Yamaha EX 110

bruinduke

Rookie
Hello, i recently picked up 2 9/10 Yamaha EX 110 (the model Sabatini used). After changing the rotted grips, I noticed when swinging that it sounds like there’s sand in the frames (like the design of pro kennex model 5k frames).

Wondering if former users noticed that back when they played or whether it’s just a sign of racquet fatigue and materials breaking down. The exterior looks and feels perfect, but surprised by the sound of particles moving interior of frame. It’s not just a small piece loose in the frame, but feels like fair amount of whatever it is.
Thanks for any comments
 
I do not believe that the racquets had the PK sand/particles. I believe that you are hearing stuff that has broken off inside the frame. If you can remove the buttcap, I believe that the debris can be shaken out. Do not try to remove the grommets unless you have spare sets lying around.
 
I still have 2 x EX110 and 2 x EX110 Tour (Yellow version). I still play with them from time to time. Maybe only except the EX110 that is L3 which weight 370gram with strring and overgrip.
I suspect the frame is foam filled, but none of them has funny sound from the frame. Again, the suggestion to remove the butt to see if there is any debris in the frame.
But those that I had all feel good.
 
Thanks for the replies. Hit it with this evening. Particles didn't effect the racquet. Could be a former owner's experiment with one of the frames, but so far has that old school box beam feel, but stiffer than any POGs I've hit..
 
This all prompted me to start hitting with mine again. Awesome. Still on the hunt for yellow versions if anyone has some. Also grabbed a couple of eos rz110 to try to find a little bit of a lighter version. I know it’s different but it’s still cool!!
 
I still have 2 x EX110 and 2 x EX110 Tour (Yellow version). I still play with them from time to time. Maybe only except the EX110 that is L3 which weight 370gram with strring and overgrip.
I suspect the frame is foam filled, but none of them has funny sound from the frame. Again, the suggestion to remove the butt to see if there is any debris in the frame.
But those that I had all feel good.

Frames of the Secrets are hollow. Never pulled the buttcaps off them so not sure if there is foam inside handle area. Only one way to tell.
 
A few quick pictures of the pair I am playing with from time to time now. The other primary racquet is a Prince Phantom 107G

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AL9nZEUr-URAQumKfLSnjHlrw4Uxgqg1YZlwCQKFFNm7OJWu0avB8Dm6oGFjBnlZsA25G5-bEw2hwwXAg0rPhf3AbmZNZRbEaA4ZDBCxDyn5MlKqZaoCQqH6hW3j4uhc_5h-Ca8p-jYgR4i2WBEvUft1QBQh-w=w1730-h1297-no
 
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I played with the SL3 version for both EX110 and EX110 Tour (Yellow).

The actual weight for both racquets including String (currently strung with Luxilon 4G soft at 55/55) and Overgrip (Kimony), not forgetting the silicone band is around 360g.

I have also replaced the original grip with a Leather Grip, that brings up the static weight a bit and maybe change the balance.

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The EX110 is 11.5 points Head Light, and the EX110 Tour (yellow) is 8.5 Points Head Light, measured with string, & overgrip.

Swing weight is 327g (EX110) & 332g (EX110 Tour).


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The EX110s that I got and used have come in 3 different weight "classes". USL3 (~320g static weight), SL3 (~360g), and L3 (~370g).

I have been trying to sell this for a while in my local country (Singapore) but I can't actively play with this anymore. Below is a EX110 (non tour), L3 spec. G3 grip, but ~375g, fitted with leather grip and kimony overgrip. Strung with Yonex Polytour Rev.

AL9nZEWM--7knC65wtlcP4HtTN207HB1b8Nx4VVRX2--iV7V9FbZKgrD0wUWeIYyRl2sNEl7d9eZ5iUuuccEBsC7587zlY4GW8FagV6Db7TrS5guC6uKXzYJr2CPMylOgWJimBTGQYdVOBPFUInmjShGDGhpYQ=w1730-h1297-no
 
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I've always been fascinated by these frames, but I've never had the pleasure. Bruinduke, do your EX-110 and EX-110 Pro have the same beam widths? It's hard to be sure from the photos. (And thanks for those.)

And can anyone confirm that the EX-110G (white with blackstripes, looked a little like the later Head Microgel paint) was thinner beamed than either of the above two?
 
Yes, the beam for the EX110 Tour is narrower and more boxy. The measurement for both racquet is such

EX110 (White) - Tip (22.3) - 12 o'clock (22.3) - Throat (23.1)
EX110 Tour (Yellow) - Tip (20.6) - 12 o'clock (20.5) - Throat (20.7)

I am keen on selling the ~370 gram EX110, but I am not sure I got your email right.

I think when Yamaha move the manufacturing to Malaysia and then Taiwan, there come EX-110G
 
Yes, the beam for the EX110 Tour is narrower and more boxy. The measurement for both racquet is such

EX110 (White) - Tip (22.3) - 12 o'clock (22.3) - Throat (23.1)
EX110 Tour (Yellow) - Tip (20.6) - 12 o'clock (20.5) - Throat (20.7)

I am keen on selling the ~370 gram EX110, but I am not sure I got your email right.

