REALLY Ancient History

Virginia

Hall of Fame
I've just acquired a Wright & Ditson Tournament. Kuebler's book lists it as 1940 with a concave wedge and leather grip, but that's clearly wrong.

Mine has a convex wedge, a combed wooden grip and the same head shape as those really old racquets from the 1910's and 1920's.

Does anyone happen to know anything about this racquet?

I'll try and post some pics later on - my list of photo "to do's" is getting longer and longer and the trouble is finding time to get on to it. :evil:
 

plasma

Banned
Wood tennis guy is the local expert. I only have one frame from 1915, from the wilson meat packing plant. It has Thomas WIlson's full name written on it beautifully....the model??? the very pre-prostaff "Skokie"...or maybe that's just where it was made...??? I plan to regrip it and string it...play it and then post it...pls don't tease us Virginia, let's see pics of that Wright and Ditson!!!
I'd like to find the wright and ditson with the long wood handle and the metal round hoop with a perfect new pj...
 

treblings

Hall of Fame
There´s a W&D ad from 1894 in Jeanne Cherry´s Tennis Antiques and Collectibles. One of the rackets mentioned in that ad is a Petitt Tournament model.
you know how racquet makers would use the same names for their models over decades. for example there are numerous versions of the Slazenger Demon.
 

plasma

Banned
yeah they were really into that demon, panther, phantom stuff, kinda scary...slazenger were great racquets, didn't sell well even though Jimmy used a couple of models....that should tell you how good they were..the consistency of frames and technologies, even cosmetics and names over decades, is a discreet quality which even now draws us all together in thought, history and reflection that reaches beyond racquets
 

Virginia

Hall of Fame
I've just bought a Slazenger Demon - what a gorgeous racquet - all black - with gold pinstripes on the frame and the grip. How sexy is that?
 

Virginia

Hall of Fame
Well this time I have an excuse - I don't have it yet. I have seen several pics of it though and it will really blow your mind when you see it. :)
 

treblings

Hall of Fame
do you have an old demon with slightly flat top and fishtail grip? now that´s a pretty nice racquet. goes back to the 1890´s
 

plasma

Banned
i'd love a 100 year old fishtail demon, that's some sotheby's **** right there (sorry to swear Virginia), also after a hazel's streamline, and yes I would hit with it.....gasp!
 

Sanglier

Professional
I am reviving Virginia's really ancient thread about really ancient history to share this really ancient enigma of a racquet.

Some of you have undoubtedly been following the fate of a collection of antiques on fleabay once belonging to the late Jeanne Cherry. Normally I'd be content to spectate from the peanut gallery when it comes to this kind of stuff, but this prehistoric giant 'spoke' to me, so I took the plunge... and here it is terrorizing a Rawlings Harvard.

Gg3Pz6f.jpg



Not only is this home-brew concoction dimensionally similar to a modern 105-110 SqIn frame, it has a manageable 13 Oz 'strung' weight and measures in at a respectable 41 RA, exactly the same as the Prince "Woodie". It achieves this feat without modern reinforcement by having an anachronistically wide 24mm beam cross section. At 27.5" from top to bottom, it even qualifies as an 'extended length' frame per modern definition (the Rawlings pictured is a 26" featherweight, probably intended for young players or ladies).

Someone had the vision to build this thing from scratch at least 70 years before Howard Head, Thurlow Weed, Kurt Klemmer, and two decades or more before the legendary Frank Donisthorpe. Unfortunately, we will never know who they were or what possessed them!

The only place where they veered off track is the funky leather string system, which made me wonder if this was meant to be a snowshoe for a one-legged toddler, or a dual-use snowshoe tennis racquet hybrid. :) However, a hands-on inspection instantly revealed this to be absolutely unsuitable for use as a snowshoe. Therefore it is most definitely a racquet (which must be why Cherry kept it in her prized collection), if not for tennis, then for a derivative sport involving a prehistoric beach ball.

Regardless, I shall cherish this cherry-pick of Cherry's picks. :p

cawdubE.gif
 
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jxs653

Professional
Wow that racquet must be an absolute spin monster as well. Stringing it in a modern(?) way, the pattern would be like 13x15.

Edit: Thinking of it, would the odd-numbered main have any benefit? Who knows. A racquet manufacture might come up with it in the future as a new feature of technology.
 
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SVP

Semi-Pro
I am reviving Virginia's really ancient thread about really ancient history to share this really ancient enigma of a racquet.

Some of you have undoubtedly been following the fate of a collection of antiques on fleabay once belonging to the late Jeanne Cherry. Normally I'd be content to spectate from the peanut gallery when it comes to this kind of stuff, but this prehistoric giant 'spoke' to me, so I took the plunge... and here it is terrorizing a Rawlings Harvard.

Gg3Pz6f.jpg



Not only is this home-brew concoction dimensionally similar to a modern 105-110 SqIn frame, it has a manageable 13 Oz 'strung' weight and measures in at a respectable 41 RA, exactly the same as the Prince "Woodie". It achieves this feat without modern reinforcement by having an anachronistically wide 24mm beam cross section. At 27.5" from top to bottom, it even qualifies as an 'extended length' frame per modern definition (the Rawlings pictured is a 26" featherweight, probably intended for young players or ladies).

Someone had the vision to build this thing from scratch at least 70 years before Howard Head, Thurlow Weed, Kurt Klemmer, and two decades or more before the legendary Frank Donisthorpe. Unfortunately, we will never know who they were or what possessed them!

The only place where they veered off track is the funky leather string system, which made me wonder if this was meant to be a snowshoe for a one-legged toddler, or a dual-use snowshoe tennis racquet hybrid. :) However, a hands-on inspection instantly revealed this to be absolutely unsuitable for use as a snowshoe. Therefore it is most definitely a racquet (which must be why Cherry kept it in her prized collection), if not for tennis, then for a derivative sport involving a prehistoric beach ball.

