Now 5263, what about the transition from Lendl to Sampras to Federer? That is a comparison I find interesting. I know every poster has their own heros who they see as exemplars of the modern game. For some it's Nadal, Agassi, djokovich, maybe Safin, obviously a lot of federer fans too. I think everyone defines the modern game a little differently.
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Hey, we can have very polite and interesting discussions on what we each see
about the game and I don't hold grudges because I am here to try to help anyone
I can, but it would help if we dropped the
jabs like, "modern police". The rest of your post seems sincere and very reasonable.
You are quite correct that many think differently about the use of the term
modern as it relates to today's game, strokes, and instruction. It is sort of
unfortunate that Oscar's method was named Modern since the word tends to be sort
of generic and lends itself to this type confusion. None the less, that is the name
and there are the books written as reference. Given this, the term will have
definitions inline with Oscar's method
along with many other opinions on the
subject, so it's what we have to work with....the good, the bad and the confusing:???:
As to the MTM modern perspective,
all the players you mention ( I think, but
may have missed one)
have a lot of modern in their game. Very few will have all
the modern elements all the time, as has been pointed out many times...Oscar
worked more with instructors and didn't spend much time focused on any one
player's development. The coaches that Oscar worked with many times used
much of what he taught, but as all coaches, they also held on to many of their
own ideas from other coaches and personal experience.
MTM modern is really pretty basic and simple, which is the thrust of the teaching.
What you see with many of those top players is how they develop
their own style within the modern context. They all find the ball from below,
use the "up and across" to build acceleration and control as they finish strongly for
topspin shots.
More often the key is in what they DON"T do, like extend down the target line.
There is more to it and also the other strokes, but hopefully
this helps with the basic idea.