I think when Yamaha move the manufacturing to Malaysia and then Taiwan, there come EX-110G
I've never seen a Yamaha come from Malaysia, but I have a couple Secret models from Taiwan. They seemed to use a perfect copy mold of the Secret 04 for their later sticks like the Secret 65,66, 100, X, and Pro.
 
Yes, the beam for the EX110 Tour is narrower and more boxy. The measurement for both racquet is such

EX110 (White) - Tip (22.3) - 12 o'clock (22.3) - Throat (23.1)
EX110 Tour (Yellow) - Tip (20.6) - 12 o'clock (20.5) - Throat (20.7)

I am keen on selling the ~370 gram EX110, but I am not sure I got your email right.

I think when Yamaha move the manufacturing to Malaysia and then Taiwan, there come EX-110G
Mvalek@live.co.uk
 
Arise, O Thread, mouldering long in thy grave, and heed my necromantic urges — for the spirit of Yamaha oversize sticks calls from across the ages and I yearn to hear more of it...

The Proto version of the Secrets, sold in Japan, included an "FX" series as well as the "EX" series everyone else got. Anyone know anything about them? Lighter (like Japan-only sticks usually are)? Lower swing weight? More flexible? Did they have the same nice, solid, engineered-by-a-more-advanced-civilization feel of the original Secrets and the EX's?
 
A few quick pictures of the pair I am playing with from time to time now. The other primary racquet is a Prince Phantom 107G
OngBengHui, how would you describe the differences in feel and performance between your Phantom and the Yamahas?

I ask because I play mainly with a 1985 Prince Graphite 110 — similar, I think, to your EX's — and as age increasingly limits my footwork, I am considering a lighter frame, with as much of that old-school solid feel as I can get. The Phantom 107G is the most promising candidate.
 
OngBengHui, how would you describe the differences in feel and performance between your Phantom and the Yamahas?

I ask because I play mainly with a 1985 Prince Graphite 110 — similar, I think, to your EX's — and as age increasingly limits my footwork, I am considering a lighter frame, with as much of that old-school solid feel as I can get. The Phantom 107G is the most promising candidate.

Phantom 107G play differently from the Prince Graphite 110. I still using a Made in Thailand, 1-strip Graphite, and a Made in Taiwan, 4 strips Graphite.
and also with Yamaha EX110. Phantom 107G remain as my backup racquet when I am out of juice. If you need more power, Beast 100 will be nice too.
But I must say they are different.

I toggle around Yamaha EX110s (Regular & Tour), Head Radicals (Tour & Ti), Prince Graphite 110s (Taiwan, Thailand) and Phantom 107G.
Good old classic feel, but play slightly different.
 
Arise, O Thread, mouldering long in thy grave, and heed my necromantic urges — for the spirit of Yamaha oversize sticks calls from across the ages and I yearn to hear more of it...

The Proto version of the Secrets, sold in Japan, included an "FX" series as well as the "EX" series everyone else got. Anyone know anything about them? Lighter (like Japan-only sticks usually are)? Lower swing weight? More flexible? Did they have the same nice, solid, engineered-by-a-more-advanced-civilization feel of the original Secrets and the EX's?

I can only speak to the Proto widebodies -- I only have Japanese 110's, not out of choice but just because I was never able to find frames in nice shape here -- and in my experience these appear to be less intimidating than their Secret sisters, at least based on the specs people post. But it's worth bearing in mind that even within each weight class I've experienced some real spec discrepancies across paintjob, and I do not fully understand the situation!!

For example, I found an FX110 (the rainbowy one) in USL2 that's 333g/313sw. But then I have a USL2 yellow tour -- which people say should be heavier -- that's 336g/298sw!! Thing whips around more than Simon Castlevania. The SL3 tour is 350g but also swings light at 320sw.

Even weirder is two Proto EX110's, both SL3, that swing totally different from each other. The green/purple is 343g/312sw, but the silver/pink is 344g/338sw! Identical molds obviously, and zero indication of anything different other than how the silver/pink came out a bit later.

There might be perfectly good reasons behind it all but I can't help but get the feeling that despite these rackets seeming to have been beautifully engineered -- and they certainly look and feel the part -- I think a lot of that's just been huffing and puffing from adoring fans who are just kinda in love with their pretty Secrets. Which I get!! But I kinda side-eye their fabrication and QC standards. I recently changed the grip on a Secret-04 and noticed that the pallet had several big, irregular holes in it where it looks like the foam machine hiccupped or something lol ... big enough to feel through the grip, I was like ohhhh so that's what those divots were. And tho the Secret-04 hoop cracks are a well-known thing, you gotta watch out for cracks in the throat on the big EX/FX's as well -- they creep in with the telltale paint bunching, and the paint in general is just dying to chip and flake ...

Anyway yeah love them but obviously a complicated relationship, what can ya do ¯\_(ツ)_/¯
 
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I can only speak to the Proto widebodies -- I only have Japanese 110's, not out of choice but just because I was never able to find frames in nice shape here -- and in my experience these appear to be less intimidating than their Secret sisters, at least based on the specs people post. But it's worth bearing in mind that even within each weight class I've experienced some real spec discrepancies across paintjob, and I do not fully understand the situation!!