Regardless, I shall cherish this cherry-pick of Cherry's picks. :p
Thanks for reviving this thread. Do you know how Virginia is doing?
 

Sanglier

Professional
Thanks for reviving this thread. Do you know how Virginia is doing?

By the time I signed up, Virginia was already cutting back on her activities here, so I have not had the pleasure of interacting with her personally. Going by her public profile, she still pokes her head in here regularly, but is content to lurk rather than to participate, perhaps because she is not seeing much that she hadn’t seen many times before?

It’s always nice to read what all of you longtime members here have to share. I get a lot of pleasure browsing through the archives; it makes me wish I had joined earlier!
 
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Henry Hub

Hall of Fame
I am reviving Virginia's really ancient thread about really ancient history to share this really ancient enigma of a racquet.

Some of you have undoubtedly been following the fate of a collection of antiques on fleabay once belonging to the late Jeanne Cherry. Normally I'd be content to spectate from the peanut gallery when it comes to this kind of stuff, but this prehistoric giant 'spoke' to me, so I took the plunge... and here it is terrorizing a Rawlings Harvard.

Gg3Pz6f.jpg



Not only is this home-brew concoction dimensionally similar to a modern 105-110 SqIn frame, it has a manageable 13 Oz 'strung' weight and measures in at a respectable 41 RA, exactly the same as the Prince "Woodie". It achieves this feat without modern reinforcement by having an anachronistically wide 24mm beam cross section. At 27.5" from top to bottom, it even qualifies as an 'extended length' frame per modern definition (the Rawlings pictured is a 26" featherweight, probably intended for young players or ladies).

Someone had the vision to build this thing from scratch at least 70 years before Howard Head, Thurlow Weed, Kurt Klemmer, and two decades or more before the legendary Frank Donisthorpe. Unfortunately, we will never know who they were or what possessed them!

The only place where they veered off track is the funky leather string system, which made me wonder if this was meant to be a snowshoe for a one-legged toddler, or a dual-use snowshoe tennis racquet hybrid. :) However, a hands-on inspection instantly revealed this to be absolutely unsuitable for use as a snowshoe. Therefore it is most definitely a racquet (which must be why Cherry kept it in her prized collection), if not for tennis, then for a derivative sport involving a prehistoric beach ball.

Regardless, I shall cherish this cherry-pick of Cherry's picks. :p

That is quite a piece of work! I have been keeping a beady eye on those Cherry racket ads but I didn’t spot that one. The seller usually gives a good blurb about the rackets - did they give any indication about this one? I pored through Jeanne’s book but couldn’t find anything on it. Great add to the collection!

Oh and chapeau for the wordplay too, obvs!
 

Henry Hub

Hall of Fame
In the spirit of this nostalgic thread, I have gone down a bit of a rabbit hole of really vintage rackets and the early days of tennis more generally over the past few months, my interest sparked by Jeanne Cherry and Robert Everitt’s books and then a raft of old tennis publications from the 1880s to 1920s.

Between lockdowns I was lucky enough to pick up a few frames, the pick of which are a Slazenger Demon and Doherty (both from around 1912), a Wright & Ditson whose model name is now indecipherable, a Spalding Geneva swallowtail and a Jeffreys (regrettably, not Jefferies) fantail.



While the Demon is more distinctive with its fishtail and the hilarious logo, it is clearly not a players’ racket (and this is borne out by all of the Edwardian tennis books I am reading, where each author dismisses with contempt any racket with an unusual grip). The Doherty is another matter entirely - it is well balanced while being properly beefy.


Cherry’s book ends with an invaluable listing of the pre-1930s models of Wright & Ditson, Spalding and Wilson rackets. I have pored through this to identify this W&D racket. The chequered grip helps to narrow things down - the most likely candidates are a “Star” or a “Sears Special” unless this is a junior racket that is not included in the list (it is about 26”). There is an S partially visible as part of the worn away model name on the top of the head and another S etched on the wedge. Doesn’t help much though!

In any case it dates from before the 1905 wedge lamination patent (no laminated strips or patent information on the frame) but after the crossed USA logo replaced the lines and dots logo. So I put it between 1898 & 1904.
 
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Henry Hub

Hall of Fame

From reading the ads at the back of the early 1900s Spalding tennis annuals, the Geneva was just about the cheapest option you could buy (about $2 in 1910 vs $10 for top of the line frames like the AA and Gold Medal models). However this one was manufactured by Spalding’s UK outfit in West London (it lists on its throat the 1904 date of the UK patent for the laminated wedge) and, very usually, has a swallowtail grip. Not sure how this design helped to secure your grip though - the hand would slip right off the end...


Jeffreys was a billiards table manufacturer, which might explain the exquisite quality of the wood in this fantail. The company was based outside London in Hoddesdon, where Gardiners and several other racket manufacturers operated, so I suspect Jeffreys called in some local favours to get this frame made at some point in the late 1910s or early 1920s. Their London shop is listed on the frame as 277 City Road, EC1, which is directly across the road from an old flat of mine, so I have a particular affinity with his one.


I mentioned last year that I’d picked up a Dunlop Blue Dragon Fly (early 30s) and that the logo still popped. This is it under a magnifying glass and the detail really is quite remarkable.
 

Henry Hub

Hall of Fame
Turning back to @Sanglier ’s racket above, it reminded me of this passage from J Parmly Paret’s notable (not least because Paret doesn’t mince his words about the English methods) “Methods and Players of Modern Lawn Tennis” from 1915:


A few more extracts from Paret’s book include his views on grips:


and a vox pop conducted with male players of the day on racket weight and grip size and playing etiquette:


 

Sanglier

Professional
That is the most awesomest rabbit hole ever, @Henry Hub! Thanks for the tour!

In answer to your question about the seller: yes, Bill is a very nice fellow who is interested in the history of what he sells and is quite happy to share what he knows about them.

