Raise your game under pressure: kiteboard
1. We all feel it. Match pressure. The urge comes on to prove how good you are and to taste victory, improve your game and mind and body. The main source of match anxiety is fear of missing a shot and fear of losing in general. You can lower these two conjoining fears during match play. If you focus your major goal away from victory during match play towards improvement, and make improvement your new gauge of self worth, you will consciously change the overriding desire to win above all else. Match anxiety is lessened quite a bit. The pain will also not be as bad when you lose. It never truly goes away and everyone feels it to some extent, even the very best in the world feel anxiety and pain during match play. It’s not fight or flight out there. It’s fear or fight. Often the mind will just quit before the body does and the worst opponent you have is the unseen one inside your own psyche.
2. Deal with confidence first: Play against weaker opponents in practice to gain confidence. Learn in practice that you can come from behind and win from behind. Playing against weaker opponents who do make errors under pressure, and who do feel the pressure of playing a tougher opponent: you: will enhance your ability to do so against any opponent. Make sure you are as match tough going into the arena as your schedule allows. Don’t show your opponent you are breathing hard, tired, or hurting or frustrated in any way no matter how bad you are playing or how well your opponent is playing. If you do show frustration, your opponent’s under lying mind will take credit for it and gain confidence that he is going to win. Maintaining an even keel will show your opponent that you are not worried about losing or winning and take great shots in stride as well as is they are no big deal and you hit them all the time. Many also talk about fear of winning as an underlying fear most are not aware of. So as you come closer to winning, you choke and become fearful in your body and shots. Be in shape before stepping out on the battle field, and that is mental shape as well as physical shape.
3. Be sure that your equipment is up to the task. Note during the match if you are going long too much. Is so, your strings or frame are too powerful or too loose for this day. Have a less powerful set up ready, such as a string job with the same mains, but a cross string with less power, strung a little tighter, so that the string job and frame you switch to are almost the same, but have a little less trampoline and a little less power and your confidence will come back when you stop going long too often just like the pros do. Here are some good cross strings to use with your favorite mains: These strings make the best crosses in a hybrid job because they don’t get in the way as much. Such as Kirschbaum spiky shark, Solinco revolution, tour bite 18g, Dunlop black widow, Signum pro tornado, Volkl cyclone 18g, Kirschbaum pro line II, alu power, and l- tec 4s. Also have a more powerful set up ready in your bag if your shots are going too short and your opponent is feasting on them. Among these crosses which have already been listed, the most powerful is the l-tec 4s 17g. The least powerful is the Volkl cyclone 18g. Either way, a thinner cross will improve ball pocketing than a thicker cross, due to the thinner strings lower profile, and thinner nature, will allow the mains to transfer more of their true nature and snap back and glide further, better grabbing the ball. All the crosses listed have less friction.
4. The more flexible frames generally with also have less power, so that also has to be dealt with in practice. Not many can maintain confidence while using different frames with different RA values. (Frame stiffness.) A lower RA (Racquet Analysis) will usually have less trampoline power. The decision on which frame type to use must be made before match play, so that you only switch to different string jobs, with more or less power, more or less spin. Edged strings give more spin, such as bhb7, y-tex quadro twist, bhbr, tour bite 18g, ashaway kevlar 18g. Frames and string should be set up to enhance your game, ie, a big server would benefit more from a powerful set up than a baseline grinder. A grinder would be better set up with an open pattern, a spin string, a rounded pallet, and a head heavy frame strung for spin. Frame/string/shoes/ankle braces for more support on cutting wide and quick stops. Don’t come on the court with brand new shoes, or socks, or anything not previously tested. New shoes and socks can be slippery and hurt timing and confidence. Carry anti cramp supplements: A natural anti cramp solution is this recipe I have developed: Pink sea salt, red clover, sage, nettles. http://www.finepluck.co.uk/shop/product/nettle_sage_red_clover This will naturally stop electrolyte loss, and water loss from sweating too much. Stringing: be able to determine if your string job has too much power, not enough power, not enough control or spin. Going long too much is caused by string that is too loose, or too powerful for your game that day. Don’t be afraid to switch frames during a match to feel out which string job is working the best. The pros all have tighter string jobs in their bags. It may be the lower powered one or the higher powered one. Some also have spin string jobs set up for old school opponents who use continental grips, or who slice all high balls with their back hands or forehands. These old school gripped players are more vulnerable to spin string jobs that make the ball kick and bounce higher.
5. Practice for improvement and play for improvement during the match. Make a habit of intending to come from behind in practice matches and you will be able to do it during a real match.
