My criteria for choosing Masters 1000-like tournaments are: (1) Prize Money, (2) Strength of Field, and, (3) Tradition. I also looked at the role of independent, or “non-sanctioned” tournaments, as well as where the WCT Finals should fit into this determination.
Prize Money: Money is always important. Some say this should be virtually the sole criterion. I very much disagree. But it is one of the main factors attracting or dissuading player participation. It is also a good way to identify possible tournaments that might meet the standard of being “Masters 1000-like.” Basically, the tournaments examined offered at least a quarter million dollars in total prize money by 1982, usually more. The purses rose throughout the 1980s, but rather slowly, until the very end of the decade. The Stockholm Indoor is an interesting case in point. It has a strong enough draw in 1980, despite offering just $175,000 in prize money, makes the list again in 1984, with a relatively paltry $250,000 and makes a reappearance in 1989, after three years off the list, giving $872,000, an amount way above nearly all the other tournaments that year. The WCT Finals, a would-be competitor to the year-end
Grand Prix Masters, sometimes retained its older tradition of being ahead of the pack in prize money. It was the first official tournament, other than the Slams or the Masters, to give $500,000 prize money, in 1985.
Strength of Field: This is the most important factor in my judgment. It is driven in significant measure by prize money, granted, but not at all entirely. Player preferences regarding venues, surfaces, along with issues of logistics (a complicated mess in the 1980s), were other factors. For the very best players, the desire to test oneself against their closest rivals was sometimes enough of a motivation. In the 1980s, players had to play at least 14 tournaments, but were free to decide which ones. No non-Slam tournament paid so much that it was automatically elite, save the Masters, of course, and the WCT Finals.
We do see a few cases where money is not the major attraction, such as the Stockholm Indoor of 1980, and 1984-85, just mentioned, the 1980 and 1982 Monte Carlo, and the Italian Open later in the decade. Finally, there was always the extra-official, if not quite illegal, “appearance fee” to attract a top player or two to bolster a mediocre field or push a tournament to “significance”, if only for one season.
But to the criteria used to measure strength of field, here is how my standard works: I look for as many top-15 players as possible (as of the time of the tournament). The tournaments with the most top-15 players will tend to make the list.
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- Unless at least three of the top four ranked players participated, any 64-man tournament with fewer than nine of the top 15 players will not make the list.
- For 32-man tournaments, the guideline is a minimum of seven of the top 15 ranked players. I think this makes sense because in a 32-man draw, the competitor has one fewer match to play, but with seven or more top-15 players out of 32, his chances of having to face three of these seven en route to the title is probably greater than his chances of facing three of the nine in a 64-draw tournament.
- Exceptions: If at least three of the top four players in the world were in the tournament, it stands a good chance to make the grade, even if it is a wee short on the number of top-15 players. By the same token, a 64-man tournament with only eight top-15 players, but maybe 15 out the top-25, might make the grade.
In maybe three or four instances, tournaments that fell just short of these guidelines, but whose draws were strong under the circumstances, made the grade. The obvious examples would be the important European clay tournaments, particularly Monte Carlo and the Italian Open.
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- I used slightly modified criteria for the European Community Championship and The Challenge Cup, more rigorous, because they were independent tournaments, notwithstanding their huge prize money.
We have to make these compromises, or wring our hands and say no analogies are possible between the first 20 years of the Open era and what has occurred since the 1990s. In doing so, we would be repressing some of the biggest accomplishments of Lendl, McEnroe, Connors, Borg and Becker.
Tradition: This can be underrated. I would opt wherever possible for traditionally prestigious tournaments such as the Italian Open, Monte Carlo, German Open, Wembley, U.S. Indoor, Queen’s. But I still used the above-mentioned standards for strength of field. As you will see, my conclusions show I was not overly-sentimental about tradition in the face of the facts of the 1980s, and I Tradition really was used as a “tiebreaker” in favor of a tournament that was right on the borderline. As it turned out, much though I incline towards the three venerable clay-court tournaments, I rejected the illustrious Italian Open six out of 10 years; Monte Carlo five out 10 years, and; The German Open eight out of 10 years.
Independent Tournaments: We cannot ignore the so-called non-sanctioned tournaments, which never were – and never have been – recognized by tennis officialdom. They are the reason, for example, that ATP gives Lendl 94 total titles, while I say he won well over 100, and you could put the figure near 140 if you included a slew of 4-man events.
1 These tournaments were put on independently by deep-pocket corporations. They gave very competitive money to attract leading players. For our purposes, the only two which can be considered on a similar plane with the Masters 1000s were The Challenge Cup (in Chicago and Atlanta) and the European Community Championship (in Antwerp). There are two reasons for this: (1) far beyond competitive money, these tournaments were paying double and more than the richest official tournaments they competed against, and, (2) they had the most serious draws and rigorous formats among these “non-sanctioned” events. But other of these independent events received significant television and newspaper coverage. Although sometimes the supporting cast might not be the strongest, the media could expect a McEnroe-Lendl, or Borg-Connors final, that sort of thing. Hence, for example, 4-man events such as The Suntory Cup, in Tokyo, and the Akai Gold Challenge, in Sydney, were covered almost equally as important official tournaments, their finals broadcasted on U.S. television.
Masters and WCT Finals. By the 1980s, the WCT Finals had fallen from its heights as a Major or quasi-Major, and so I place it in the lower category as an M 1000 equivalent. The year-end
Grand Prix Masters, meanwhile, gained additional prestige and importance, making up a category of its own (as it is today), and it is not counted.