Unfortunately, Cherry did not leave behind any note on this strange beast, which she kept in a chest together with some of her most prized frames; there really isn’t any means to learn more about it short of traveling back in time to hunt for its origin. Bill’s educated guess is that Cherry picked this up at Brimfield, where she used to do a lot of shopping.

Visiting Brimfield has always been high on my bucket list; it has now moved up a bunch of spots thanks to this potential link. All shows there were cancelled last year, and their calendar has not been updated since. Can’t wait for the COVID nightmare to be over!
 

retrowagen

Hall of Fame
Now that was some fun reading!

I have made up my mind to look for similarly old equipment; I think my eldest racquet dates from the early 30’s, but looks fairly orthodox.
 

retrowagen

Hall of Fame
What racket is it?
Ah, thanks for asking! I have a Wright & Ditson “Comet” (featuring a water transfer graphic on its throatpiece of a dapper lawn tennis player wearing long pants), and a Wilson Onwentsia is also lurking in my racquet catacombs. The late Bostonian tennis journo and enthusiast of loud trousers, Bud Collins once wrote a piece, reminiscing about his Onwentsia, which was his personal analogue to Citizen Kane’s “Rosebud.”

I would guess that both of my elderly racquets were made in the 1930’s.
 

Henry Hub

Hall of Fame
Ah, thanks for asking! I have a Wright & Ditson “Comet” (featuring a water transfer graphic on its throatpiece of a dapper lawn tennis player wearing long pants), and a Wilson Onwentsia is also lurking in my racquet catacombs. The late Bostonian tennis journo and enthusiast of loud trousers, Bud Collins once wrote a piece, reminiscing about his Onwentsia, which was his personal analogue to Citizen Kane’s “Rosebud.”

I would guess that both of my elderly racquets were made in the 1930’s.

Well according to the lady herself, the Comet’s manufacturing run was 1915-1938 (fitting in a World War and some F Scott Fitzgerald) so tough to tie it down to a particular time within that span. Does it have a leather grip? If so, it’s almost certainly 1930s (though its entry in Jeanne’s list does suggest that it may not have had a leather grip even at the end of its run which would be unusual at the back end of the 30s).

The Onwentsia, according to the same list, was made in 3 phases. Phase 1 was 1922-1923 and Phase 2 was 1925-1937. In both of these runs the racket had a regular (ie bare wooden) grip and a concave oval head. The final phase was in 1938, with the major difference being the addition of a leather grip. All Onwentsias (Onwentsiae?) are listed as “Scarce” by the good lady.

Love the Bud Collins reference about the Onwentsia. As he was not on the tv over here, I first learnt of him from the anecdote in John Feinstein’s Hard Courts book, namely where, upon hearing that he had been described as the kind of person who’d even see a good side in Hitler, Collins said “Hitler, no - Mussolini, perhaps”.
 

Henry Hub

Hall of Fame
By hook or by crook I am going to keep this thread up at the top of the board. In the hope it is of interest, please find below some rackets which I think may indicate the genesis of the Maxply Fort.


The first racket is an “Olympic” made by Gardner Bros of Waltham Abbey. The Olympic name suggests this was a line from 1924 (the last year tennis was an Olympic sport for a good long while), unless Gardner had taken an unwise punt in 1928 on the ILTF reversing their decision about participating in Amsterdam.

In any event, the racket would have been produced before Dunlop acquired a controlling interest in the company in 1929, at which point Gardner switched to manufacturing rackets under the Dunlop brand. Still almost decipherable is the curious Gardner logo of a dog with a racket in its mouth.


I doubt that this is the direct predecessor of the Maxply but the shared DNA can be seen in the lamination in the shoulders and throat.

The second racket (with its lovely bag next to it) is a Maxply Tournament, which was introduced with the original Maxply and dates from 1932 or 1933. The Tournament was the premium model (relative to the standard Maxply) until the Maxply Fort came out in 1935 (see below). According to the book referenced below, this was a revolutionary racket design with its multiply laminated frame and the cold bend manufacturing process that had been “borrowed” from the E Kent company of Rhode Island (replacing the steam bending manufacturing process using a single ash frame and thereby significantly strengthening the frame).



The above photos are from the incredibly informative “Winners in Action: The Dunlop Slazenger Story” by Brian Simpson.

Links to the past include the cord binding around the shoulders and the top of the bare wooden handle protruding above the leather grip (the leather grip coming as standard was apparently another key selling point). By 1935, the cord whipping had been replaced by more modern binding and the leather grip entirely obscured the wooden handle. The production number on the side of this frame is 86574 - apparently the Waltham Abbey factory was cranking out 2500 Maxplys a week even early in the production run, which supports a 1932/33 thesis. I love the colour of the varnish, which is much warmer than later Maxplys. The racket is an impressive combination of 405g and about 8 points headlight (there is a carpenter’s bench-worth of nails hammered into the butt).

The third racket matches up with the picture of a 1935 Maxply Fort in Kuebler’s 2010 update ( https://www.yumpu.com/en/document/read/63274227/update-2010-for-the-book-of-tennis-rackets ). A key indicator of an early version is the positioning of the red “A Dunlop Production” wording immediately below the three-band collar (consistent with other mid 30s models like the Dragonflies and the Flashes).

According to the Dunlop & Slazenger book, the Maxply Fort was introduced by the Waltham Abbey factory as its premium product in 1935 (though there seems to be limited detail around the premium element from the 1935 Wimbledon advert below):


The following year, 84 players at Wimbledon were wielding a Maxply, including the ladies’ champion Helen Jacobs with a Maxply Fort, and the rest (for about 45 years anyway) is history.
 

