marked at ~$10, discounted to half off at the register for some reason, for a total of ~$5.







I could not find a lot of info as it seems overshadowed by other classic Head models of the late 80s, but I've gathered from the few threads by @teachingprotx and @Grafil Injection that it is fairly similar in terms of manufacturing quality and performance. To summarize what I found, it is the exact same mold (it does look basically identical to the Graphite Pro I have), with a different fiberglass to carbon ratio in thr layup. Very excited to try hitting it as I have found the Graphite Pro exceptional in terms of feel, power, and control.

It is not in the most beautiful condition but a lot of the damage looks like surface level smearing of some substance (probably also paint?) on top of it. This fouling should be visible on parts of the strings, such as those near the throat. If anyone has recommendations or guidance on how to clean up that would obviously be appreciated. There are a couple spots of chipped paint but no obvious cracks or defects, and gladly - unlike the first Graphite Pro I found in the US - no hoop deformation. Thankfully the grommets are the black ones and therefore not substantially decayed. I don't think I will restring it unless its really necessary but it is good to know that option exists without having to worry about transplanting CAP from a newer Head model.

Despite where it was acquired, this is the American version, as one can see, replete with English writing and recommended tension in imperial units. I would guess someone brought it with them when they moved back from the US in the past and sought to offload now when they were cleaning up their things. I did not take a picture of the buttcap, but as I assume would be expected, it was made in Austria.

(@retrowagen @vsbabolat as I recall you both have interest in these frames so I will mention you as well)
That version was sold worldwide in 1988–not only in Europe.
 
That version was sold worldwide in 1988–not only in Europe.
Did they not change them based on market? I thought surely something sold originally in Europe would have string tension in kg and not lb!

I also have a Head Comp Pro with full Prestige CAP Grommets in it. 344sw or so.. a little bit of a bear.
Yes this is also a problem I had with the CAP grommet on Graphite Pro. They work and make the racquet look really nice but they mess the weighting up.
 
Last edited:
I’m playing with my graphite pro molds more and more…
For me imist say It’s the very best tennis racket made . Period. I specifically use the club and team pros from that mold. I do a lot of customizing on mine but it’s the best frame that I’ve ever used .. I have another manufacturer junior frame I also use . But as far as the 27 adult racket the graphite pro 89.5 mold feels like head made it for me to customize to my perfect specs . I’m so happy i stumbled onto these back in 2006
 
Did they not change them based on market? I thought surely something sold originally in Europe would have string tension in kg and not lb!


Yes this is also a problem I had with the CAP grommet on Graphite Pro. They work and make the racquet look really nice but they mess the weighting up.

Is there an engraved code on the neck of your Comp Pro? That looks like the US graphics version, whereas, the Austria 1987 white version has a slightly simpler design like the other Austrian models, and engraved codes that give you the week and year. The 1985-6 Austrian Comp Pro was mid-grey coloured. Although, I believe there were some MIA models that were sold in US, but I don't know if they also had the 3-figure Austrian date codes (which can also be under the butt-cap label on later ones).
 
Is there an engraved code on the neck of your Comp Pro? That looks like the US graphics version, whereas, the Austria 1987 white version has a slightly simpler design like the other Austrian models, and engraved codes that give you the week and year. The 1985-6 Austrian Comp Pro was mid-grey coloured. Although, I believe there were some MIA models that were sold in US, but I don't know if they also had the 3-figure Austrian date codes (which can also be under the butt-cap label on later ones).
Which part of the neck would it be? The writing is in English, there is an American flag on it, and the string tension is "55-70 lbs" so I think it must be the US version.
 
Which part of the neck would it be? The writing is in English, there is an American flag on it, and the string tension is "55-70 lbs" so I think it must be the US version.

The code would be engraved just above the handle, with no colours, just etched into the frame. Three numbers, which you generally can't miss although they can get a bid warn down. So if it's not there, it seems like the US model to me. The Austrian white Comp Pro is similar, but has simpler graphics.
 
The code would be engraved just above the handle, with no colours, just etched into the frame. Three numbers, which you generally can't miss although they can get a bid warn down. So if it's not there, it seems like the US model to me. The Austrian white Comp Pro is similar, but has simpler graphics.
Yeah there's nothing anywhere. But unlike Graphite Pro I am seeing no differences in feel between the versions?
 