6. Visualize, ask, and intend to play well when down. Some play the first set out in their mind before the match ever starts. Some visualize coming back after they are down.
7. Match play is all about serving and returning the second serve. If you win more points on his second serve than he does, and more points on your second serve than he does, you will almost always win the match.
8. Movement: Speed up your core rotation when down. Practice speeding up during practice matches. Speed up your footwork when down and practice this during practice matches. Unit turn faster. Plant step ahead of time so that you are waiting to hit step. See yourself split stepping on every shot.
9. Hold something back: Don’t come out hitting your best shots first off the bat. Start out the match with something in reserve and learn to toy with opponents psyche.
10. Test all areas of your opponents game: lull/jam/finish rhythms. Short slices. High balls to the back hand are often common weaknesses. Young guys who hit hard often hate a no pace game. Extreme western grips hate short slices that stop short in the court and often frame them, as well as framing kick or twist serves.
11. Keep mental track of how you have been winning and losing points.
12. Keep mental track of how your opponent has been winning and losing points.
13. Decide where to hit serves and returns ahead of time and visualize doing so before each point starts out.
14. Take time away from your opponent and give it to yourself. Learn to stall by using the towel. If he complains, say that you sweat more than normal and the sun screen is blinding your eyes, and that you have 20 seconds to do that anyway.
15. Make sure you are drinking the right amount of fluid.
16. Be honest about your strengths and weaknesses. Become your own on court psychologist by knowing yourself deeply. This means knowing you are trying too hard, and don’t have your game, and the opposite: when your game is sharp and having the guts to use it.
17. See yourself toying with your opponent, hitting shots he can barely get to, and keeping the point alive on purpose, just to torture him.
18. See yourself walking up to the tournament desk with the score and the balls in hand.
19. See yourself accepting the winning trophy from the tournament director, and see his smile and shake his hand in your mind’s eye.
20. See yourself hitting great passing shots.
21. See yourself hitting great serves on the lines.
22. See yourself hitting great approach shots and volleys if that is called for, such as an old school slice artist.
23. See your opponent’s weak points and strong points. Can he change direction off both sides off high balls?
24. Don’t show frustration or emotional reaction when you lose a point or hit a bad shot, it only helps your opponent’s confidence.
1. We all feel it. Match pressure. The urge comes on to prove how good you are and to taste victory, improve your game and mind and body. The main source of match anxiety is fear of missing a shot and fear of losing in general. You can lower these two conjoining fears during match play. If you focus your major goal away from victory during match play towards improvement, and make improvement your new gauge of self worth, you will consciously change the overriding desire to win above all else. Match anxiety is lessened quite a bit. The pain will also not be as bad when you lose. It never truly goes away and everyone feels it to some extent, even the very best in the world feel anxiety and pain during match play. It’s not fight or flight out there. It’s fear or fight. Often the mind will just quit before the body does and the worst opponent you have is the unseen one inside your own psyche.
2. Deal with confidence first: Play against weaker opponents in practice to gain confidence. Learn in practice that you can come from behind and win from behind. Playing against weaker opponents who do make errors under pressure, and who do feel the pressure of playing a tougher opponent: you: will enhance your ability to do so against any opponent. Make sure you are as match tough going into the arena as your schedule allows. Don’t show your opponent you are breathing hard, tired, or hurting or frustrated in any way no matter how bad you are playing or how well your opponent is playing. If you do show frustration, your opponent’s under lying mind will take credit for it and gain confidence that he is going to win. Maintaining an even keel will show your opponent that you are not worried about losing or winning and take great shots in stride as well as is they are no big deal and you hit them all the time. Many also talk about fear of winning as an underlying fear most are not aware of. So as you come closer to winning, you choke and become fearful in your body and shots. Be in shape before stepping out on the battle field, and that is mental shape as well as physical shape.
3. Be sure that your equipment is up to the task. Note during the match if you are going long too much. Is so, your strings or frame are too powerful or too loose for this day. Have a less powerful set up ready, such as a string job with the same mains, but a cross string with less power, strung a little tighter, so that the string job and frame you switch to are almost the same, but have a little less trampoline and a little less power and your confidence will come back when you stop going long too often just like the pros do. Here are some good cross strings to use with your favorite mains: These strings make the best crosses in a hybrid job because they don’t get in the way as much. Such as Kirschbaum spiky shark, Solinco revolution, tour bite 18g, Dunlop black widow, Signum pro tornado, Volkl cyclone 18g, Kirschbaum pro line II, alu power, and l- tec 4s. Also have a more powerful set up ready in your bag if your shots are going too short and your opponent is feasting on them. Among these crosses which have already been listed, the most powerful is the l-tec 4s 17g. The least powerful is the Volkl cyclone 18g. Either way, a thinner cross will improve ball pocketing than a thicker cross, due to the thinner strings lower profile, and thinner nature, will allow the mains to transfer more of their true nature and snap back and glide further, better grabbing the ball. All the crosses listed have less friction.
