So how do you account for the players hitting this way with wood and gut
before new rackets and poly?
You know the answer to that. New technology aided these changes and hastened them.
So how do you account for the players hitting this way with wood and gut
before new rackets and poly?
Good post, Limp. I have a question for you... if one were to see a disembodied racquet executing a forehand, should one be able to tell if it was classical or modern? All you get to see is the racquet and the ball - the player is invisible.
Really?? 1000% correct?? Wow.
So how do you account for the players hitting this way with wood and gut
before new rackets and poly?
I think I know that what he means is that it is easier to the avg player,
I mean since that statement which is at best partially correct, is
1000% correct to you.
What part is not correct? I think the "modernness" of a stroke is a matter of degree. No one was hitting forehands quite like like Federer, Nadal or Djokovic with wood and gut. As I mentioned, some hit with modern technique, but, not with the extreme grips, rotation and swing paths that these players hit with today. Maybe Vilas was the closest.
Limp,
Right, matter of degree. Occasional elements versus normative when we look at the history. And I am sure Novak knows what he is talking about. His forehand would have looked very different if he had to play with wood.
You know the answer to that. New technology aided these changes and hastened them.
Limp, we have gone over this several times and reached agreement to an extent.
This is a thread asking about MTM, and the MTM modern Strokes were developed
in the late 60's and in use by early 70's with wood rackets; modeled
and based on strokes with wood rackets well before poly, and well before
MTM, as MTM was modeled on previous great strokes. Maybe your comment
is true to a large degree based on some general sense of modern, but the modern of MTM
in the OP was well before both modern rackets and string.
We agree that the strengths of modern played well with the new tools, but who
can say which was more important. A case could be made that the modern strokes were
key to the widespread use of the tools since power of the new
tools would have been harder to control without having the modern strokes
out there to take advantage of their qualities. I'm not making a case either way,
as to me it is silly to speculate on the chicken or the egg.
You are entitled to your opinion of course, but 1000% used here is absurd,
especially given we have the fact that Oscars instruction came earlier than
the new tools.
Interesting that all 3 players you cite have very different looking Fhs to most,
but can all be tied together by fundamentals of MTM instruction that predates
all 3 of them. Each of them meets the basics of the MTM Fh even though that
instruction was developed well before all of them hit the tour. Much different
than someone like JY reviewing tape for years after they are great to bring any
relevant point to bear.
I always appreciate you non-biased view (with respect to MTM) andFrom my view, there is no chicken and egg debate. A degree of the modern technique being used today was being used by many players (some more than others), before modern racquets were developed. But, the technique being used in 1970 continued to evolve toward what is being used today as the racquets got bigger, lighter and more rigid, and the strings able to impart more spin. I would think that Oscar's approach evolved with the equipment.
5263:
Yes if I disagree with Oscar I am twisting that on top of my own values to "take a poke" at Oscar. That's just crap.
Anyone who disagrees with him is clearly motivated by factors other than truth. Again, crap.
It must be sad and lonely here for you now without the leader and his yap yaps.
I haven't seen what an isolated racquet would look like in either case, but, I would think the difference would be very obvious, if not drastic. That's the whole point isn't it?
I am trying to have an intelligent discussion with Limp. Why don't you just butt out unless you can do anything but suck up
.
Just go back to crashing navy jets.
I would put equipment at the bottom of the heap from the point of view of defining modern tennis,
I didn't suggest that in the manner you describe. Quite a few people were posting and it seemed improbable that the TV broadcasts influenced Nalbandian. There were jokes made about influence through electromagnetic waves.
He also said that the former Yugoslavia was showing his broadcasts when Djoko was growing up, remember?
When I said I learnt from TV, I meant from watching the pros. Frankly, I have not benefited from the 1-minute clinic segments on Tennis Channel.