I've always been interested in the Wilson High Beam Staff ST125, despite being bottom of that range, because it seems to have the most stylish paint-job. Metallic glossy dark green and silver, the scheme would look good on a Blade or PS today (just lose the random symbols!). A 1989 production, it is full weight at 364g, 32.75cm balance, but not too tricky to swing. The 95sqi string-bed feels more like a modern 100sqi in terms of easy depth and stability.

The HB Staffs from ST125-ST850 all fell below the Ultra Tapered Beams, and PS Dual-Tapers at that time, in terms of price (around £60-80, when Ultras were £80-100 and PS £120), so they probably don't have any funky materials in them, but the flex still feels around mid-60s RA and the control from the straight 25mm beam is possibly superior. The classy colours help hide that beam width too.

Wilson-Staff-ST125-1.jpg
 
I played the KFactor Tour when I finally put my ProStaffs away. Too much racquet for me. That’s actually the racquet I traded for a Pure Strike and been playing a version of one ever since (another thread).

Definitely a find. I wish the DMV had more options.
 
Found this at Savers along with that Markwort. Wilson wasn't the only one applying the SC moniker to ceramic fiber frames, here's Dunlops submission to the fad, and it takes after the POG a little too with that cross bar. The pinstripe and text on the frame is navy blue, but looks almost black under bright studio lights. This thing is surprisingly light for the era it was made, most sticks of that type weigh in the 345-360g range and this comes in at only 322g strung. Nice leather grip as well, still has plenty of life left in it. My Dunlop stencil just barely fit on this thing so I was happy to apply it. And yes I was too lazy to swap in a black backdrop, my light box velcro is starting to get a little threadbare from opening it so much to swap them lol. Dang thing was $220 you'd think it'd hold up better...

1VPuejb.jpg

hvF60Nl.jpg

DvSOrKu.jpg

OXSEhMU.jpg

xg4SkIv.jpg

1N7asWc.jpg


FB link for @Grafil Injection or anyone else who is from across the pond and is too shy to share.
 
That must have been reasonably expensive, with the full length premium case. Looks 1986-7 style being 95sqi too, but I think Dunlop were at the forefront of the ceramic revolution, as they had the MAX 100G (non-IMF) with Nicalon, and there's a Slazenger Challenge with ceramic whiskers, both from around 1984-5.
 
Found this at Savers along with that Markwort. Wilson wasn't the only one applying the SC moniker to ceramic fiber frames, here's Dunlops submission to the fad, and it takes after the POG a little too with that cross bar. The pinstripe and text on the frame is navy blue, but looks almost black under bright studio lights. This thing is surprisingly light for the era it was made, most sticks of that type weigh in the 345-360g range and this comes in at only 322g strung. Nice leather grip as well, still has plenty of life left in it. My Dunlop stencil just barely fit on this thing so I was happy to apply it. And yes I was too lazy to swap in a black backdrop, my light box velcro is starting to get a little threadbare from opening it so much to swap them lol. Dang thing was $220 you'd think it'd hold up better...






1N7asWc.jpg


FB link for @Grafil Injection or anyone else who is from across the pond and is too shy to share.

The racquet cover looks like a mashup between the Silver Ace 90 and Prince Tricomp cover. Nice pick up!
 
I have not even acquired the tennis equivalent yet, but as it was in such good condition I couldn't resist the squash version, especially as it appears to have been a US sold model that has found its way back over the Pond. Grays Lady Gray seems to have been in production through the 60s & 70s. At 220g, it's heavy for a modern squash racket, but is lighter than my Light Blue squash racket that is 245g. I wonder if that Massachusetts distributor still exists.

Grays_Lady_Gray_squash_(1).jpg
Grays_Lady_Gray_squash_(4).jpg
 
Found this at, yes you guessed it, Savers. Someone here must know something about this Donnay Supermid Carbon, but I'm pulling up a goose egg on it at the moment. Look, a Donnay with CAP grommets! Who said Head cornered the market on them? They (along with the rest of them) haven't held up to the stresses of time without some minor cracking but it's a neat sight. Weighing in at 360g strung it's a players spec box beam all the way, with a nice 95sq in head size. Belgian made so I'm guessing this was mid-high end in their range, also came with a full size soft case. The throat bridge plastic likes to leach its color into the strings, neato! Also there's some lager taper grommets on the upper section of the hoop, any idea what they were for? I like the aesthetics, as difficult as they are to photograph, spent over an hour making this set look presentable, I hope the effort was worth it.

