If I'm being completely honest the one '90s movie I've probably watched more than any other is
Clueless. Granted mostly in bites and pieces - the last time I gave it a full whirl was about two years ago when my roomie had his short-term GF come over - but it's ridiculously quotable and one of the best Austen adaptations ever, in fact possibly the very best screen version of probably the best Austen novel. And while the girls (particularly Silverstone) rightly get the lion's share of the credit Dan Hedaya's Mel is one of the all-time great comic performances. My fave zinger (starts around 0:43 in this collection of highlights):
Very interested to see how the latest
Emma. (with a dot, apparently) compares with the '90s classic. And while I'm at it I'll also stick up for the much-maligned (among the Janeites, at any rate) 1996 version starring Gwyneth Paltrow, which sizzles with wit and bonhomie among the first-rate cast enhanced even further by Rachel Portman's delicious score (which justly won the Oscar against substantial competition):
Another fave:
At this point I'm quite confident
this hugest blockbuster (and
arguably queer masterpiece) will have more staying power than just about every other movie of the '90s. When
I saw its 2017 re-release (in Dolby Vision 3D) on a weekday evening there was still a sizable crowd of about two dozen, and several members were still having a lively discussion well after the end credits. Oh and for her latest feature
Portrait of a Lady on Fire Sciamma totally stole her portrait scene of the lovers in bed from its counterpart (you know which one) in
Titanic. (Anyone who's seen both and says they don't see the connection is, uh, lying.) I can't think of any other movie of the last three decades or so that has managed to appeal to such a wide-ranging slice of the snobs and the plebs and it's only a matter of time before the arthouse holdouts come to see the error of their dogmatic ways.
Dekalog is Kieslowski's masterpiece, but since it's technically an '80s work I'll second the trilogy as one of the '90s' best with the obvious caveat that we're cheating a bit. I'll add I've long found
White rather underrated and prefer it to
Blue (
Red is still the best of the bunch, though).
That's three so far which leaves us with seven, in chronological order only (again with the necessary caveat that I haven't thought this through quite yet):
A Brighter Summer Day (Yang, 1991)
Center Stage/
Actress (Kwan, 1991)
Before Sunrise (Linklater, 1995)
La Cérémonie/
The Ceremony (Chabrol, 1995), an antidote to the extravagant hype over Bong's recent
Parasite
Flowers of Shanghai (Hou, 1998)
Eyes Wide Shut (Kubrick, 1999)
The Wind Will Carry Us (Kiarostami, 1999) if included in the '90s (it didn't open till '00 in most parts of the US) [if not
Through the Olive Trees (1994) though
Close-Up (1990) is probably a greater work]