For example, I found an FX110 (the rainbowy one) in USL2 that's 333g/313sw. But then I have a USL2 yellow tour -- which people say should be heavier -- that's 336g/298sw!! Thing whips around more than Simon Castlevania. The SL3 tour is 350g but also swings light at 320sw.

Even weirder is two Proto EX110's, both SL3, that swing totally different from each other. The green/purple is 343g/312sw, but the silver/pink is 344g/338sw! Identical molds obviously, and zero indication of anything different other than how the silver/pink came out a bit later.

There might be perfectly good reasons behind it all but I can't help but get the feeling that despite these rackets seeming to have been beautifully engineered -- and they certainly look and feel the part -- I think a lot of that's just been huffing and puffing from adoring fans who are just kinda in love with their pretty Secrets. Which I get!! But I kinda side-eye their fabrication and QC standards. I recently changed the grip on a Secret-04 and noticed that the pallet had several big, irregular holes in it where it looks like the foam machine hiccupped or something lol ... big enough to feel through the grip, I was like ohhhh so that's what those divots were. And tho the Secret-04 hoop cracks are a well-known thing, you gotta watch out for cracks in the throat on the big EX/FX's as well -- they creep in with the telltale paint bunching, and the paint in general is just dying to chip and flake ...

Anyway yeah love them but obviously a complicated relationship, what can ya do ¯\_(ツ)_/¯
Well Yamaha’s factories were good enough for Kneissel and Puma to have rackets made for them. I wonder if Yamaha sold that factory in Singapore after getting out of tennis or just shifted to one of their other industries?
 
Well Yamaha’s factories were good enough for Kneissel and Puma to have rackets made for them. I wonder if Yamaha sold that factory in Singapore after getting out of tennis or just shifted to one of their other industries?
Production of the higher ranged Rackets moved from Singapur to Malaysia in the mid 90s.
 
... Anyway yeah love them but obviously a complicated relationship, what can ya do ¯\_(ツ)_/¯
Yeah, I'm right there with you. I'm still primarily playing mid-80s one-stripe Graphite 110s, and as wondrous a frame as that is, the consistency of specs from one frame to the next is appalling. I have three, and they range from 364 g, 31.9 cm, 343 kg•cm^2 all the way to 373 g, 30.4 cm, 320 kg•cm^2.

One of my hopes for the Yamahas is that, coming along a few years later, they'd be a little more consistent — especially since they are not so easily acquired as old Princes — but your yellow Tour specs are a splash of cold water: I've had my eye on those (largely due to the thinner beam vs the white/green/purple non-Tour originals, but yeah, they're pretty), but with so little customization room to bring up that 298 (that's strung, right?), I doubt I could do much with them unless I got really lucky on a couple of frames' specs.

Maybe Sabatini told them she wanted plenty of extreme, randomized variety in her new frame, like she had in her old one...
 
Yeah, I'm right there with you. I'm still primarily playing mid-80s one-stripe Graphite 110s, and as wondrous a frame as that is, the consistency of specs from one frame to the next is appalling. I have three, and they range from 364 g, 31.9 cm, 343 kg•cm^2 all the way to 373 g, 30.4 cm, 320 kg•cm^2.

One of my hopes for the Yamahas is that, coming along a few years later, they'd be a little more consistent — especially since they are not so easily acquired as old Princes — but your yellow Tour specs are a splash of cold water: I've had my eye on those (largely due to the thinner beam vs the white/green/purple non-Tour originals, but yeah, they're pretty), but with so little customization room to bring up that 298 (that's strung, right?), I doubt I could do much with them unless I got really lucky on a couple of frames' specs.

Maybe Sabatini told them she wanted plenty of extreme, randomized variety in her new frame, like she had in her old one...

That's interesting about the one-stripes, since Prince did seem to have gotten their acts together by the mid to late 80's -- the CTS frames in particular are all very tight in spec, at least in my experience. But I guess it was a pretty inexact science in the long, long ago times of one-stripe graphites! I even wonder if they were mindful at all of the specifications of their own rackets at that point. 373g!! Is that one grommetless?

Regarding the yellow tour, yup that 298 swing weight is strung. I checked and rechecked, thinking, that can't possibly be the case with a racket weighing 336g. Then I'd swing it and think, uhhh yup! That absolutely can be and clearly IS the case. It's a fun frame, kind of lethal in fast hands! Just not what you'd expect and I have to think a lot of customers were either really let down or else really delighted when they took delivery of their dayglow yellow tours. For what it's worth, the 298sw frame does have a leather grip, so with the synthetic one it would have come with, it would have been a little bit less odd.

It's one of the sillier disparities between static and swung weight of any racket I've come across, probably second only to an earlier Yamaha racket, a hilarious alpha-97L that's 327g static, and 285sw (with a 13 pt HL balance). Comical at that point, it's like whipping a nunchaku.

From what you're describing though @Don't Let It Bounce you might find Sabatini's later EX-110G models more appealing. They're more modern rackets, thinner beam, more refined, and more rational. I have a USL3 that's 307 unstrung with a 278 swing weight -- that's a terrific platform and suddenly rather modern specs. And the Gaby G's swing through the air more cleanly than the older 110's. The tradeoff is that while they're really pretty frames, they're not on that level of Roy Lichtenstein/Andy Warhol pop art that those colorful older 110's really, really are.