A4bXN3R.jpg

JEsBWtt.jpg

ORkQIxt.jpg

MMFTX59.jpg

0KEndap.jpg

J05jyHE.jpg

gqoZ3M3.jpg

18xkckF.jpg


FB Link for pics: https://www.facebook.com/groups/1627103527677645/permalink/3172853389769310/
 
Last edited:
Never seen that one before, but I guess aerodynamic grommet channels were a thing for 15-minutes in 1986-7? Looks like the larger two grommets are where the head-guard piece meets the side piece, i.e. perhaps you could remove the side pieces and use non-capped ones, whilst keeping the headguard in place.
 
Beautiful capture @kevin qmto ! That's definitely a blast from the past I haven't seen in a while. The graphics and colors on the racquet and cover are totally 80's! Curious about those grommets as well. That throat bridge color likes to leak into the cover too!
 
I do believe that Head patented its CAP bumper-grommet concept, but Donnay and Fischer both produced bumper-grommet systems on frames in the late 80’s/early 90’s that were rather close in execution, only eliminating the detail of the CAP’s “clamshell” groove closing over strings, ostensibly to protect them. Fischer’s version on the Vacuum Pro Classics wasn’t wide enough to be an effective bumper guard on hard courts, and Donnay’s try added a lot of weight to an already chunky club of a racquet.
 
I do believe that Head patented its CAP bumper-grommet concept, but Donnay and Fischer both produced bumper-grommet systems on frames in the late 80’s/early 90’s that were rather close in execution, only eliminating the detail of the CAP’s “clamshell” groove closing over strings, ostensibly to protect them. Fischer’s version on the Vacuum Pro Classics wasn’t wide enough to be an effective bumper guard on hard courts, and Donnay’s try added a lot of weight to an already chunky club of a racquet.
Around the string channel on Donnay’s “CAP” system is raised a bit, I’m assuming to protect the strings without encompassing them and treading on Heads patents?
 
This Vic Sports Ace 1230 appears to be somewhat related to the NoName Classic II mentioned above, with its Sting-esque paint-job, extra throat bridge and slightly rectangular midsize hoop. But there are also some differences with the mould having a shorter neck, and the string pattern has one fewer cross at 16x18.

Vic-Sports-Ace-1230.jpg


About the same level of effort appears to have been applied to the naming (!), but the Ace 1230 is somewhat more sophisticated with a nicely integrated head-guard and decent quality leather grip. The usual 17mm beam, 360g, 32.25cm strung specs. Vic Sports seems to be a French or Belgium company given the 'Fabrique a Taiwan' and 68cm length (0.5cm shorter). It felt pretty good, solid and comfortable, and not too flexy, until a string popped. I find the extra bridge does make these models feel a touch more stable than the usual Taiwan early 1980s Walmart specials. I shall probably go for a restring, since the condition is decent, and hopefully I can recreate the V stencil as I've never seen one before.
 
Sometimes you don't find any particularly interesting frames at the Goodwill, but you find a couple great condition racket covers for frames you own, so I picked up these two cases. The Spalding one matches a few different frames from the late 80's/early 90's, I put my Graphite Accomplice in there. And the Donnay half case goes nicely with my Supermid Equipe. Side tangent, what kind of slogan was "Donnay - Around the World" anyway? Was that supposed to mean they were used around the world? Known around the world? Sold around the world? Idk I just thought it was odd. Anways, since I didn't want to pay full price for a couple empty cases, I tossed in this Pro Kennex Power Destiny 95 just for the hell of it. I love that painted finish that reminds me of some hotwheels cars I had as a kid, and green and orange always go together. I bet it even hits alright.

GuvIGmz.jpg

f0w85wY.jpg

H1C99UZ.jpg

4apGYnt.jpg

ZAYcEfX.jpg

migwyMb.jpg

FB Link: https://www.facebook.com/groups/1627103527677645/permalink/3179508192437163/?app=fbl
 
Last edited:
another entry for the gibberish on the side competition....Another what? breakthrongh? remarkable! and from such a quality manufachurer.
It’s totally understandable, they were just too excited to share their new metal widebody frame with the public they made a typo. It wasn’t their first, and almost certainly wasn’t their last.
 
Decent finds are usually difficult in mid-Winter, but this was a good one for £5. My second Donnay Rusedski Tour was irresistible due to the good condition and the original matching case. My first one came with a Pro One case instead. I quite like the design of the correct cover, because even though the racket is from the late 90s, it seems like Donnay (i.e. Sports Direct UK) went for a slightly retro early 80s style.