1HBHfanatic

Legend
By hook or by crook I am going to keep this thread up at the top of the board. In the hope it is of interest, please find below some rackets which I think may indicate the genesis of the Maxply Fort.
....
-i def like the maxply fort!!
-my goto weapon of choice, when i must have a woodie in my hand :oops::giggle:(y)
 

retrowagen

Hall of Fame
I can see one for £19.97 on GB Amazon (owl books is the seller)
Cheers, HH. Thanks to a scramble alert from an eagle-eyed tt colleague, at my lunch break today, I ordered the lone Stateside copy off of the massive formerly used book selling website. Cost me approximately as much as a T-2000 would at a California charity shop... not bad!
 

Henry Hub

Hall of Fame
Thomas Tate was the most celebrated late 19th century racket maker in England, starting off as a bow maker for Buchanan’s in Piccadilly before moving into racket manufacturing and establishing his eponymous business (based in Portman Square). Chief among his clientele were, by all accounts, the brothers Renshaw, who used his rackets to sew up Wimbledon for the guts of a decade.

He and his wife Esther are buried in East Finchley cemetery, next door to the very swish indeed Chandos tennis club. It was a nice day for a walk so I ended up there and managed to find his memorial. It was, in fairness, hard to miss, being a great big massive cast bronze job. While it is gratifying that his business ended up being successful enough to afford a monument like this, the sculpture did put me in mind of someone waking up in the dark and groping about for the light switch.


Some commentary on Tate’s craftsmanship from Wilberforce

A Wallis Myers

The great champion Slocum

As ever, lifelong contrarian and enthusiastic self-trumpet blower P.A. Vaile had his own take on things:
 

Henry Hub

Hall of Fame
I’ve been wondering for a little while why fishtail rackets were so prevalent in the late 1800s and early 1900s in the UK but didn’t seem to be manufactured in the US. A niche question, admittedly.

Fishtails were cranked out by almost every manufacturer in the UK for years (1880s - 1920s) and evidently were pretty popular (Slazenger’s Demon was their premium racket for 30 years and, according to one of the cases below, increased Slazenger sales by 20% in the 1880s despite being priced half a crown above the rest of the range). A couple of examples are below from the 1890s and 1910s:


Meanwhile, although US manufacturers did make bulbous and baseball-handled rackets, I haven’t found a single example of a US-manufactured fishtail over the same period (please do correct me if I’m wrong). This may just be down to a lack of demand from the American public (and many contemporary tennis writers did critique fishtails as a worthless fad). But it is an interesting disconnect between the US and UK in an area (racket design) that otherwise largely evolved in lockstep over this period.

I wondered whether this was attributable to that most noble of pursuits, intellectual property law.

Back in 1884, Ralph Slazenger Moss patented the fishtail design of tennis racket in Great Britain (No. 226 of 1884 on “Improvements in the Construction of Bats for Lawn-Tennis and other Games”). Subsequently an identical US patent was obtained in 1886 (No 346,858 of 1886 - extract below).


The US patent endured until its expiry in 1903. Now, you’d imagine that Slazenger would have churned out fishtails into the US market from 1886-1903 to capitalise on this exclusivity. But that does not seem to have happened and there certainly wasn’t any great swathe of fishtails released upon its expiry. Contrast this against the UK position, where the GB patent was found to be invalid in 1888, which likely opened the floodgates for other manufacturers to roll out their own fishtails with impunity.

Before we get to that, as you can see from the above, the patents were primarily focussed on the grooved handle, with the fishtail being an associated feature. The unique feature of the grooved handle, it was argued, was that it allowed the player to find the correct grip on the racket without looking at the handle. However, as fishtails always had this rounded handle (rather than a bevelled grip) the two features were intrinsically linked.

The GB patent was found to be invalid by Kekewich J (of whom more below) in the first of the two Slazenger v Feltham cases in the 1880s. Slazenger argued that Feltham had infringed their 1884 patent by manufacturing and selling rackets with a grooved handle (and fishtail, though as noted above, this was not the central focus of the claim). In the 1886 case of Moss v Malings, Slazenger had been awarded an injunction against Malings on the same grounds (admittedly in front of North J, Kekewich J’s closest rival for the title of least respected Chancery judge in Victorian London) and so they presumably fancied their chances against the Aldersgate Street outfit.

However they reckoned without the Feltham team bringing the veritable Kraken of legal defences and counterclaims. While all bar part of one of Feltham’s 6 counterclaims were rejected, Kekewich J agreed, after studying and testing at least 20 rackets produced by Feltham, that the grooved handle design had its roots in the old play rackets of early tennis and battledore. These rackets were formed of a single piece of cane, bent around to form a hoop, with the two ends being bound together as a handle. The handle of those rackets thereby had a natural groove between the two ends that could be easily felt through the binding. It followed therefore that Slazenger’s patented design lacked the necessary quality of novelty when registered and therefore the judge ruled the patent invalid. For some unknown reason, this case is not mentioned in Brian Simpson’s otherwise comprehensive book about Slazenger and Dunlop...

While this explains why there was such a multitude of fishtails made in the UK following the ruling, it still doesn’t really answer the root question above. So, in order to distract you from the fact I have no answer to this question and you’ve just wasted 5 minutes of your life reading the above, I’ll tell you about the second, more famous Slazenger v Feltham case.

This second case also came before the High Court in 1888. Again, it related to fishtail rackets but this time the claim brought by Slazenger was for trademark infringement. Feltham had produced a line of fishtail rackets they named “Demotic”. This probably would have been enough in itself for Slazenger to start drawing up writs, but Feltham also stamped that name on the same points of the frame as Slazenger stamped “The Demon” on their own fishtail range. Slazenger sought an injunction to stop Feltham selling these rackets and a ruling that the Demotic rackets should be destroyed or provided to Slazenger. The case turned on whether it could be said that, by these actions, Feltham was intending to deceive purchasers such that they would buy a “Demotic” thinking that they were buying “The Demon”.