Beam width is 22/20/19 for greenpurp/tour/G.

If anyone is interested in any of these Yamahas, just hit me up, I'm happy to throw them up in the classifieds and rehome them!! My philosophy has become, if I ain't gonna play with them anymore, they need someone else to play with them. I'm locked into the Pro Kennex army 4lyfe by now lol :laughing:
 
One of my hopes for the Yamahas is that, coming along a few years later, they'd be a little more consistent — especially since they are not so easily acquired as old Princes — but your yellow Tour specs are a splash of cold water: I've had my eye on those (largely due to the thinner beam vs the white/green/purple non-Tour originals, but yeah, they're pretty), but with so little customization room to bring up that 298 (that's strung, right?), I doubt I could do much with them unless I got really lucky on a couple of frames' specs.

I noticed that the Yamaha come with 3 different weight classes, USL, SL, and L, like USL3, SL3 & L3.
L3 been the heaviest at around 375g for my previous Yamaha EX110 L3. I have since sold that off.

I used to have a EX110 Tour at USL3 at 337g strung and have sold that too. SL3 is most comfortable for me at around 362g.
My Prince Graphite is around 350g strung.

PS: All the weights were taken strung, racquet fitted with leather grip with 1 overgrip.
 
That's interesting about the one-stripes, since Prince did seem to have gotten their acts together by the mid to late 80's -- the CTS frames in particular are all very tight in spec, at least in my experience. But I guess it was a pretty inexact science in the long, long ago times of one-stripe graphites! I even wonder if they were mindful at all of the specifications of their own rackets at that point. 373g!! Is that one grommetless?

I have a grommetless Prince Graphite at 383g strung, leather grip and one overgrip. It has this odd vibration that make it hard to play.
 
That's interesting about the one-stripes, since Prince did seem to have gotten their acts together by the mid to late 80's -- the CTS frames in particular are all very tight in spec, at least in my experience. But I guess it was a pretty inexact science in the long, long ago times of one-stripe graphites! I even wonder if they were mindful at all of the specifications of their own rackets at that point. 373g!! Is that one grommetless?
Nah, these are all 3rd iteration (mid-80s, one stripe, bumber guard, "Series 110"). The 373g outlier is even heavier than it seems: it's strung with a light poly and has a synthetic grip instead of the original leather.

I think they just saw consistency as meaning "same weight", so when one came out of the mold a little light in the head, they added weight in the handle during finishing to standardize it for its grip size. Fischer was much-lauded two decades later for their Zero Tolerance QC, and even they didn't match anything other than weight.

I have a couple of 4th-iteration 4-stripes and some mid-2010s (with "Prince" in garish white letters but otherwise maybe prettiest of all of 'em) that are a little more consistent, and a couple of Ti.Radicals that are superb platforms (as well as the reason i can't justify buying Phantom 107s!), but nothing feels as comfortable and solid as those one-stripes.

From what you're describing though @Don't Let It Bounce you might find Sabatini's later EX-110G models more appealing. They're more modern rackets, thinner beam, more refined, and more rational. I have a USL3 that's 307 unstrung with a 278 swing weight -- that's a terrific platform and suddenly rather modern specs. And the Gaby G's swing through the air more cleanly than the older 110's. The tradeoff is that while they're really pretty frames, they're not on that level of Roy Lichtenstein/Andy Warhol pop art that those colorful older 110's really, really are.
The EX-110G has been on my radar for a while, for its thinner beam — I haven't found measurements; is it even thinner than the yellow Tour's? — and its (reputed) more damped feel. I didn't know they were a potentially better customization platform, but that's a big plus.

It really is a trade-off, though! It shouldn't matter, but I find that as the racket closet has gotten full, and having already found frames I'd be content sticking with for my remaining tennis years, I do notice how pretty the paint is.
 
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I noticed that the Yamaha come with 3 different weight classes, USL, SL, and L, like USL3, SL3 & L3.
L3 been the heaviest at around 375g for my previous Yamaha EX110 L3. I have since sold that off.

I used to have a EX110 Tour at USL3 at 337g strung and have sold that too. SL3 is most comfortable for me at around 362g.
My Prince Graphite is around 350g strung.

PS: All the weights were taken strung, racquet fitted with leather grip with 1 overgrip.
That's an interesting thought.... if I could get the swing weight up near 340 without driving the static weight to black hole territory, it would be nice. The lighter weight classes may be a way to do that, since a smaller grip is off the table for me.

The trick, I think, would be finding affordable 35-year-old Yamahas while being persnickety about both grip size and weight class!
 
Nah, these are all 3rd iteration (mid-80s, one stripe, bumber guard, "Series 110"). The 373g outlier is even heavier than it seems: it's strung with a light poly and has a synthetic grip instead of the original leather.

I think they just saw consistency as meaning "same weight", so when one came out of the mold a little light in the head, they added weight in the handle during finishing to standardize it for its grip size. Fischer was much-lauded two decades later for their Zero Tolerance QC, and even they didn't match anything other than weight.

I have a couple of 4th-iteration 4-stripes and some mid-2010s (with "Prince" in garish white letters but otherwise maybe prettiest of all of 'em) that are a little more consistent, and a couple of Ti.Radicals that are superb platforms (as well as the reason i can't justify buying Phantom 107s!), but nothing feels as comfortable and solid as those one-stripes.