When I first obtained one of these models two years ago I thought it must be a fake being so light, but the specs are consistently 285g strung, with a head-heavy balance. This one is 36.5cm (8pt HH) even with the over-grip in place. So quite similarly weighted to the Wilson Hammers of the era, although they are more like 12-15pt HH! Moreover, the Donnay with its straight 22mm beam, doesn't actually feel too clubby to hit.

Donnay-Rusedski-Tour-v2.jpg


Serves and groundstrokes hit in the middle to upper hoop feel solid and stable, but if you venture lower in the hoop the solidity disappears and they become a bit twisty. I suspect if they had more weight in the handle, they would resist twisting on such shots. Whilst good shots feel nice (with the Graphite / Kevlar layup), I find the ball is never really that powerful. But with an 18x20 stringbed and a relatively comfortable flex (low 60s ra), the control is great.

Doing the calculations, and checking by balancing a roll of finishing tape in the middle of the handle, adding about 45g would make mine come out at a 'normal' 335g, 32.5cm balance. So the hoop must have about the same mass as a PS97, or CX 200T, just with 1.5oz taken out of the handle. I am once again quite tempted to wrap the handle in lead, to see if there's a serious hitter hiding away.
 
Last edited:
Decent finds are usually difficult in mid-Winter, but this was a good one for £5. My second Donnay Rusedski Tour was irresistible due to the good condition and the original matching case. My first one came with a Pro One case instead. I quite like the design of the correct cover, because even though the racket is from the late 90s, it seems like Donnay (i.e. Sports Direct UK) went for a slightly retro early 80s style.
When I first obtained one of these models two years ago I thought it must be a fake being so light, but the specs are consistently 285g strung, with a head-heavy balance. This one is 36.5cm (8pt HH) even with the over-grip in place. So quite similarly weighted to the Wilson Hammers of the era, although they are more like 12-15pt HH! Moreover, the Donnay with its straight 22mm beam, doesn't actually feel too clubby to hit.

Donnay-Rusedski-Tour-v2.jpg


Serves and groundstrokes hit in the middle to upper hoop feel solid and stable, but if you venture lower in the hoop the solidity disappears and they become a bit twisty. I suspect if they had more weight in the handle, they would resist twisting on such shots. Whilst good shots feel nice (with the Graphite / Kevlar layup), I find the ball is never really that powerful. But with an 18x20 stringbed and a relatively comfortable flex (low 60s ra), the control is great.

Doing the calculations, and checking by balancing a roll of finishing tape in the middle of the handle, adding about 45g would make mine come out at a 'normal' 335g, 32.5cm balance. So the hoop must have about the same mass as a PS97, or CX 200T, just with 1.5oz taken out of the handle. I am once again quite tempted to wrap the handle in lead, to see if there's a serious hitter hiding away.
is wrapping lead around the pallet your preferred method for drastically increasing weight? I'd do that but dang lead is expsensive lol. I bit the bullet and bought a reel of lead off TW for $170, and even that hurt my cheapo mindset. I usually just lay strips of lead down the pallet on each bevel, but that usually only adds about 15-20g of weight. That's a great looking frame btw, I like the Donnay D drawn as if it was a string stencil on the bag, that is a bit light though, I'm assuming Greg just used this paint job on some other frame?
 
Last edited:
is wrapping lead around the pallet your preferred method for drastically increasing weight? I'd do that but dang lead is expsensive lol. I bit the bullet and bought a reel of lead off TW for $170, and even that hurt my cheapo mindset. I usually just lay strips of lead down the pallet on each bevel, but that usually only adds about 15-20g of weight.

Yeah, I would prefer to pump in some silicone, but there's no trap-door on this racket. Lead comes in packs of 18g for £5 here, so it would be too expensive in reality to use 3 of those on this bargain find. I guess if it was all placed right at the butt end I'd only need about 30g, but then it would look like a Gasquet handle!

Quite interesting watching the balance move as you place the weight at different parts of the handle. 45g at the butt give 31.5cm balance, 45g in the middle of the handle for 32.5cm balance, and 45g at the top of the handle for 33.5cm balance.
 
I've done this with many rackets when I don't want to remove the butt cap.
This is a Prince butt cap without a logo.
I drilled an 8 mm hole, vacuumed out the drill shavings, and then injected the desired amount of silicone into the handle.

Once the handle is filled with foam, you can either drill out the foam or screw in a heavy screw and just seal the hole with silicone
If you use black silicone adhesive, the hole will be completely invisible and you can skip mounting the logo if you want.

