ls206
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Cheers, I'm going to request a brochure now.Tennis Tech UK has the Stringway Starting clamp
Made an order for the clamp I mentioned today, it'll get here tomorrow, I'll post my thoughts if you'd like.
Cheers, I'm going to request a brochure now.Tennis Tech UK has the Stringway Starting clamp
With the help of these vids I've just strung my first racquet. I'm sure you're bored of hearing it by now, but thanks for making them. I think I'd still be trying to figure it out otherwise.
One question I have is regarding mounting the racquet. I have a 6-point mounting system, and followed the advice in your video so the side posts just touched enough so they wouldn't twist back and forth. At least, that's how they were at the start. By the time I got towards the throat on the crosses, I noticed that the posts at that end were a little loose. I guess this is because the string tension had caused the frame to compress slightly.
Should I be checking for this and tighten them as necessary? I don't have anything to tighten under the posts themselves like you do in the video - they just sit freely. The only way I can move them is to use the knobs at the end. In the video you state that they're to stop the frame from moving out rather than to keep it in, so I'm not sure if this is important or not.
No slipping today, but some light marks on the bumper guard/grommet strip afterwards, suggesting I went a touch too far the other way. Which is worse for the racquet - to be slightly too loose, or too tight?
I also just ordered a Carbon Leaf album based on the excerpt in your Starting Crosses with a Starting Clamp video. Sounded like a nice tune
Any videos out there with complete step-by-step instructions on how to string a racquet with a Klippermate?
Sure, if anyone minds sending me a Klippermate for a while, I'll make some.
I'll keep an eye out for them if they ever tour the UK (unless I hate the album of course).Sweet! They're a great band to hear live too, from what I hear.
I would think that too tight is worse than too loose, but there are certain degrees. There's a point where it being so loose could break the frame almost everytime.
I just watched your "starting crosses with starting clamp" video, and I'm curious why you didn't just keep tension on the starting clamp the whole time. What made you tie off before you finish the rest of the crosses?
Thanks -- I just got my SP Swing in the mail, and will try to do my first unsupervised racket stringing tonight!
Edit: and about pre-stretching: since a dropweight is constant-pull, is it advisable to prestretch multi's on this kind of stringer?
Thanks guys!
You can leave it on throughout the process. I just remove it so that there is less chance of knocking it off.
Is206 - How is the starting clamp holding up?
Reading various threads, I've seen that you use the turntable lock on a machine when stringing Prince O3 racquets. This got me thinking: is there any benefit to locking the turntable when stringing a racquet with regular grommets? I was wondering whether it might lead to a more consistent job, as the turntable could not slip at any point. But on the other hand, perhaps it leads to a more inconsistent job unless you get the angle spot on. So I'm not sure now, hence the question.
Phew, just read this thread start to finish. You're a patient man, answering the same questions over and over! I notice you were talking about becoming a teacher: from your videos and responses in this thread, I think you'd have an excellent temperament for it.
I have one further query at the moment, which has yet to be posed. I've strung one of my Head FXP Prestige MP racquets, which has the CAP grommet system. I did a 2-piece job, and experienced an issue when I got near the end of the crosses: where I tied off the mains, I've blocked a cross hole. This wasn't an issue approaching the grommet from inside the frame where I could cut the end at an angle and wiggle it through, but going from the outside all I could see was the string covering the hole. How do you prepare for that with the CAP system? Because it's such a narrow opening, the only way I could see to get around it was to move the string with an awl. Any special techniques?
Carbon Leaf also arrived, and I'm undecided about it after the first few plays. Believe it or not, this is an extremely good sign: if I dislike an album then I tend just not to listen to it, and if I take to it straight away then I will often get bored with it very quickly. The ones I'm unsure about often turn into growers and become my favourites.
Phew, just read this thread start to finish. You're a patient man, answering the same questions over and over! I notice you were talking about becoming a teacher: from your videos and responses in this thread, I think you'd have an excellent temperament for it.
I have one further query at the moment, which has yet to be posed. I've strung one of my Head FXP Prestige MP racquets, which has the CAP grommet system. I did a 2-piece job, and experienced an issue when I got near the end of the crosses: where I tied off the mains, I've blocked a cross hole. This wasn't an issue approaching the grommet from inside the frame where I could cut the end at an angle and wiggle it through, but going from the outside all I could see was the string covering the hole. How do you prepare for that with the CAP system? Because it's such a narrow opening, the only way I could see to get around it was to move the string with an awl. Any special techniques?
Carbon Leaf also arrived, and I'm undecided about it after the first few plays. Believe it or not, this is an extremely good sign: if I dislike an album then I tend just not to listen to it, and if I take to it straight away then I will often get bored with it very quickly. The ones I'm unsure about often turn into growers and become my favourites.
flatten the string, cut it at a sharp edge, dip it in lip stick, and clamp it with your pliers and then shove it through the grommet ( at an angle). this should work, but make sure you're holding only the very tip with your pliers, like YuLitle demonstrates. and.. the whole thread? wow!