From my view, there is no chicken and egg debate. A degree of the modern technique being used today was being used by many players (some more than others), before modern racquets were developed. By degree, I mean the amount and speed of upper body rotation, the amount of arm supination/pronation, the severity of the ascending swing path, the racquet speed, the grip, etc. But, the technique being used in 1970, which incorporated these elements, continued to evolve to the degree they are being used today as the racquets got bigger, lighter and more rigid, and the strings able to impart more spin.
These are not scientific terms to be "defined." It is well commented on by many pros (verified ones LOL) who have become commentators that larger heads with more sweetspot area, poly strings, and new lighter materials have revolutionized the game. There is no point is pretending that it did not happen because Laver could hit topspin in 1965. In fact, in his book, Oscar explains the concept of a "modern sweetspot" which was almost as big as the head itself. Now, you may laugh at that claim and rightfully so (we all did), but the point is he explained his "hitting on the lower half" idea using the expanded sweetspot (and you explained it again properly LOL). So it is clear that you have not understood his teachings regarding equipment.
Indeed, that is the point. So much so that if I were to prioritize the characteristics of modern tennis going from the most important to the least, I would say that the path of the racquet relative to the ball is the primary distinguishing feature of modern tennis. The next prominent feature is an enormously improved awareness, and use, of body kinetics in stroke making. I would put equipment at the bottom of the heap from the point of view of defining modern tennis, but it is significant in that the resulting increase in speed and spin has fostered new tactics and forced players to achieve ungodly fitness levels.
I recognize it is beyond my expressive powers to get my point across to you in this forum, so I won't even try. Sorry! On the plus side, I believe I just saved everyone a barrage of redundant verbiage...![]()
I don't agree. The equipment is what has allowed the game to evolve as far as it has. The degree of departure from traditional strokes to the modern strokes we see today would not be a practical way to hit the ball with wood racquets. Did you know that the sweet spot on a traditional wood racquet is barely the size of a tennis ball?
Laver was probably the hardest hitter, with fastest racquet speed, the biggest supination/pronation, the steepest ascent, and the heaviest topspin in the history of tennis with a wood racquet. But, Laver's stroke wasn't half of what today's players are doing in those respects. It couldn't be, even with Laver's amazing talent and freakishly oversized left arm. You just can't swing at the ball like that, with such a steep swing path, with a heavy wood racquet, and consistently hit the tennis ball size sweet spot, much less generate the racquet speed of todays game.
I don't agree. The equipment is what has allowed the game to evolve as far as it has. The degree of departure from traditional strokes to the modern strokes we see today would not be a practical way to hit the ball with wood racquets. Did you know that the sweet spot on a traditional wood racquet is barely the size of a tennis ball?
Laver was probably the hardest hitter, with fastest racquet speed, the biggest supination/pronation, the steepest ascent, and the heaviest topspin in the history of tennis with a wood racquet. But, Laver's stroke wasn't half of what today's players are doing in those respects. It couldn't be, even with Laver's amazing talent and freakishly oversized left arm. You just can't swing at the ball like that, with such a steep swing path, with a heavy wood racquet, and consistently hit the tennis ball size sweet spot, much less generate the racquet speed of todays game.
One can play modern tennis with older equipment, and one can play classical tennis with new equipment.
Your premise is wrong, that is the problem.
"One" is too vague. Surely one person like Laver can hit with a lot of topspin. But it is extremely difficult for most people, even pros, to play the modern game with old equipment. As has been pointed out before, Djokovic has confirmed it. Chris Evert said that a long time ago. JMac has said it a hundred times. Wayne Bryan tried to prevent his sons from playing a wood expo before the USO out of fear of injury.
Read the expert Rod Cross here and learn the facts before arguing:
http://www.racquetsportsindustry.com/articles/2006/01/the_inch_that_changed_tennis_f.html
The picture 1, clearly demonstrates that around impact, frames from #5 to #7, there is no “special” horizontal across motion at all. It occurs after impact, frame #9.