 
Found this at, yes you guessed it, Savers. Someone here must know something about this Donnay Supermid Carbon, but I'm pulling up a goose egg on it at the moment. Look, a Donnay with CAP grommets! Who said Head cornered the market on them? They (along with the rest of them) haven't held up to the stresses of time without some minor cracking but it's a neat sight. Weighing in at 360g strung it's a players spec box beam all the way, with a nice 95sq in head size. Belgian made so I'm guessing this was mid-high end in their range, also came with a full size soft case. The throat bridge plastic likes to leach its color into the strings, neato! Also there's some lager taper grommets on the upper section of the hoop, any idea what they were for? I like the aesthetics, as difficult as they are to photograph, spent over an hour making this set look presentable, I hope the effort was worth it.

A4bXN3R.jpg

JEsBWtt.jpg

ORkQIxt.jpg

MMFTX59.jpg

0KEndap.jpg

J05jyHE.jpg

gqoZ3M3.jpg

18xkckF.jpg


FB Link for pics: https://www.facebook.com/groups/1627103527677645/permalink/3172853389769310/

All these Donnay Supermids were so, so cool and this one looks great, such summery colors. I've only gotten my hands on one, the Supermid Touring, but it's such a cool frame to hit with. Looks like it'd be a flexy thin-beam thing but it's actually got some oomph to it.

I think of all old frames with fairly unfixable PoS grommet situations, these old Donnays are the most unfortunate. You could always do Fittex + head protection tape to simulate the cap, but part of the charm of these Donnays is how perfect they look when they're fully intact.

The Touring I found miraculously has everything intact ... since mine isn't a Belgium frame, I have a theory that the grommets might be different and potentially more durable ... I tried prying the caps up with my fingernail and it bends a bit, rather than cracks off, which is a good sign. Although I'm sure someone here might know better where the grommets for the Belgium frames were actually sourced ... maybe those parts came from China after all?

@kevin qmto I really hope you hit with this one and report back ... I really love Donnay's Ceramic midsize frame, it feels like absolute butter, I'm wondering if this one is similar. Go ahead and restring it, live dangerously! Just keep a roll of tubing in your holster ready to deploy :laughing:
 
Decent finds are usually difficult in mid-Winter, but this was a good one for £5. My second Donnay Rusedski Tour was irresistible due to the good condition and the original matching case. My first one came with a Pro One case instead. I quite like the design of the correct cover, because even though the racket is from the late 90s, it seems like Donnay (i.e. Sports Direct UK) went for a slightly retro early 80s style.

When I first obtained one of these models two years ago I thought it must be a fake being so light, but the specs are consistently 285g strung, with a head-heavy balance. This one is 36.5cm (8pt HH) even with the over-grip in place. So quite similarly weighted to the Wilson Hammers of the era, although they are more like 12-15pt HH! Moreover, the Donnay with its straight 22mm beam, doesn't actually feel too clubby to hit.

Donnay-Rusedski-Tour-v2.jpg


Serves and groundstrokes hit in the middle to upper hoop feel solid and stable, but if you venture lower in the hoop the solidity disappears and they become a bit twisty. I suspect if they had more weight in the handle, they would resist twisting on such shots. Whilst good shots feel nice (with the Graphite / Kevlar layup), I find the ball is never really that powerful. But with an 18x20 stringbed and a relatively comfortable flex (low 60s ra), the control is great.

Doing the calculations, and checking by balancing a roll of finishing tape in the middle of the handle, adding about 45g would make mine come out at a 'normal' 335g, 32.5cm balance. So the hoop must have about the same mass as a PS97, or CX 200T, just with 1.5oz taken out of the handle. I am once again quite tempted to wrap the handle in lead, to see if there's a serious hitter hiding away.

I'd pay a fiver for that cover alone.
 
I have been on a streak of finding OS frames frequently. I really like how they play. For whatever reason they feel best and I play better with them still strung with old basic synthetic gut. I can't seem to duplicate that with newer string when they inevitably pop.

I found two Hammer OS, a 4 and a 6 in 27.5 length. They were about $5 each.

I recently found a gigantic BLX OS(115) "Three. Seven", whatever that means. It seems to have a typo on it which made me suspect it was a knock off but I doubt it is. Very high quality.

It says "Basalt engineered matrix for ultime(sp?) feel.
 
Geez I never give badminton rackets a second glance, maybe I should do a quick Bay search the next time I see one from a notable brand.

You'd think that being made of a third of the materials, and not having huge player sponsorships to pay, badminton sticks would be about 1/3 the price. Perhaps they are even more fiddly to make.
 
Back
Top