4. The more flexible frames generally with also have less power, so that also has to be dealt with in practice. Not many can maintain confidence while using different frames with different RA values. (Frame stiffness.) A lower RA (Racquet Analysis) will usually have less trampoline power. The decision on which frame type to use must be made before match play, so that you only switch to different string jobs, with more or less power, more or less spin. Edged strings give more spin, such as bhb7, y-tex quadro twist, bhbr, tour bite 18g, ashaway kevlar 18g. Frames and string should be set up to enhance your game, ie, a big server would benefit more from a powerful set up than a baseline grinder. A grinder would be better set up with an open pattern, a spin string, a rounded pallet, and a head heavy frame strung for spin. Frame/string/shoes/ankle braces for more support on cutting wide and quick stops. Don’t come on the court with brand new shoes, or socks, or anything not previously tested. New shoes and socks can be slippery and hurt timing and confidence. Carry anti cramp supplements: A natural anti cramp solution is this recipe I have developed: Pink sea salt, red clover, sage, nettles. http://www.finepluck.co.uk/shop/product/nettle_sage_red_clover This will naturally stop electrolyte loss, and water loss from sweating too much. Stringing: be able to determine if your string job has too much power, not enough power, not enough control or spin. Going long too much is caused by string that is too loose, or too powerful for your game that day. Don’t be afraid to switch frames during a match to feel out which string job is working the best. The pros all have tighter string jobs in their bags. It may be the lower powered one or the higher powered one. Some also have spin string jobs set up for old school opponents who use continental grips, or who slice all high balls with their back hands or forehands. These old school gripped players are more vulnerable to spin string jobs that make the ball kick and bounce higher.
5. Practice for improvement and play for improvement during the match. Make a habit of intending to come from behind in practice matches and you will be able to do it during a real match.
6. Visualize, ask, and intend to play well when down. Some play the first set out in their mind before the match ever starts. Some visualize coming back after they are down.
7. Match play is all about serving and returning the second serve. If you win more points on his second serve than he does, and more points on your second serve than he does, you will almost always win the match.
8. Movement: Speed up your core rotation when down. Practice speeding up during practice matches. Speed up your footwork when down and practice this during practice matches. Unit turn faster. Plant step ahead of time so that you are waiting to hit step. See yourself split stepping on every shot.
9. Hold something back: Don’t come out hitting your best shots first off the bat. Start out the match with something in reserve and learn to toy with opponents psyche.
10. Test all areas of your opponents game: lull/jam/finish rhythms. Short slices. High balls to the back hand are often common weaknesses. Young guys who hit hard often hate a no pace game. Extreme western grips hate short slices that stop short in the court and often frame them, as well as framing kick or twist serves.
11. Keep mental track of how you have been winning and losing points.
12. Keep mental track of how your opponent has been winning and losing points.
13. Decide where to hit serves and returns ahead of time and visualize doing so before each point starts out.
14. Take time away from your opponent and give it to yourself. Learn to stall by using the towel. If he complains, say that you sweat more than normal and the sun screen is blinding your eyes, and that you have 20 seconds to do that anyway.
15. Make sure you are drinking the right amount of fluid.
16. Be honest about your strengths and weaknesses. Become your own on court psychologist by knowing yourself deeply. This means knowing you are trying too hard, and don’t have your game, and the opposite: when your game is sharp and having the guts to use it.
17. See yourself toying with your opponent, hitting shots he can barely get to, and keeping the point alive on purpose, just to torture him.
18. See yourself walking up to the tournament desk with the score and the balls in hand.
19. See yourself accepting the winning trophy from the tournament director, and see his smile and shake his hand in your mind’s eye.
20. See yourself hitting great passing shots.
21. See yourself hitting great serves on the lines.
22. See yourself hitting great approach shots and volleys if that is called for, such as an old school slice artist.
23. See your opponent’s weak points and strong points. Can he change direction off both sides off high balls?
24. Don’t show frustration or emotional reaction when you lose a point or hit a bad shot, it only helps your opponent’s confidence.
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