WW Volley said:Zorg, you are forgetting that string vibration is not related to any noticable shock difference. That is, the ringing to hear from the strings being dampened is similiar to a guitar player "muting" strings during a song. The strings are still being hit, the shock is still being made, but the strings do not move in a way to create the sound we hear.
So a tiny piece of rubber does mute the strings, the same way fingers mute guitar strings. However, the playing characteristics of the string is not compromised. The same amount of shock is hitting your arm, no power is added or lost, and most everything should be the same. You may be able to percieve a different "feel" depending upon how large of a dampener you add - for example - the very large "worm" style dampeners often create a highly muted feeling as they cover many strings.
But I can assure you that that the characteristics of the string change so little, that any differences are in your head. Go with what feels rights comfortable (for me, a simple rubber band over 2 mains) but don't expect any changes at all in your racquet performance.
As much as you hate it, the primary effect is indeed sound.
WW Volley said:Zorg, you are forgetting that string vibration is not related to any noticable shock difference. That is, the ringing to hear from the strings being dampened is similiar to a guitar player "muting" strings during a song. The strings are still being hit, the shock is still being made, but the strings do not move in a way to create the sound we hear.
So a tiny piece of rubber does mute the strings, the same way fingers mute guitar strings. However, the playing characteristics of the string is not compromised. The same amount of shock is hitting your arm, no power is added or lost, and most everything should be the same. You may be able to percieve a different "feel" depending upon how large of a dampener you add - for example - the very large "worm" style dampeners often create a highly muted feeling as they cover many strings.
But I can assure you that that the characteristics of the string change so little, that any differences are in your head. Go with what feels rights comfortable (for me, a simple rubber band over 2 mains) but don't expect any changes at all in your racquet performance.
As much as you hate it, the primary effect is indeed sound.
WW Volley said:Zorg, you are forgetting that string vibration is not related to any noticable shock difference. That is, the ringing to hear from the strings being dampened is similiar to a guitar player "muting" strings during a song. The strings are still being hit, the shock is still being made, but the strings do not move in a way to create the sound we hear.
So a tiny piece of rubber does mute the strings, the same way fingers mute guitar strings. However, the playing characteristics of the string is not compromised. The same amount of shock is hitting your arm, no power is added or lost, and most everything should be the same. You may be able to percieve a different "feel" depending upon how large of a dampener you add - for example - the very large "worm" style dampeners often create a highly muted feeling as they cover many strings.
But I can assure you that that the characteristics of the string change so little, that any differences are in your head. Go with what feels rights comfortable (for me, a simple rubber band over 2 mains) but don't expect any changes at all in your racquet performance.
As much as you hate it, the primary effect is indeed sound.
PedrosCousin said:Hate to squash your great idea Nerd, but your rubber band at the top of your stringbed is illegal. You can't have anything on your strings above the first cross.
Ronaldo said:If the vibration dampener reduces the magnitude of string vibration, would it also reduce the perceived 'feel' of the racquet? IMHO, the benefit is outweighed by the need to retain a little vibration in modern muted racquets.
Midlife crisis said:What good is the "feel" of the racket? It's the aftermath of the ball colliding with your strings. There is nothing that the vibration can do to alter where the ball is going, because the ball has has long left. Also, there is nothing in the feel of the collision that can help you, because the nerve conduction speeds to are too slow for the feeling of the impact to even have reached your brain before the ball has left the strings.
I think that if most people get away from placing so much importance on the feel of the impact and concentrate more on how consistently the ball leaves the stringbed and goes where the stringbed aimed it, they'll play much better.
PedrosCousin said:Well as Ash Doyle says, it is legal to have a rubber band outside the crossed string pattern even at the top. Thanks Ash for the info and I'm sorry for my ignorance. I learned something new. Nerd, you said you tied your rubber band at about the 18th row? If your racquet has 18 crosses and you tied it above the 18th cross you are legal. Just make sure you tie it above the topmost cross string.
John Zheng said:While what you say about the ball leaving the strings faster than we can react to is true, it ignores the human capacity for learning from previous experience. The "feel" of the ball leaving your racquet can have a similar effect as having a coach telling you what you did wrong, and what you need to do to correct it. A coach similarly cannot tell you quick enough for the shot you are hitting to have any effect on it. However, the coach can give you feedback that will help you hit the next shot better.
Similarly, the "feel" of the ball leaving the strings may not do any good for that shot. But it can give you feedback which you can use on subsequent shots that may help you improve your game. One case where this ought to be especially prevalent is when hitting drop volleys, where the movement of the strings can tell you a great deal about how precise your touch was to effect the backspin and speed reduction of the ball to make it drop just over the net. The feedback from the "feel" of the ball hitting the racquet may help you figure out exactly how to move your wrists precisely much quicker than if you are say, using a frying pan with no feedback at all.