The case came again before our old friend Kekewich J, whose first instance ruling went up to the Court of Appeal in 1889. This was by no means an uncommon event. Kekewich J tended to take, shall we say, a pragmatic line on cases where guidance in statute or caselaw was not immediately available (bon mots from his rulings included: “This seems to me to be one of those cases in which the Court is bound to arrive at a conclusion without having any satisfactory means of arriving at it.”). Vanity Fair caricatured him as the “Hasty Judge” and this featured strongly in his ruling in both of the Slazenger cases, with veiled barbs at North J’s judgment in Moss and full on broadsides aimed at Feltham’s arguments and witnesses.


Consequently, his judgments were generally accorded limited credibility. The story goes that counsel for the appellant in another case advised the Court: "If your Lordships please, this is an appeal from a decision by Mr Justice Kekewich; but there are also other grounds for the appeal."

Here, he ruled in favour of Slazenger at first instance. In retrospect, Feltham did not help their case enormously by admitting that they had chosen the name “Demotic” by leafing through a dictionary and taking the closest name to “Demon” that they thought they could get away with. Feltham were found to have breached Slazenger’s trademark and were directed to offer up the offending articles to Slazenger. Feltham evidently yawned, rolled their eyes and pushed the button on their appeal.

On this occasion however, Kekewich J was vindicated, as the Court of Appeal affirmed his first instance ruling. Lindley LJ even supported his approach to filling in the gaps where the law was deficient, with his ruling still no doubt quoted by trademark lawyers down the pub. Referring to Feltham’s naming and stamping of their racket, Lindley LJ said “Well, what is that for? One must exercise one’s common sense, and, if you are driven to the conclusion that what is intended to be done is to deceive if possible, I do not think it is stretching the imagination very much to credit the man with occasional success or possible success. Why should we be astute to say that he cannot succeed in doing that which he is straining every nerve to do?”. This finding remains good law to this day. Another decision in this case by the Court of Appeal created precedent, where they agreed to vary the “offering up” direction to allow Feltham to score away the names stamped on their “Demotic” rackets instead (provided that a Slazenger rep was present to witness it) and to continue to sell the reworked frames. Needless to say, finding an unaltered “Demotic” is now on my to do list...

TLDR: I’m confused why no fishtails were made in the US. I had a corker of a theory which didn’t stand up to the lightest scrutiny. I read extensively around the subject of 19th century legal challenges to racket design patents so I felt the need to regurgitate it here. Being a Chancery judge in Victorian London looked an easy gig.
 

Sanglier

Professional
Great stuff!

Am I the only one having a vision of John Oliver screaming “you’ve just wasted five minutes of your life” as I got to that part? I half expected the presentation to end with a video of dancers in top hat and tails doing a number on demons and fishtails and British patent law. :)
 

Henry Hub

Hall of Fame
For anyone with an interest in the early days of the game, I would strongly recommend reading the lawn tennis chapters of the 1890 edition of the Badminton Library’s “Tennis: Lawn Tennis: Rackets : Fives” (http://badminton.exato.nl/books/library/tennis/tennis.pdf). The book provides a fascinating insight into a nascent sport that is bursting with life and excitement, with commentary on the early Wimbledon championships and the stars of the game, playing tips (Kygrios could learn a few things here about how to dominate with the underarm serve) and kit. The sense of the new is well conveyed by the below:
 

Henry Hub

Hall of Fame
Having consumed this book myself today, I had a little retro session on the frigid courts tonight:


Yes, the Hi-Ten 30 was not in keeping with the rest but I did want to hit something other than the green spot ball at some point...

The New Dayton on the far right (New being a relative term, with the racket dating from 1924) is well balanced and the steel strings give you the confidence to have a cut at the ball that you wouldn’t dream of with the others. You certainly feel the vibration on impact through the piano wires, so this must have been the Pure Drive of its day.

The racket to the Dayton’s left is a Slazenger Centraject (the name was taken from the then newly introduced type of golf club, with its weight shifted down the head of the club). This was third in line behind the Demon and Doherty in Slazengers’ range from about 1899 to 1915. Difficult to date this one but the engraving on the wedge includes the patent number for the double mains (rather than just referring to Slazengers’ patent stringing) which I believe puts it in the front half of that run. Like the Doherty, it’s easy to tell from the heft and head-light balance of the racket that this is a serious players’ frame and it puts a lot of oomph behind the ball. Easily the best of the old-timers I used tonight.

The racket to the right of the Snauwaert is an early Horsman. While the decals on the wedge are indistinct or worse, it’s clear this is from before Narragansett took over manufacturing because there is no centaur logo. The letters I could decipher with a magnifying glass and the other clues (checkered grip, transitional flat top head, string pattern, ‘Oriental Gut’ stamp on the shaft) point to it being a Berkeley model from the early to mid-1890s (half the fun of these rackets is the detective work...). I was pretty terrified to do anything other than tap the ball over with this one, not least because the gut strings are in such good nick. It doesn’t really lend itself to much more than that though, as the frame is awfully head heavy and hard to manoeuvre, while the almost square handle is (if you’ll pardon the pun) hard to get to grips with.
 

Henry Hub

Hall of Fame
Wilson past and (as near as I could afford) present:


The Wilson brand traces its history back to the Ashland Manufacturing Company, which released its first racket, the Star, back in 1915 for 75 cents. This is one of those very rackets, either from 1915 or possibly 1916 - Kuebler suggests that the Star was not advertised in 1917 (and the rackets dropped the Ashland name that year with the company changing its name to “Thos E Wilson & Co” - see final photo below). Unfortunately @Sanglier ’s buttcap code-breaking won’t help us on this one! It is only 290g strung, which either means it is definitely still at the 75 cents budget end of the range or Wilson loved a platform racket even back then.