The EX-100G has been on my radar for a while, for its thinner beam — I haven't found measurements; is it even thinner than the yellow Tour's? — and its (reputed) more damped feel. I didn't know they were a potentially better customization platform, but that's a big plus.

It really is a trade-off, though! It shouldn't matter, but I find that as the racket closet has gotten full, and having already found frames I'd be content sticking with for my remaining tennis years, I do notice how pretty the paint is.

You've got me interested now, I've never actually played with a 1-stripe POG -- I picked one up at some point eons ago but it had individual grommets that were all busted up, so I immediately cut out the strings because I'd learned my lesson about strings cutting into frames. Course, this was before I realized that one does not simply walk into Mordor and "buy replacement pin grommets". And now even Fittex grommets are seemingly nowhere to be found. So the upshot is, I've never played with a 1-stripe despite one sitting in my closet!!

Love the idea of a POG that's even more stable and comfy though, so now I kinda want to just shove the frame full of random grommets and tubing and string it up and see what it's like. Just an absolute Frankenpog, lol :laughing: UNLESS you have any tips and tricks about compatible grommets for that frame? The drilling pattern seems totally different from the 4-stripes.

As for the EX's, yeah the G's seem to be about 1mm thinner than the Tours. I dunno, I've only recently gotten into thin beam rackets, so I don't have much basis for comparison, but it seems to me that 19mm in a 110 is still relatively wacky stuff -- the only other frames I have in that neighborhood are early Prince Phantoms, a Gamma Tradition 18 (which is a very nifty thing), and an Estusa P3 Oversize which is a 16.5mm frame with a massive egghead, a hilarious contraption in its own right.

And yeah you've got it right insofar as the G's not as raw as the earlier EX's, that's the thing about those early frames though -- they're sooo transparent, the feeling you get hitting with them is just "yep, this sure is what it feels like when a ball hits some strings held in tension by a big hoop of graphite". I have no doubt many people like @ongbenghui don't mind that feeling, but I used to be way more into it than I am now. These days I kinda do want the racket to step inbetween the ball and my arm a bit more than that, and not be afraid to butt in a bit. That's why rackets like massive POGs and 200Gs are such wonders though, you swing and you're like "uhhh did I hit it?" All the impact has disappeared inbetween the ball and your arm, and that's just so special and cool!

Pro Kennex wise, I'm doing a super-dopey, hastily-assembled comparison of a highly unscientific and disorganized selection of PK Kinetic frames -- I'll be spitting my thoughts on that venture in this thread. Ever since I found an old 5G in a Play It Again Sports last month, I've been preoccupied with how that frame lets me play pretty much as often as I like, and my elbow and arm the next day feels like I hadn't played at all. For context, my arm gets colicky and annoyed at even the most "arm-friendly" frames like Clashes and Phantoms, Head Radical Tours and older Prince thin-beam oversizes. I "can play" with them, but I'm sore and get complications for a few days afterwards. It limits me to once a week playing. But somehow, putting some sand in a frame means my elbow literally doesn't feel it at all the next day? The hell kind of wizardry is that! Shocking technology.

So it's now a big Kinetic-Off between the old 5G, a brand new 7G, a Black Ace 105, first-gen Q5, and a bizarre chrome-plated(!!) kinetic frame sold in Asia I came across called a C5 Ki Sling. Because why the heck not.

Honestly they're compelling enough that -- if I'm doing honor to my collecting philsophy (which you're generous to call wisdom, more like the thinnest contour of sanity) -- I'll be selling off pretty much every other racket I've got, and just putting it all towards a Kinetic Army! :laughing:
 
And yeah you've got it right insofar as the G's not as raw as the earlier EX's, that's the thing about those early frames though -- they're sooo transparent, the feeling you get hitting with them is just "yep, this sure is what it feels like when a ball hits some strings held in tension by a big hoop of graphite". I have no doubt many people like @ongbenghui don't mind that feeling, but I used to be way more into it than I am now. These days I kinda do want the racket to step inbetween the ball and my arm a bit more than that, and not be afraid to butt in a bit. That's why rackets like massive POGs and 200Gs are such wonders though, you swing and you're like "uhhh did I hit it?" All the impact has disappeared inbetween the ball and your arm, and that's just so special and cool!

I measured my EX110 tour, it is top on 20.5mm, middle at 20.5mm and lower at 20.6~7mm (maybe paintwork?) But I am curious about the EX110G been 1mm thinner.

But I have been thinking about what you mentioned above. It is the feel that I can't easily explain with my language ability. It is the unique feel that is so nice about these racquets.

It is like "same same, but different different",... Prince Phantom 107, POG, Head Radical and Yamaha EX110 Tour.
I attribute it to the root of Prince POG, but, welcome any other thoughts and comments.
 
