Torres,
Your comments make perfect sense to me even with just a couple of hours of play.
It's definitely not a rocket launcher, just not what I'm used to. I guess I'm reacting to the contrast between my usual setup and full bed Zyex.
I chose my tension based on your very helpful and detailed post and I can see how an extra couple pounds of tension would improve things. One caveat that I failed to mention and will do so in my final write up is that I received the thinner version. I nearly bumped tension a few pounds based on this but since my SW was lower than yours I decided to go 55/53. I was also considering your observation that ZX can be a little boardy at higher tension.
After these initial two hours if I had to do it again I'd probably have it strung closer to 57/55 or a little higher.
By no means is it a deal breaker for test purposes. I can still hit with this. But I definitely can't see switching to ZX from my current setup. However, after trying other full bed or synthetic mains I would say that about any other string. I just really enjoy natural gut mains and, to be fair to ZX, I can't see changing that.
In any case your observations were extremely valuable in getting this initial setup at least close to something I could use. Your point about trial and error with this string is 100% accurate. It's not a string you can toss into your frame and expect perfect results immediately.
Like an artillery forward observer you need to "bracket" your target until you find something just right (I wonder if Goldilocks was a FO?)
I know that Ed uses a computerized machine but don't know the details. He's going to provide me with the nitty gritty details for the final write up. I know he's a very careful stringer and was already aware of the care required with ZX as he uses it in his frames. He mentioned that he let the ZX rest 10-15 seconds between pulls. He's one of those cautious stringers who even lets natural gut "rest" after opening the package and before handling it. You'll never see friction burn in his jobs, even on black VS Touch. His black VS Touch comes out perfectly translucent black with the text intact and the surface coating un-scuffed. What I like most about his work is its consistency and attention to detail. As a retired fellow who loves the art and science of stringing he's under zero time pressure and it shows.