I was very inspired by this playtest, and ended up popping off with an extended write-up. It’s a bit much, I get it, but I think the
2025 Black Ace Pro is something of a special frame that deserves more print space and mindshare than it gets, so I cleared this with TW Staff, and hopefully this honest glowup contributes!
Some shorter takeaways up-front about the 2025 Black Ace Pro for the longform-disinclined (no hate):
It’s a 97 that plays like a 97. Not bigger, not smaller. Sweet spot is tidy, but the frame is responsive all the way to the edge. Mishits don’t punish you too badly; no jarring sensations, or galling net balls. Even frame hits aren’t uncomfortable, and bad contact still generally makes it over. In that sense this is like an
“intermediate game improvement” frame, for mid players like me who like what the smaller head and thin beam have to offer, but want to be guided to improve their game through positive motivation rather than banging your head against a wall over and over. It’s like the frame wants you to do well with it, and never raps you on the knuckles too hard for screwing up.
The feeling on perfect contact is ridiculous. Once outside that ridiculous sweetspot, you immediately begin receiving lots of feedback in the form of vibration. But since it’s low-frequency, flexy-boy feedback, it’s a comfortable sensation and you get tons of information from it. It feels like a sensitive instrument.
There’s just enough power that “low-powered” is not the first thing that comes to mind when describing this frame. There’s some “sensible power” available but you kinda have to put a quarter in the machine to access it.
The low static weight might be a tough sell to the kinds of people interested in this class of frame, especially if it’s this difficult to add weight to the handle. It works in stock spec, with above average stability for a 315g strung racket (that’s what mine came in at!), but it was a better experience with the addition of grip weight and a lower balance point. Unfortunately, the only realistic way to add weight to Kinetic handles is a heavier grip, lead under the grip, and lead on the bottom of the endcap. You can add weight inside Kinetic endcaps but it’s a nightmare.
If a shot is physically possible, it feels like the Black Ace Pro can do it. I’ve never played with a frame that makes me feel like I can hit so many crazy angles. I feel like a much more creative and capable player with this frame in my hand.
It can be mentally exhausting to play long sets with as an intermediate. There’s no such thing as “just hitting around” with this frame, not at this skill level. I couldn’t just bash balls with it; instead, every shot feels really intentional. It’s invigorating more than relaxing, and after a few hours I found myself switching out to dumbed-down frames without so many knobs and dials to adjust.
This is almost certainly the finest frame Pro Kennex have ever made, and it might not even be close. @Boredsurfer was sayin how this is a golden age for Pro Kennex and he might be right. PK have made a handful of very-good-to-excellent frames over the years, but this has to be solidly at the top. This frame is kinda nuts? Like where did this come from.
Okay now for some BAP YAPPIN.
Enormous thanks to TW and also to Pro Kennex, who were my jam in 1991 when I was the only kid in Brooklyn with a Graphite Presence. PK is still my jam now.
Overview
When you were a kid you’d get these crayons in a box of just 8 colors, and it was a little depressing, kinda poverty-spec a bit, but there was no issue with them really. You could draw a house no problem.
There’s frames that are like that. Like no-nonsense, “here’s a color, now get to scribblin’” style frames. In Pro Kennex terms that’s a
5G ... “just get some orange and green down on that page already, teacher wants to go home”. And it’s no problem.
But then you could get a box with 16 colors, and suddenly you’re like “oh, so I can choose between TWO kinds of blue?” Suddenly there’s so much more you can capture in wax. You can shade things, and you feel like more of an artist. In PK world that’s like a
Q+5. You can do some art with the thing and get a real picture done.
But you can also bump up to the 24 box. Who are you, Daddy Warbucks? Now you’re spoiled for choice. Suddenly, the sheer breadth of your palette is making you think more creatively. Now you want to invent a new butterfly. Kinda like a
Q+Tour.
These days, you can go to Target looking for a 16, or a 24, and you realize ... whoa they have a *96* box now? And you take it home to give to your kid but you start looking through the colors and you’re like, I’m just gonna call in to work and take the day off, I’ve got a butterfly to invent.