You've got me interested now, I've never actually played with a 1-stripe POG -- I picked one up at some point eons ago but it had individual grommets that were all busted up, so I immediately cut out the strings because I'd learned my lesson about strings cutting into frames. Course, this was before I realized that one does not simply walk into Mordor and "buy replacement pin grommets". And now even Fittex grommets are seemingly nowhere to be found. So the upshot is, I've never played with a 1-stripe despite one sitting in my closet!!
Disclaimer: I don't think I've ever even hit with what you have — the 2nd version (early 80s, one stripe, no bumper guard, individual grommets) — so I can't say that it will be the same kind of Abrams tank lined with feather pillows as mine are. I'd expect something like it, though, and 373g on that one won't be an outlier at all.

UNLESS you have any tips and tricks about compatible grommets for that frame?
Fittex would have been my best idea. I didn't know they had become hard to find. Plan B would be cutting up a disposable grommet strip into separate pieces, each with a little stip left to keep it in place. Then there's teflon tubing, as I think you're suggesting, cutting a U shape for each pair of holes. But you can usually get mine (3rd version) for a price low enough that it might be worth paying to dodge the hassle. My cost per frame was maybe $35. Last time I checked they were higher, but they eventually come down. 80s sticks are very much a buyer's market.

I share OngBenHui's interest in the thinner varieties. I don't dislike fat frames, but there's something just mean about the way a really thin beam cuts through the air. I have some 1984 Prince Graphite Comps (18mm) that emit such palpable hatred for the opponent and the ball that I don't even bring them out for social doubles. If the EX-110G's are a little thinner as well as less raw, I gotta try one — as soon as my own recent elbow nonsense (keyboard, not racket) settles down. (You don't have any of those, do you?)

PK delivers the goods, and they get so little respect relative to what they deserve that they ought to use Dangerfield's bulging eyes for their logo. The current Black Aces are intriguing; the yellow 100 for its specs, and the blue 105 for its extra real estate.

I played a few sets with a 5G a decade ago but couldn't feel confident with it. It's too far away from the player's OS's that I imprinted on in my late teens. (If that thing isn't a 96 then I've never shanked a return. "100 square inches" is just what the 5G tells its girlfriend.)
 
I share OngBenHui's interest in the thinner varieties. I don't dislike fat frames, but there's something just mean about the way a really thin beam cuts through the air. I have some 1984 Prince Graphite Comps (18mm) that emit such palpable hatred for the opponent and the ball that I don't even bring them out for social doubles. If the EX-110G's are a little thinner as well as less raw, I gotta try one — as soon as my own recent elbow nonsense (keyboard, not racket) settles down. (You don't have any of those, do you?)
I have the habit of stringing at 55lbs for poly and 60lbs on syn gut for those racquets as well. Just thought the thinner beam is more fun.
 
I share OngBenHui's interest in the thinner varieties. I don't dislike fat frames, but there's something just mean about the way a really thin beam cuts through the air. I have some 1984 Prince Graphite Comps (18mm) that emit such palpable hatred for the opponent and the ball that I don't even bring them out for social doubles. If the EX-110G's are a little thinner as well as less raw, I gotta try one — as soon as my own recent elbow nonsense (keyboard, not racket) settles down. (You don't have any of those, do you?)

Oh my goodness @Don't Let It Bounce you are throwing so much chum in the water here it is ridiculous lol ... where to begin! Work with me here ...

... heck yeah Graphite Comps are absolute weapons! They were my main stick for a LONG time. I picked it back up last year when I got back into the game, thinking no way is this vintage looking thing playable anymore, and realized not only is it playable, it's exactly as you said, just a disrespectful butcher that hammers its way to victory. No wonder no one liked when I played with it! I strung it up with comfy multi and the feel was just perfect -- firm and powerful but very, very friendly on the elbow. Only knock is that it really let you know if the ball hit the bad part of town -- a little bit bone-rattling high up in the hoop -- but that just forced me to concentrate properly.

I credit that Comp with helping me build up my upper body fitness, I took long, slow strokes with it, letting it do the work, and concentrating on my mechanics. Fantaaaastic, underrated racket and a beautiful thing besides ... sadly despite being in essentially perfect condition, it developed a small crack at around 11 o'clock -- I will still take it out and play with it though, until it's crushed its last volley. I had zero idea it was 18mm, that's absolutely ridiculous, in my mind it's like twice that for how massive a ball it hits. A wicked thing -- that one is 346g/334sw/6HL.

I got another one to replace it (the earlier individual grommet kind), and was very surprised to find that it's actually a different mold -- did you know this? The throat area turns out to be a different shape, and it doesn't play the same -- it's also way heavier and more head light -- 361g/326sw/7HL. That's when I learned that my shoulder's cutoff for static weight is around 360 regardless of swing weight, because it started lettin me know that we just weren't there yet -- felt just the same as when i pulled out the Max 200G that's also 361, and even though I was in heaven playing with that weird little building of a racket, high static weight just yanks my shoulder out of its socket lol :laughing:

Didn't know there was Comp love still! Great to see.

And yeah I got all kinds of arm nonsense from computer keyboards and piano keyboards, it's why I can't play with the Yamahas anymore -- I keep seeing that these 110's are like under 60RA, and either RA stiffness really doesn't always tell the whole story -- which I buy, makes sense -- I think in a super analogue racket like that, yeah it tells the whole story. And I don't buy the 59/60RA thing, I think those are stiff rackets. The midplus is even stiffer, but weirdly I find that one more fun to play with. Even though I love swinging frying pans, the direct feel of the EX's kinda makes more sense in that smaller headsize? An interesting thing ...