The quality picks up by the time we get into the early 1920s. This is a Cup Defender from between 1923 and 1926, which was the second most expensive racket Thos Wilson & Co advertised at the time and was offered with silk strings as an alternative to gut. It has the rawhide strip between the plies and curiously has the word “Spalding” stamped just above the handle.

 

vsbabolat

G.O.A.T.
Wilson past and (as near as I could afford) present:


The Wilson brand traces its history back to the Ashland Manufacturing Company, which released its first racket, the Star, back in 1915 for 75 cents. This is one of those very rackets, either from 1915 or possibly 1916 - Kuebler suggests that the Star was not advertised in 1917 (and the rackets dropped the Ashland name that year with the company changing its name to “Thos E Wilson & Co” - see final photo below). Unfortunately @Sanglier ’s buttcap code-breaking won’t help us on this one! It is only 290g strung, which either means it is definitely still at the 75 cents budget end of the range or Wilson loved a platform racket even back then.


The quality picks up by the time we get into the early 1920s. This is a Cup Defender from between 1923 and 1926, which was the second most expensive racket Thos Wilson & Co advertised at the time and was offered with silk strings as an alternative to gut. It has the rawhide strip between the plies and curiously has the word “Spalding” stamped just above the handle.

Could be because even back in those days Wilson used an OEM and Spalding being that. I have read that Spalding and Wilson shared a factory in Cortland, NY
 
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Henry Hub

Hall of Fame
Could be because even back in those days Wilson used an OEM and Spalding being that. I have read that Spalding and Wilson shared a factory in Cortland, NY
You’re quite right - just been doing a bit of reading on this too and apparently Spalding manufactured all of Wilson’s rackets (not sure about pre-1920s) up to 1962, at which point Spalding closed their US production facilities. Wilson bought the Cortland Tennis Co in 1961 to provide a bolt-on manufacturing capability and Bancroft produced rackets for Wilson in 1962 as a stop-gap until the Cortland factory was repurposed (credit: Kuebler and Cherry).
 

dak95_00

Hall of Fame
I just picked up some racquets yesterday. The logos are all in very good condition. All have strings. Some have intact strings. The seller had sold a couple before I got there. Two of them were a matched pair of junior sized racquets. I don't know if they had markings but they were definitely an oddity.

Spalding Geneva
Spalding Greenwood No. 4
Spalding Model DH
Spalding Favorite
Wright & Ditson The Park
(some unknown flathead with some markings on the little leather band at the butt of the grip)
D&M model unknown

Did I get anything good? I'm not a collector. I just didn't want to see someone nailing these to their wall.
 

Henry Hub

Hall of Fame
Pictures please!

Those are some of the main models released by Spalding and W&D - they were produced in evolving forms over about 20-40 years so rarity depends on how old they are. For those manufacturers, the first thing to look at is the wedge. If it is concave, it’s likely to be mid-1920s (except for the Park where there were 19th century concave models). If convex, the next thing to check is whether there are two lighter laminated strips running across the top of the wedge. If so, then the racket dates from after the patent was granted on the laminated wedge in 1905 (US) or 1904 (UK).

The Favorite (code: No. 2) was the entry level racket for Spalding and is usually pretty lightweight and cheaply made ($1 in the 1905 Spalding Lawn Tennis Annual). The Geneva (No. 3) was the next step up ($1.50 ibid). The Greenwood (No. 4) seemed similar and cost $2. For those interested, The Practice was coded No. 1 and cost 75 cents.

The DH cost an eye-watering $5 (only behind the $8 for the top of the line Gold Medal racket) and was a subset of Spalding’s “Model Racket” range - blurb for which ran as follows: “Perfect balance assured. Quality of material and workmanship the best ever put in an article of this kind. Frame of specially selected highly polished white ash. Hand made throughout and strung with finest quality lambs’ gut; leather capped handle”.

The DH was first released in 1905 and ran to at least 1922, the last year for which I have an Annual. Jeanne Cherry says until 1926 and who am I to contradict her? In 1905 it was distinguished from the rest of the range for its “mahogany handle. Extra stringing in central portion of racket [note: not the Slazenger double mains though]. Modelled after racket used exclusively by some of the greatest players in the world [note: presumably the Doherty brothers]”. The ad concludes by noting the taped shoulders and that the company “will supply, but cannot guarantee, any rackets weighing less than thirteen ounces.”

On the W&D, is there decal text on the wedge? From 1902 until the late 1910s, this usually read ”Wright & Ditson Boston Mass USA” with the U and A crossing below the S. Up until 1901 instead of the “Mass” and “USA” there would be three horizontal lines with 3 dots arranged horizontally on top below “Boston”. The oldest W&D have just the manufacturer’s name and “Boston” stamped in the wedge or along the length of the throat.

The flat head sounds interesting - may be an early 1900s transitional but if not you have struck gold.

If the Draper & Maynard has a dog in the logo, it’s from the 1920s or 1930s.
 
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dak95_00

Hall of Fame
Pictures please!

Those are some of the main models released by Spalding and W&D - they were produced in evolving forms over about 20-40 years so rarity depends on how old they are. For those manufacturers, the first thing to look at is the wedge. If it is concave, it’s likely to be mid-1920s (except for the Park where there were 19th century concave models). If convex, the next thing to check is whether there are two lighter laminated strips running across the top of the wedge. If so, then the racket dates from after the patent was granted on the laminated wedge in 1905 (US) or 1904 (UK).

The Favorite (code: No. 2) was the entry level racket for Spalding and is usually pretty lightweight and cheaply made ($1 in the 1905 Spalding Lawn Tennis Annual). The Geneva (No. 3) was the next step up ($1.50 ibid). The Greenwood (No. 4) seemed similar and cost $2. For those interested, The Practice was coded No. 1 and cost 75 cents.