The picture 2 shows that during contact racquet’s path is almost straight forward. IMO, it must be this way if we want to hit powerful FH.
.![]()
Why have you never read messages from other parties carefully? The picture 2 has come from The New York Times video, see please post 135.Are you serious?? That is what you see when you look at that?
Pic 2 bears little resemblance to pic one to start with.
You really can't see how the arc starts at #6 and is very heavy by #7 on to 8?
Wow. That explains a lot about your observations.
Not sure what a "special horizontal across motion" is?
But it is clearly across.
Doesn't the greater gap between #s indicate more speed?
And it's only from 2D perspective right?
Are you the one who did that pic 2? which seems to have come from an
entirely different observation.
Here is very good analysis of the typical Nadal FH racquet path http://www.nytimes.com/interactive/...is/Speed-and-Spin-Nadals-Lethal-Forehand.html.
The picture 1, clearly demonstrates that around impact, frames from #5 to #7, there is no “special” horizontal across motion at all. It occurs after impact, frame #9.
The picture 2 shows that during contact racquet’s path is almost straight forward. IMO, it must be this way if we want to hit powerful FH.
There also is no compact swing and sudden, 3” before impact, racquet acceleration.
So far I see zero correlation between Wegner recommendations and real professional game. That’s why virtually nobody can comprehend MTM. We cannot see what is not there.![]()
The MTM observations (up, across and ?) are so naive. Maybe that happens
Why have you never read messages from other parties carefully? The picture 2 has come from The New York Times video, see please post 135.
I didn’t insert all frames in picture 1 in order to demonstrate the ball’s path clearly. So, you cannot evaluate speed and acceleration of the racquet.
reveal your own, enough already useless words without any proof.
I’m retired engineer and have too much free time. But, my brain cannot quit working. So, to keep it busy and happy I decided to analyze tennis strokes from engineer point of view. This is really fun for me.Toly,
Why do you want to convince 5263 (and other amatures)? He is a very part time teacher. I am a full time professional who can hit almost every pro stroke. All your observations about the serves and ball trajectories are correct. The MTM observations (up, across and ?) are so naive. Maybe that happens but is so general that you can maybe help an intermediate player. It is not describing the far more complex arm and racket action of the pro's. I am making models of these actions. It is as naive as the Smart Targets System which is already a system and what you can buy next year.
I like your thoughts and studying. Please continue. Answer people like 5263 once and than let them think what they want to think.
Agreed, absolutely! Equipment has influenced the evolution of the modern game. But my point is, when you are trying to define what the modern game is, where would you fit in equipment? Let's say you watch a Laver/Rosewall game and a Federer/Nadal game and are asked to point out what the differences are. Where would equipment come in, in your description? One can play modern tennis with older equipment, and one can play classical tennis with new equipment. That's why I believe that equipment is not a defining characteristic of modern tennis, although it is a primary enabler. Maybe I am just quibbling and we are all actually in agreement...![]()
Ok, first, sorry I didn't find that Pic 2 that was on the screen for a couple of secs
during that vid, but to my defense, it was mostly blocked on my screen
by a big pause symbol for some reason.
On the bright side, that symbol was helpful once I located that frame. It was
very useful to show how incredibly inaccurate that stroke path illustration was.
Watching the few secs prior where it had the swing, I could use the pause for
reference to the path and then see how way off the pic two lines were drawn in.
Its not even close. It's like they used something totally different, like say
a traditional perspective on extending the swing path down the target line.
So maybe you also need to look at things more carefully and see there is the
evidence (not Proof of course) you request.
As to accel, why do you bring it up that you don't see it there, then come back
and say it is not set up to use for that purpose? Maybe that is why you don't
see it?
About approximation:
Here is picture that combines the racquet path and its approximation from New York Times. It seems they did very good job.
About acceleration:
Did you read post 137?:shock:
don't want to knock MTM, just saying. 5263 your latest comment sounds pretty harsh kinda unbecoming.