That’s this thing. The
2025 Black Ace Pro is a box of 96 different colors.
Is that good, is it bad? Neither, both? Do you need 96 colors to get a drawing done?
I’ve been a Pro Kennex fanboy for a very long time. I find the company fascinating, unpredictable, eccentric, and capable of real greatness. Over the years they’ve had a reputation as a volume producer, putting out tons and tons of different models, but honestly if you go back and play with them, you find that even the inexpensive, tossed-off frames are all “pretty good”. Go to a Goodwill and spend $3 on a
Graphite Prophecy II or a
Whale 110, put some new strings in it, and you have a very solid, comfortable frame that feels quality. Ask
@kevin qmto -- they're
always playable.
But if “pretty good” is their norm, they’re also not known for coming up with masterpieces, which is why these 2025 Black Aces are so intriguing and noteworthy.
As it is,
these do not feel like Pro Kennex frames. Whatever it is they’ve done to the layup, whatever “Aurelian Graphite” is, whether it’s that or some other change, it’s an astonishing thing.
All these frames have a solidity, a communicability, and a high-quality feel that in my opinion makes almost all other modern frames feel frankly a little bit garbagey.
The
Black Ace 300 and
315 are “excellent”, but if we trace the Black Ace Pro from the previous generation to this one, it feels like this particular racket is just one more iteration from being a genuine masterpiece.
It’s close.
It’s an easy claim to defend honestly ... they’ve never made anything that feels this clean, responsive, solid, creative, competent and joyful, trad and modern, all in one frame. I play with PK’s every time out, and not until the ’25 BAP have I felt this sense while playing of, “
I can’t wait to hit my next shot”.
The thing is so detailed and feelsy -- twelve shades of blue and all that -- that it made me feel far more creative than I actually am on a court. I came away from each session feeling like I hadn’t just played some tennis, I had
experienced what tennis had to offer.
There were so, so many times over my sessions with this frame where I hit the ball and thought not only “wow, I just made that shot?” but also, “wow, that shot was even
possible?”
For a solid intermediate player, this frame is a pretty compelling operator. Maybe not “ideal”, just “compelling”.
Context
I’m a middle-aged, reasonably solid 3.5. If things are clicking I lose with quiet dignity to 4.0’s, but I keep up fine. Happiest (and at my best) counterpunching against harder hitters, otherwise it’s groundstrokes and pray I don’t get distracted by a dog with a fluffy tail.
Not unhappy at net but it’s not my thing since my control is not good enough to set up really positive net play. One day.
Current Setup
My main racket going into this test has been a two-way between a trusty
Pro Kennex 5G (for hitting around, relaxing, little bit of maxing etc), and a
Percept 100D (for actually attempting to win). Both rackets are currently modified to around 350g static, 320 swing -- it’s just what my arm seems happiest with.
I’m a multi user although I do experiment with poly setups. I’ve got a crazy-guy style, zero-impulse-control racket collection and I’m always messing around with stuff. Not picky about multis as long as it’s not a full bed of dead nonsense like Xcel or Velocity (in crosses, fine). Sometimes I set the 5G up with a soft poly X multi hybrid to get more control out of it but the frame is so low on power that I don’t love the tradeoff. The 100D currently has Isospeed Pro 1.20 just for experimenting but here too I am fine with any rational multi like the Prince Premiers, or any of the TF’s (of course).
Other than the 5G and 100D, my recent points of comparison are a
Pro Kennex Ki10 that I can’t find the right string for, and a
Ki5 295 that I was supposed to be such good friends with but we’re not speaking at the moment.
As noted, I’m lowkey obsessed with Pro Kennex frames -- always have been --
so I’m hoping I can provide some value here by putting the BAP into brand context.
For this test I used the BAP in three configs: fully stock, ~30g in grip, and ~20g in grip. I didn’t change swingweight (never felt I needed to), and played with NXT 17 off the machine at 54, a really familiar setup which made comparisons more straightforward.
My frame arrived slightly under spec at
302g unstrung, 294 sw as clocked by a calibrated Briffidi SW1. It strung up at 315g, swinging at 321.5. I spent about 15 hours with the BAP over the past few weeks.
(cont'd!)