The 110G is definitely doing a different kind of flex, kinda feels like it's flexing in a different place? I'm not a flexpert but just a sense I get from it ... more user friendly. Doesn't feel so much like the racket has open disdain for me.

PK delivers the goods, and they get so little respect relative to what they deserve that they ought to use Dangerfield's bulging eyes for their logo.

Haaah!! When all the Babolat players' elbows combust, they'll come crawling. Then they'll stand back up because crawling is hurting their elbow even more.

It's a very weird thing about the head size now that you bring it up -- I just played with the 7G I just got, and in the other thread I was like "yeah these 5G and 7G rackets have a pretty small sweet spot" ... but today I found myself looking at the stringbed thinking, "are you reallllllllllly a 100? You can tell me, you know ..."

Well hopefully I'll have a real 100 soon ... when the Black Ace 105 arrives :laughing:

Disclaimer: I don't think I've ever even hit with what you have — the 2nd version (early 80s, one stripe, no bumper guard, individual grommets) — so I can't say that it will be the same kind of Abrams tank lined with feather pillows as mine are. I'd expect something like it, though, and 373g on that one won't be an outlier at all.

Yeah I didn't realize the lineage was as complex as it is, I assumed it was just grommetless->individual grommet->1-stripe grommet strip->4-stripe but reading the threads on POGs now, I'm seeing that it's a whole big thing. I've only hit with 2 POGs (both 4-stripes) and didn't fall in love with them. I really wanted them to be heavier and more Abramsy like yours, and they just weren't, they seem to have pretensions to whippiness, and I want them to feel more like the Comps except times five. I'll absolutely be on the lookout for one.

Sorry for long posts! All kinds of fun stuff goin on in this thread ...
 
I have the habit of stringing at 55lbs for poly and 60lbs on syn gut for those racquets as well. Just thought the thinner beam is more fun.

55lbs poly and 60lbs syngut?? Are you sure you're not Batman?

Or I guess the joke would be, even Spiderman doesn't string that high :laughing:

I'm jealous -- that is incredible, your arm must be studied for the benefit of us jello-armed mortals. Though I guess back in the 90's that was a pretty standard tension for syngut at least!
 
Settle in, boys, it's gonna be a long one...
Didn't know there was Comp love still! Great to see.
It's quiet, but it's there. A few years ago I had a conversation like this with @AndrewD. (And here it is.) He had run into the pre-1984 individual grommet version, which was my old beloved college frame, and was also struck by its difference from the bumperguarded 1984 version I've stocked up on now. I recall too a TT poster from the UK who was, in the past decade, still having them shipped over from the U.S, — where thankfully there are still closets full of great Prince frames to be emptied. I've occasionally thought of tracking him down and offering him one of mine for free, just to evangelize The Faith.

I'd still call it my favorite frame, and it's still the one frame that, when I look at it at home, makes me want to go play tennis. I often think I ought to go Comp-only just because I love it, and never mind if I play better with something else... But it's so offense-oriented — and in my dotage I need so much help on defense. The one-stripe is slower through the air, but with the twist weight of a heavy 107, it doesn't even notice an off-center hit. The Comp, even at the almost-as-impressive twist weight of a round, heavy 103, does notice the egregious off-center hits my slower feet and weaker eye now produce.

Weak attempt to get back on-topic: I'd like to hope that the Yamaha EX-110G has most of the stability and feeling of impenetrable defense of the 1-stripe, and most of the quick-for-its-swing-weight offensive nastiness of the Comp — as well as most of the good looks of its predecessors.

I got another one to replace it (the earlier individual grommet kind), and was very surprised to find that it's actually a different mold -- did you know this?
I did. I think that earlier one might be even thinner than the 1984 one. If you have calipers and measure yours, please post.

The same applies to the one-stripes: the pre-1984 individual grommet frame is a different but similar mold to the 1984. That's why slapping a post-1984 bumper strip on one doesn't work.

The throat area turns out to be a different shape, and it doesn't play the same -- it's also way heavier and more head light -- 361g/326sw/7HL.
Yep. My only currently unleaded Comp is 352g, 7.5 HL, 334, and that's with #5 grip, butt cap flare, overgrip and dampener. I have a #4 grip that's lighter still. I'd bet the difference in balance is entirely attributable to the bumper guard.

Incidentally, I know it's odd to add lead to a heavy stick, but my Comps take a little (2 or 3 g, depending on your frame-matching needs) at 10 & 2 so nicely that now the swing feels wrong if I try to use them unleaded. The upper-hoop weakness you mentioned vanishes, and the handle has more than enough weight to balance it out.

It's a very weird thing about the head size now that you bring it up -- I just played with the 7G I just got, and in the other thread I was like "yeah these 5G and 7G rackets have a pretty small sweet spot" ... but today I found myself looking at the stringbed thinking, "are you reallllllllllly a 100? You can tell me, you know ..." Well hopefully I'll have a real 100 soon ... when the Black Ace 105 arrives.
Hah! Back when I tried out the 5G Pro, I measured its stringbed at 328 x 241 mm. Applying the area of ellipse formula (works pretty well for rackets), that's only 96.2 sq".