The DH cost an eye-watering $5 (only behind the $8 for the top of the line Gold Medal racket) and was a subset of Spalding’s “Model Racket” range - blurb for which ran as follows: “Perfect balance assured. Quality of material and workmanship the best ever put in an article of this kind. Frame of specially selected highly polished white ash. Hand made throughout and strung with finest quality lambs’ gut; leather capped handle”.

The DH was first released in 1905 and ran to at least 1922, the last year for which I have an Annual. Jeanne Cherry says until 1926 and who am I to contradict her? In 1905 it was distinguished from the rest of the range for its “mahogany handle. Extra stringing in central portion of racket [note: not the Slazenger double mains though]. Modelled after racket used exclusively by some of the greatest players in the world [note: presumably the Doherty brothers]”. The ad concludes by noting the taped shoulders and that the company “will supply, but cannot guarantee, any rackets weighing less than thirteen ounces.”

On the W&D, is there decal text on the wedge? From 1902 until the late 1910s, this usually read ”Wright & Ditson Boston Mass USA” with the U and A crossing below the S. Up until 1901 instead of the “Mass” and “USA” there would be three horizontal lines with 3 dots arranged horizontally on top below “Boston”. The oldest W&D have just the manufacturer’s name and “Boston” stamped in the wedge or along the length of the throat.

The flat head sounds interesting - may be an early 1900s transitional but if not you have struck gold.

If the Draper & Maynard has a dog in the logo, it’s from the 1920s or 1930s.
I wish Tapatalk worked. I tried Imgur. I hope this works!

 

Henry Hub

Hall of Fame
That’s a stunning collection of rackets. I will have a crack at dating these later today but please could you take more photos of the flat top?

That racket can be dated with confidence to between 1884 and 1890. It looks like a Peck & Snyder at first blush (they patented the chamfered version of the flat top in 1884 - see below) or an early Bliss, Reach or possibly Spalding. Are there any markings at all on the racket at all - I thought I could see something just above the collar, at the bottom of the wedge? The collar and stylised handle are reliable indicators of pre-1890 rackets.


In any event these kinds of flat tops are extremely rare and quite valuable (they can list on the big auction site for $1000+ depending on the maker and condition - my eyes popped when I saw it).
 

Henry Hub

Hall of Fame
1. Draper & Maynard

The type of shoulder binding and trebling suggests this is a 1910s model (D&M only started manufacturing rackets in 1910 according to Kuebler). I can’t make out the model name from the gold leaf text at the top of the hoop - any idea what it says?

By way of background, Cherry notes that D&M (based in Plymouth, New Hampshire) originally made baseball gloves. However, inspired by their brief ownership of the more celebrated Horace Partridge between 1905 and 1909, they rolled out their own rackets from 1910 into the 1930s.

Is there any chance of a pic of the handle and buttcap?

2. Spalding Greenwood No 4

Not much detective work required to get the date on this one. According to Cherry, this model was only produced in 1924 and 1925 - she lists it as “scarce”. All of the regular Greenwoods that preceded this model were convex so it is distinctive.

The frame looks in excellent nick - does the inner ply (the strip around the inside of the hoop) stretch the whole way around the hoop or just across the top of the wedge?

3. Spalding Favorite

Agin, an easy one to identify as Cherry notes it was only sold in 1925. It was still a cheap, entry level racket then but what a beautiful design - especially the shoulder binding, trebling and the chamfered head. Again, Cherry lists this as “scarce”.

4. Spalding Geneva

This one was a lot trickier. It clearly dates from after the 1905 laminated wedge patent but the model was pretty much unchanged for years after that.

However I think it is a 1917 or 1918 model due to the smaller size of the model name’s font on the wedge. Up until 1916, the Spaldings Lawn Tennis Annuals depict the font as being much larger (though this could just have been artistic licence by the Spalding ad creatives). I could not find a listing for the model in 1919 and by 1922 it had become the lightweight kids’ Geneva 3D model, which does not conform to your model’s chunky 14 oz weight.

5. Spalding Model DH

Other than the Wright & Ditson, this was the trickiest racket to date. This racket was produced from 1905 to 1923. The Spalding Annuals suggest that the 1912 - 1915 models had the same flat shoulder taping as your racket so my best guess is that it dates from then (the taping was more corrugated from 1910-1911). My hesitation stems from the bevelled head. I can’t make out from the Annuals whether the 1912-1915 models had this design and the blurb is always at pains to underline the similarities between the DH and the Slazenger Doherty racket (hence DH) - but the latter did not have a chamfered hoop (certainly not pre-WW1). The 1922 Model DH has a bevelled head but the wedge is reinforced with laminated strips between the wedge and the hoop (not present in your racket) and the shoulders are bound with cord rather than tape. So I think on balance it’s a 1912-1915 model. What does the handle look like - regular combed wood or deep grooves?

Few other observations: the lovely red and clear gut strings just need a gentle brush down and they will shine; note the double main strings (another sign of Spalding dressing this up like a Slazenger Doherty); 12.5 oz is incredibly light for a racket of that era so this is likely to have been a lady’s racket.

6. Wright & Ditson The Park

My collection of W&D annuals is a bit spottier than my Spaldings and this model tended to be one that dropped off the list of illustrations. However, I can tell you that this dates from after 1911 (when The Park still had the W&D writing on the wedge and the model name on the top of the hoop) and it was definitely in this form by 1916, at which point a drawing of the racket features in the annual again. Is there anything on the shaft or buttcap? What kind of handle does it have?

7. Mysterious flat top

I am afraid I am no closer to working out manufacturer or model but it’s not for want of trying and it is an exercise that I am thoroughly enjoying!

I still think it is most likely a Peck and Snyder or Reach or R. Bliss racket (Bliss having been the OEM for many early flat tops, including for the other two companies). Conceivably it could be a Horsman but they typically went in for convex wedges in their flat tops and went to town on elaborate engravings and decals all over the wedge so I think that’s unlikely.

