Hey Guys,
I have been playing tennis for 5 1/2 months
Cody,
Thanks for posting your video. If you really have only been playing tennis for 5 1/2 months you are doing well. My criticism is as follows along with stroke analysis.
WALL OF TRICKERY
At your stage of tennis, do not practice on the wall of trickery. You do not want trickery in your bounces. Further, wall practice is not about hitting the ball harder it is about grooving good habits in your technque. A good pace on the ball that gives you a consistent bounce goes a long way when practicing on the wall. At your level you want the ball to come back to you in a predictable way and you should be able to hit balls either on one bounce or two.
Two bounces is sometimes preferred as it allows the ball to bounce more normal (towards you) as it would when playing someone on the court. Do not feel any loss in pride in allowing the ball to bounce twice before hitting it again. Remember, the whole idea with a wall is consistency and engraining good mechanics. When you get pretty good at that, then you can introduce trickery, but I would go after it from getting a good workout perspective rather than just hitting it back and forth.
If you want to make wall practice more competitive for you, in the past I have posted a scoring thing so you might want to look it up. Otherwise, find a good wall and practice form and consistency. Learn to control the ball and work your way up to 50 solid hits. You will get a workout just trying to do that.
STROKE ANALYSIS FROM THE GROUND UP
Feet: Move your darn feet. I dont care how new you are to tennis. If you want to get better, move your darn feet. They are lazy, slow, and in poor condition. You are flat footed nearly the entire time. Remember, just because you dont have an opponent challenging you does not mean you get lazy in the feet when you practice. You should push yourself harder in practice not easier. Flat feet are going to add no benefit to your stance, movement, or recovery in tennis. Work on staying on your toes even in the ready position with racquet ready to turn towards the backhand or forehand side. Be ready for forward and backward movement as well. You need to be ready to move at a moments notice so that you can get into position to hit the majority of your balls in your strike zone.
Workouts: Hexagon drill, jump rope, sprints, butt kicks, push offs, etc...
Legs/Hips: Your legs and hips are doing nothing in the stroke both on the backhand and forehand side. In today's tennis, balls are hit from the lower body not the upper body. There was too much bending at the waist instead of lowering your butt from the legs. If you continue to groove this bad habit you will develop nothing but an inconsistent stroke. Using your legs allows you to easy up on arming the ball. It promotes getting the racquet lower than the ball while maintaining good posture. Some of your shots had you tilting your head way too much, etc... because you were not lowering yourself well. Legs also help you rise through the ball and add lift on the ball. On one of your backhands the ball rose, reached its peak, and then started going back down. You did nothing to compensate for that late hit and topped the ball sending the ball into the ground.
Get down and rise through the shot. Followthrough then recover.
You can watch your shot while you are recovering.
Listen to Blake here on how he hits his forehand. Lift through your shot.
http://www.youtube.com/watch?v=kluhYnSlGZU&feature=related
Workouts: Squats, lunges, Michael Chang drill, Pete Sampras drill, movement/recovery drills.
Torso: It is important for players to feel their stomach muscles help them with their rotation. A bit of paused/stored energy is good and allows a measured release of energy to the upper body for a smooth, fast and controlled rotation into the ball.
Non-dominant Arm: you weren't too bad in this department but I would like to see more emphasis made in practice. So this is worth saying. Your non-dominant arm plays a huge roll in your shoulder turn, balance, rotation, and followthrough. For the forehand, your non-dominant arm should stretch out toward where you will make contact with the ball. It should fold back into the body as you send your back shoulder through the ball. By doing this, your non-dominant arm helps increase rotational speed effortlessly. It helps you send your rotation INTO the ball and not away from it or rotate a tad too soon. An example of this is below:
Before Contact:
After Contact:
Shoulder Rotation: Keep trying to rotate your front shoulder under your chin on both sides. Forehand seemed a little lite for me. By rotating your shoulder under your chin, this helps not only for momentum but it also helps to not rotate prematurely or open up too soon. Work on leg work and shoulder rotation together. Both are important for power and consistency.
Hand: Quit being lazy here. Do not droop the racquet head for low balls. You are developing a very bad habit here because you repeat this on certain balls throughout your wall practice. If I saw you do this in practice, you would pay dearly for that by doing lots of gut wrenching leg drills. So much so, that you would never do that again. Drop your butt! Do not droop the racquet head!
Smile Pattern for Backhand Takeback: Do not take the racquet back like some professional clay courters do. Use a simple SMILE pattern that I have written about throughout this site. The smile pattern mainly comes from the shoulder turn and then raises the racquet a tad more in the backswing, it then drops down and forward before rising forming the other half of the smile. The takeback for the racquet in the onehanded backhand should be so simple and small that it should feel like there is no way you will get any power from the small backswing. If you think this way, you don't understand how the onehanded backhand is hit. The onehanded backhand is hit from the legs and your ability to transfer weight on time over your front foot at contact and into followthrough.
http://www.youtube.com/watch?v=9CKZXKbTHRw
http://www.youtube.com/watch?v=RORTYH588cE&feature=related
The takeback and forward swing of the backhand should trace itself. The hitting hand goes back and up and then comes forward down and up retracing itself. This is the hand pattern that I call the SMILE pattern.
OVERALL FOREHAND: It isn't bad for how long you have been playing. You have a lot of potential but you need to get out of a lazy practice. If you only have the wall to practice with, you best get yourself pumped up for a good practice. It is difficult to get yourself up for wall practice - believe me I know. However, if this is all you got, then you better find a way to get yourself motiviated so you can move to every ball as if you are playing in the finals of the US Open.
OVERALL BACKHAND: Not bad, but terrible leg drive and use of the legs. The onehanded backhand is very much driven by how you use your legs. If you are standing straight up, you will not see the ball well from a vertical perspective and will most likely top the ball. Several things can be made from this:
1. Your eyes are too high above the ball and you lose your judgement on how it is ascending and descending in its arc as the ball slows down.
2. Your forward swing is too late and is making contact with the ball at the bottom portion of the swing. In other words, after the drop of the racquet, the racquet hasn't had a chance to rise before it makes contact with the ball.
3. You will droop the racquet head as a last second adjustment to get your strings on the ball which causes all kinds of problems.
Also, loosen your arm a bit for the backhand and dont make it too rigid in the backswing. The shape of your arm is not bad, but it seems a bit too tight for my likening. Use your legs to rise up and hit the ball.
Watch how Blake uses his legs and the arm follows and puts the strings on the ball. Watch his knees bend as it resembles a spring that is loading. Then watch his legs rise, racquet is lower than the ball from the contact point perspective, and then watch Blake rise through the shot and followthrough.
http://www.youtube.com/watch?v=KTyyITw-fyo
Also, rising through the shot and the use of the legs should be measured. We are not talking about jumping or popping up, watch Federer here also watch were his front shoulder goes. It goes under the chin:
http://www.youtube.com/watch?v=RORTYH588cE
Bottom-line, get off that wall and find a smooth one with more predictable bounces. Quit being lazy in the legs. For every shoulder turn, move your front shoulder under the chin. Get hungry for practice. Use your non-dominant arm better. Stay on your toes. Do not bend at the waist or droop your racquet.