I've only hit with 2 POGs (both 4-stripes) and didn't fall in love with them. I really wanted them to be heavier and more Abramsy like yours, and they just weren't, they seem to have pretensions to whippiness, and I want them to feel more like the Comps except times five. I'll absolutely be on the lookout for one.
Hmmm... The differences between the 2nd (pre-1984), the 3rd (1984-1987), and the 4th (1988 on) are real but subtle. If you didn't like 2 and 4, don't pay a lot to try 3.

And you've probably already realized: Graphite 2nd is to 3rd as Comp (separate grommets) is to Graphite Comp (bumper strip). The closest thing to the Graphite Comp in the family headed up by the 4-stripe would be the very different (but same mold, I think) Spectrum Comp.

Even though I love swinging frying pans, the direct feel of the EX's kinda makes more sense in that smaller headsize? An interesting thing ...
Probably. I'm not the guy to say: my use for smaller head sizes is limited to string preservation (as I so seldom make contact with them), and my enthusiasm for feeling everything directly is roughly that of a traumatized junkie forced into therapy. Give me a big, heavy pillow — I'll know when the ball arrives, and that's enough for this country boy.

Sorry for long posts! All kinds of fun stuff goin on in this thread ...
Fun to talk about, isn't it? I can already tell I'm going to be one of those geezers who doesn't understand why the minutiae of his youth isn't as fascinating to the young folk around him as it is to himself.

And, I do apologize to anyone who came to this thread and was irritated by rhapsodies on non-Yamaha frames that already occupy a good chunk of the rest of Classic Racquets.

So yeah... when my elbow heals up I mean to look for an affordable, on-topic EX-100G to try... and then I'll most likely go back to dithering between the two old Princes, while the Ti.Radical makes its very reasonable case to be included in the mix.
 
I finally bought an EX-110G off ****, and to my great surprise it arrived with a full 28" of length. I'd assumed they were all 27". I guess these came out later than I thought, after the Prince Chang LB started the 90s long frame trend.

My first thought was stringer error, but that wasn't it. My second was that maybe someone extended the grip, but no. As a last resort, I read the actual friggin' paint on the racket, and, sure enough, "28 inches" is inscribed in light gray just above the grip. The other vitals: 340 g (strung with Prince syngut, no overgrip, no damp), 321 balance (10.7 pt HL), SW 346. Grip/weight designation is USL3 (L3 for U.S. market? Ultra Super Light 3?). No playtest coming for a good while, sadly; I'm trying to heal up this elbow.

I assume the EX-110G veterans in this thread were all commenting on the 27" length, right? Is anyone able to compare the two?
 
The 28" G is not common -- that's very cool you found one, even if it was unintentional. You could be forgiven for not knowing what was up, since right above the handle is the only indication on the frame, and it very often gets covered up by grips and overgrips!

The specs on yours are fascinating, and I'm grateful for your taking the time to post them, I've long been curious about how the extended G's are set up. USL would have been the lightest spec these were available, though I'm basing that not on a primary source, but just on having never seen a lighter XSL. It's very possible that an XSL would have been available in a 4 1/8 grip, I've just never seen it.

If you try it out and get the sense that you'd like the frame if not for that pesky extra inch, I'd probs be willing to trade you a normal length one for it. But unless you paid an arm and a leg for it, you can be satisfied that you found a rare frame! I was just hitting with one this morning, I really think they're overall better performing frames than the 110's they replaced.

BTW I feel rather foolish -- it was just this morning that I put 2 and 2 together, realizing that the G in EX-110G, and the S in the corresponding FX-97S, are Gaby's initials!!
 
The 28" G is not common -- that's very cool you found one, even if it was unintentional. You could be forgiven for not knowing what was up, since right above the handle is the only indication on the frame, and it very often gets covered up by grips and overgrips!

The specs on yours are fascinating, and I'm grateful for your taking the time to post them, I've long been curious about how the extended G's are set up. USL would have been the lightest spec these were available, though I'm basing that not on a primary source, but just on having never seen a lighter XSL. It's very possible that an XSL would have been available in a 4 1/8 grip, I've just never seen it.

If you try it out and get the sense that you'd like the frame if not for that pesky extra inch, I'd probs be willing to trade you a normal length one for it. But unless you paid an arm and a leg for it, you can be satisfied that you found a rare frame! I was just hitting with one this morning, I really think they're overall better performing frames than the 110's they replaced.

BTW I feel rather foolish -- it was just this morning that I put 2 and 2 together, realizing that the G in EX-110G, and the S in the corresponding FX-97S, are Gaby's initials!!
Thanks for the reply, Wedge. I may take you up on swapping frames, but it might be a while before I can hit again.

Oddly enough, when I got injured I had just started messing around with a 28" Chang Ti, thinking to use a Gasquet/Kafelnikov-style (but smaller) butt flare about an inch up the grip to serve with the full length (if I could get used to the middle two fingers being separated a little), and to choke up to a manageable length and lower SW for everything else. I had not gotten it quite right with the Chang, but I guess I'll resume the tests with the Yamaha.

It never occurred to me to even wonder about the G or the S. (But are you sure about the 97S, given that Sabatini only ever played with the OS?)
 
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