Yeah, Carbon Leaf has a couple albums. I have two. I definitely prefer one over the other.
About the Cap grommets. If I have to string two piece, and the cross is a multifilament, I will try as best as I can to push it through using the method in my video. If that doesn't work, after many tries, I will end up using an AWL.
Thanks for reading through the thread first.
woops, i meant chapstick. sorry ;]. If that doesn't work, than you have yourself in quite a deep pool of water, my friend. I don't know any alternatives except buying a pathfinder guiding awl. I don't even use it myself, because I've never experienced the need to use this. but.... if you're willing to shell out the money, I think this item would work.
http://www.tennis-warehouse.com/descpage-PATHAWL.html
I'm pretty sure YULitle has a video demonstrating how to use this confangled contraption
to YULitle or anyone who has tried stringing a Microgel Radical MP with an ATW pattern, it won't harm the racquet, correct? I keep hearing around the forums that the radical has a soft substance in the head that makes it more prone to deformation. I just need to verify that it will not damage the frame on an ATW pattern, since I am horrible at 2-piece stringing.
The ATW is much better than down-up cross installation, especially on the Radical. The only thing "better," and it's certainly arguable, is two-piece.
okay, thanks. ATW pattern it is. I'll start trying 2-piece as soon as I get a starting clamp to tighten knots. needle nosed pliers always seems to break the string... and my face. :|
This should be a sticky....mods???
An update from last night: the piece of scrap string in the grommet didn't work (whose idea was that, eh?) as it prevented the main from entering the CAP on tie off. However, this time it only partially blocked the cross grommet, so I was able to complete the job awl free. Hurrah!
Of course, another string job means more questions arising. ;-)
Question 1: I revisited the parnell knot video to remind myself how to do it, and realised that I hadn't been following it properly first time round. I made the mistake because I was following what you said, rather than what you did. The first hitch is fine - Over, Under, Through. On the video, you then say to go under and through again, whereas what you actually do is go Over, then under and through. So my knot from last week was actually a variation that went like this:
(Starting as in your video with the anchor string on the right, and the tie-off on the left):
Over, L-R. Under, R-L. Through. Under, L-R. Through the loop on the right side of the anchor.
Having tied with a proper parnell last night, I actually think this alternate method results in a neater knot. Is it an accepted variation? The only issue I could see is that it is slightly smaller, but I've been hitting with that racquet all week and had no problems.
Question 2: I haven't quite identified what a hard weave is yet. Once the first couple of crosses are in, they all look hard to me! Would there be anything technically wrong with pulling twice on every cross (other than obviously taking longer)?
Question 3: Having had success with my syn gut jobs, I tried a multi last night. The string in question was NXT Tour, a pretty clear-coloured string. When it was held (both in the clamps and tension head), white marks were made on the string where it had been gripped. I spent about half and hour at the start adjusting the clamps, but found that if they were loose enough not to make a mark, then they wouldn't hold tension. No damage has been done (at least, as far as I can tell), but they look pretty rubbish in the racquet now with white marks all over them. Is this normal? Or is it down to poor technique on my part?
Thanks for reading!
Yeah, I ghosted my E-Matrix and Wilson Supreme when I strung them. At the time the strings were indented a little, but now (after a day) they're fine. Should I be more careful in the future, or does this sound fine?
Edit: oh yeah, my real question! The pattern to my PSC 95 says to tie off on the 13T, which is a cross. I strung both of my rackets this way (with a 2-piece). Is this acceptable? Thanks guys!
Seems I didn't explain myself too well. I tied a knot that did not match the video (and none of your other knot videos), but rather liked it. I suppose the question was whether the knot I tied would be approved. Are there any other knots that you haven't included in your videos? Or a 'big book of knots'? I appreciate that for my own racquets I can literally do whatever I like, but I'd rather be consistent and use authorised techniques so I don't get into bad habits when stringing for others.1) Not sure what you are saying exactly, but so long as it's tied like the video shows, you'll be fine.
Helps no end, thanks!2)Hopefully this helps.
Thanks for clarification, it's reassuring to know that it wasn't an error. I may end up with a love-hate relationship with NXT: I hate the way it looks with the ghosting, it costs a lot, and it's the first string that has made a 'pinging' sound when I hit the ball (I don't use a dampner). But I found it really comfortable with a lot of feel, damn it!3) The "ghosting," as it's called, is normal (especially with NXT.) Don't worry about it unless it is leaving physical indentations. It's better to have a little ghosting than having the string slip through the clamps.