I would guess it is an early flat top because of the rounded handle and the collar, both of which are fairly reliable signs of a recent transition from the tilted-head first lawn tennis rackets. Once again, the handle is just wonderful - I haven’t seen another racket with that design before.

I wouldn’t worry overly about the small cracks or the slight warping - this is a museum piece any way you look at it and it would be the centrepiece to most vintage racket collections.

The location of the weight (“13oz”) at the bottom of the wedge is pretty standard for the P&S and Reach flat tops but the font (especially the “1”) does not match up with the examples I’ve looked at today. Is there any worn away decal (gold leaf probably) that you can see above the weight stamp (that’s the side of the wedge the model’s name was typically on for those makes) or on the other side of the wedge? It looks as if there is some roughed up wood at the top of the other side of the wedge - is there any writing that’s been scrubbed out there that you can still see traces of?
 

dak95_00

Hall of Fame
1. Draper & Maynard

The type of shoulder binding and trebling suggests this is a 1910s model (D&M only started manufacturing rackets in 1910 according to Kuebler). I can’t make out the model name from the gold leaf text at the top of the hoop - any idea what it says?

By way of background, Cherry notes that D&M (based in Plymouth, New Hampshire) originally made baseball gloves. However, inspired by their brief ownership of the more celebrated Horace Partridge between 1905 and 1909, they rolled out their own rackets from 1910 into the 1930s.

Is there any chance of a pic of the handle and buttcap?

2. Spalding Greenwood No 4

Not much detective work required to get the date on this one. According to Cherry, this model was only produced in 1924 and 1925 - she lists it as “scarce”. All of the regular Greenwoods that preceded this model were convex so it is distinctive.

The frame looks in excellent nick - does the inner ply (the strip around the inside of the hoop) stretch the whole way around the hoop or just across the top of the wedge?

3. Spalding Favorite

Agin, an easy one to identify as Cherry notes it was only sold in 1925. It was still a cheap, entry level racket then but what a beautiful design - especially the shoulder binding, trebling and the chamfered head. Again, Cherry lists this as “scarce”.

4. Spalding Geneva

This one was a lot trickier. It clearly dates from after the 1905 laminated wedge patent but the model was pretty much unchanged for years after that.

However I think it is a 1917 or 1918 model due to the smaller size of the model name’s font on the wedge. Up until 1916, the Spaldings Lawn Tennis Annuals depict the font as being much larger (though this could just have been artistic licence by the Spalding ad creatives). I could not find a listing for the model in 1919 and by 1922 it had become the lightweight kids’ Geneva 3D model, which does not conform to your model’s chunky 14 oz weight.

5. Spalding Model DH

Other than the Wright & Ditson, this was the trickiest racket to date. This racket was produced from 1905 to 1923. The Spalding Annuals suggest that the 1912 - 1915 models had the same flat shoulder taping as your racket so my best guess is that it dates from then (the taping was more corrugated from 1910-1911). My hesitation stems from the bevelled head. I can’t make out from the Annuals whether the 1912-1915 models had this design and the blurb is always at pains to underline the similarities between the DH and the Slazenger Doherty racket (hence DH) - but the latter did not have a chamfered hoop (certainly not pre-WW1). The 1922 Model DH has a bevelled head but the wedge is reinforced with laminated strips between the wedge and the hoop (not present in your racket) and the shoulders are bound with cord rather than tape. So I think on balance it’s a 1912-1915 model. What does the handle look like - regular combed wood or deep grooves?

Few other observations: the lovely red and clear gut strings just need a gentle brush down and they will shine; note the double main strings (another sign of Spalding dressing this up like a Slazenger Doherty); 12.5 oz is incredibly light for a racket of that era so this is likely to have been a lady’s racket.

6. Wright & Ditson The Park

My collection of W&D annuals is a bit spottier than my Spaldings and this model tended to be one that dropped off the list of illustrations. However, I can tell you that this dates from after 1911 (when The Park still had the W&D writing on the wedge and the model name on the top of the hoop) and it was definitely in this form by 1916, at which point a drawing of the racket features in the annual again. Is there anything on the shaft or buttcap? What kind of handle does it have?

7. Mysterious flat top

I am afraid I am no closer to working out manufacturer or model but it’s not for want of trying and it is an exercise that I am thoroughly enjoying!

I still think it is most likely a Peck and Snyder or Reach or R. Bliss racket (Bliss having been the OEM for many early flat tops, including for the other two companies). Conceivably it could be a Horsman but they typically went in for convex wedges in their flat tops and went to town on elaborate engravings and decals all over the wedge so I think that’s unlikely.

I would guess it is an early flat top because of the rounded handle and the collar, both of which are fairly reliable signs of a recent transition from the tilted-head first lawn tennis rackets. Once again, the handle is just wonderful - I haven’t seen another racket with that design before.

I wouldn’t worry overly about the small cracks or the slight warping - this is a museum piece any way you look at it and it would be the centrepiece to most vintage racket collections.

The location of the weight (“13oz”) at the bottom of the wedge is pretty standard for the P&S and Reach flat tops but the font (especially the “1”) does not match up with the examples I’ve looked at today. Is there any worn away decal (gold leaf probably) that you can see above the weight stamp (that’s the side of the wedge the model’s name was typically on for those makes) or on the other side of the wedge? It looks as if there is some roughed up wood at the top of the other side of the wedge - is there any writing that’s been scrubbed out there that you can still see traces of?
Wow!

Henry,
I can see you are very passionate about this. It’s fun reading what you’ve uncovered so far and I appreciate your effort, knowledge, and research.

I’m going out of town for the next couple of days. I’ll get more pictures when I get back and share them.

I don’t consider myself a collector and feel I should get these into the hands of someone who would appreciate and enjoy them. Where would I find such a person? Are you a collector?

I’m located in the Columbus, Ohio area.

I’ll get those pictures in a couple of evenings.
 
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